Listing 1 - 8 of 8 |
Sort by
|
Choose an application
Das Buch bietet eine philosophisch kommentierte Übersetzung des altjapanischen Textes von Zeami zur Praxis und Ästhetik des Nō-Theaters. Zeami beschreibt nicht nur die Praxis des Schauspielers in verschiedenen Aspekten, sondern entwickelt auch zentrale ästhetische Kategorien für die Rezeption des Nō-Theaters. Die Übersetzung wird ergänzt durch interpretierende Aufsätze zu Themen wie der Maske im Nō-Theater, dem Gebrauch des Körpers und einer Ästhetik des Atmens. Der Band liefert somit eine solide Grundlage für eine philosophisch-ästhetische Auseinandersetzung mit einer alten japanischen Schauspieltradition.
Nō theater --- Non-European theater --- Phenomenology ot the body
Choose an application
Ira Aldridge The Last Years, 1855-1867, the fourth volume of Bernth Lindfors's definitive biography, places on record Aldridge's remarkable achievements and experiences in the final phase of his life, when he performed at theaters throughout Europe. His first Continental tour in 1852-1855 had been a spectacular success, and though he returned to Britain periodically afterwards, he spent much of the remainder of his career entertaining audiences in central and eastern Europe, mainly in Ukraine and Russia. His Shakespearean performances in St. Petersburg in 1858 and Moscow in 1862 were among his greatest triumphs and led to numerous appearances elsewhere in provincial cities and towns.During his forty-three years on stage in Europe, Ira Aldridge traveled more widely and wonmore honors, decorations, and awards than any other actor of his day. He is remembered not only as a talented thespian but also as a very visible representative of his race, someone who changed European perceptions of black people through the sheer brilliance of his artistry on stage. And by doing so, he helped to humanize the image of Africans and their descendants in Europe at an important transitional moment in history, when the movement to abolish slavery was gathering force and winning international acceptance. Bernth Lindfors is professor emeritus of English and African literatures at the University of Texas at Austin.
Actors --- African American actors --- African Americans --- Shakespearean actors and actresses --- Black theater --- Theater --- History. --- History --- Aldridge, Ira Frederick, --- Shakespearian actors and actresses --- Actresses --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Black people --- 19th Century Europe. --- African-American Actor. --- Biography. --- Civil Rights Movement. --- Cultural Representation. --- European Theater. --- Ira Aldridge. --- Shakespearean Performances. --- Theatrical History.
Choose an application
Ira Aldridge -- a black New Yorker -- was one of nineteenth-century Europe's greatest actors. He performed abroad for forty-three years, winning more awards, honors, and official decorations than any of his professional peers. Billed as the "African Roscius," Aldridge developed a repertoire initially consisting of Shakespeare's Othello, melodramas about slavery, and farces that drew on his ability to sing and dance. By the time he began touring in Europe he was principally a Shakespearean actor, playing such classic characters as Shylock, Macbeth, Richard III, and King Lear.
Although his frequent public appearances made him the most visible black man in the world by mid-nineteenth century, today Aldridge tends to be a forgotten figure, seldom mentioned in histories of British and European theater. This collection restores the luster to Aldridge's reputation by examining his extraordinary achievements against all odds. The early essays offer biographical information, while later essays examine his critical and popular reception throughout the world. Taken together, these diverse approaches to Aldridge offer a fuller understanding and heightened appreciation of a remarkable man who had an exceptionally interesting life and a spectacular career.
Contributors: Cyril Bruyn Andrews, Nikola Batusic, Philip A. Bell, Keith Byerman, Ruth M. Cowhig, Nicholas M. Evans, Joost Groeneboer, Ann Marie Koller, Joyce Green MacDonald, Herbert Marshall, James J. Napier, Krzysztof Sawala, Gunner Sjögren, James McCune Smith, Hazel Waters, and Stanley B. Winters.
Bernth Lindfors is Professor Emeritus of English and African literatures at The University of Texas at Austin.
Aldridge, Ira Frederick, --- Actors --- African American actors --- African Americans --- Shakespearean actors and actresses --- Black theater --- Theater --- History. --- History --- Shakespearian actors and actresses --- Actresses --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Black people --- British. --- Dancing. --- European theater. --- Farces. --- Ira Aldridge. --- King Lear. --- Macbeth. --- Melodramas. --- Nineteenth century. --- Othello. --- Richard III. --- Shakespeare. --- Shylock. --- Singing. --- Slavery. --- Tragic actor.
Choose an application
Dogface Soldiers is an interdisciplinary and image centered cultural history of the Army of the United States‘ infantry riflemen in the Mediterranean- and European Theaters of Operations of World War II. Its methods transcend the boundaries of conventional historiography and make use of Clifford Geertz’s anthropological method of thick description as well as military used comprehensive analysis methods. Dogface Soldiers ist eine interdisziplinäre und bildbasierte Kulturgeschichte US-amerikanischer Infanterieschützen des europäischen Zweiten Weltkriegs. Methodisch werden konventionelle Grenzen der Histriogarpahie überschritten und Anleihen bei Clifford Geertz und seiner anthropologischen "Thick Description", sowie bei comprehensive analysis-Modellen militärisch-operativer Provenienz genommen.
