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Evidence, Criminal, in literature. --- Greek literature --- Witnesses in literature. --- History and criticism.
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This original and wide-ranging study shows how changing attitudes to evidence, trial and revelation in law and theology had a profound impact on literary narrative in the nineteenth century. Jan-Melissa Schramm, who is both a lawyer and a literary critic, argues that authors of fiction created a style of literary advocacy that both imitated, and reacted against, the example of their story-telling counterparts of the criminal Bar, and traces the ongoing debate over rules of evidence, eye-witness testimony and codes of ethical conduct that helped shape Victorian realism as a narrative form.
English literature --- Law and literature. --- Evidence, Criminal, in literature. --- Witnesses in literature. --- Theology in literature. --- Trials in literature. --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Literature and law --- Literature --- History and criticism.
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English fiction --- English fiction. --- English literature --- English literature. --- Evidence (Law). --- Evidence, Criminal, in literature. --- Law and literature. --- Narration (Rhetoric). --- Theology in literature. --- Trials in literature. --- Witnesses in literature. --- History and criticism --- 1700-1899.
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Roman policier. --- Preuve (droit) --- Psychologie cognitive --- Droit et neurosciences --- Psychologie du droit --- Dans la littérature. --- Christie, Agatha --- Critique et interprétation. --- Detective and mystery stories --- Evidence, Criminal, in literature --- Crime in literature --- Psychology in literature --- Roman policier --- Preuve (Droit pénal) dans la littérature --- Criminalité dans la littérature --- Psychologie dans la littérature --- Authorship --- Art d'écrire --- Christie, Agatha, --- Criticism and interpretation. --- Law and literature --- Droit et littérature
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