World War, 1939-1945 --- Regimental histories --- Campaigns --- Mauldin, Bill, --- United States. --- History. --- Caricatures and cartoons. --- World War II --- Army of the United States --- Infantry Riflemen --- European Theater of Operations --- Mediterranean Theater of Operations --- Bill Mauldin --- Cartoons --- Willie & Joe --- Zweiter Weltkrieg --- US Army --- Infanterie --- Frontsoldaten --- Nordwesteuropa --- Mittelmeerraum --- Köln --- Vereinigte Staaten --- Vereinigtes Königreich --- Weimar --- Wien
Choose an application
Dogface Soldiers is an interdisciplinary and image centered cultural history of the Army of the United States‘ infantry riflemen in the Mediterranean- and European Theaters of Operations of World War II. Its methods transcend the boundaries of conventional historiography and make use of Clifford Geertz’s anthropological method of thick description as well as military used comprehensive analysis methods. Dogface Soldiers ist eine interdisziplinäre und bildbasierte Kulturgeschichte US-amerikanischer Infanterieschützen des europäischen Zweiten Weltkriegs. Methodisch werden konventionelle Grenzen der Histriogarpahie überschritten und Anleihen bei Clifford Geertz und seiner anthropologischen "Thick Description", sowie bei comprehensive analysis-Modellen militärisch-operativer Provenienz genommen.
World War, 1939-1945 --- Regimental histories --- Campaigns --- Mauldin, Bill, --- United States. --- History. --- Caricatures and cartoons. --- World War II --- Army of the United States --- Infantry Riflemen --- European Theater of Operations --- Mediterranean Theater of Operations --- Bill Mauldin --- Cartoons --- Willie & Joe --- Zweiter Weltkrieg --- US Army --- Infanterie --- Frontsoldaten --- Nordwesteuropa --- Mittelmeerraum --- Köln --- Vereinigte Staaten --- Vereinigtes Königreich --- Weimar --- Wien
Choose an application
Dogface Soldiers is an interdisciplinary and image centered cultural history of the Army of the United States‘ infantry riflemen in the Mediterranean- and European Theaters of Operations of World War II. Its methods transcend the boundaries of conventional historiography and make use of Clifford Geertz’s anthropological method of thick description as well as military used comprehensive analysis methods. Dogface Soldiers ist eine interdisziplinäre und bildbasierte Kulturgeschichte US-amerikanischer Infanterieschützen des europäischen Zweiten Weltkriegs. Methodisch werden konventionelle Grenzen der Histriogarpahie überschritten und Anleihen bei Clifford Geertz und seiner anthropologischen "Thick Description", sowie bei comprehensive analysis-Modellen militärisch-operativer Provenienz genommen.
World War, 1939-1945 --- World War II --- Army of the United States --- Infantry Riflemen --- European Theater of Operations --- Mediterranean Theater of Operations --- Bill Mauldin --- Cartoons --- Willie & Joe --- Zweiter Weltkrieg --- US Army --- Infanterie --- Frontsoldaten --- Nordwesteuropa --- Mittelmeerraum --- Köln --- Vereinigte Staaten --- Vereinigtes Königreich --- Weimar --- Wien --- Regimental histories --- Campaigns --- Mauldin, Bill, --- United States. --- History. --- Caricatures and cartoons.
Choose an application
In the first musicological study of Kurt Weill's complete stage works, Stephen Hinton charts the full range of theatrical achievements by one of twentieth-century musical theater's key figures. Hinton shows how Weill's experiments with a range of genres-from one-act operas and plays with music to Broadway musicals and film-opera-became an indispensable part of the reforms he promoted during his brief but intense career. Confronting the divisive notion of "two Weills"-one European, the other American-Hinton adopts a broad and inclusive perspective, establishing criteria that allow aspects of continuity to emerge, particularly in matters of dramaturgy. Tracing his extraordinary journey as a composer, the book shows how Weill's artistic ambitions led to his working with a remarkably heterogeneous collection of authors, such as Georg Kaiser, Bertolt Brecht, Moss Hart, Alan Jay Lerner, and Maxwell Anderson.
Musical theater --- Lyric theater --- Theater --- History --- Weill, Kurt, --- Ṿail, Ḳurṭ, --- Weil, Kurt, --- Weill, Kurt --- וייל, קורט --- Criticism and interpretation. --- 20th century composers. --- 20th century music. --- 20th century musical theater. --- 20th century opera. --- american entertainment. --- american music. --- american musical theater. --- broadway musicals. --- european history. --- european musicals. --- european opera. --- european theater. --- famous composers. --- german composer. --- historic composers. --- history of broadway. --- history of opera. --- history of theater. --- music and theater. --- music studies. --- musical composers. --- musical fans. --- musical lovers. --- musicological study. --- performing arts history. --- theatre biographies.
Choose an application
The US Armies Siegfried Line campaign in World War 2
World War, 1939-1945 --- History & Archaeology --- History - General --- Campaigns --- United States. --- World War (1939-1945) --- 1939-1945 --- Germany. --- ETOUSA --- European Theater of Operations, United States Army --- E.T.O.U.S.A. --- World War II Period --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- Germany (East) --- Germany (West) --- Europe
Listing 1 - 8 of 8 |
Sort by
|