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Professor Alpers argues that Spenser's purpose in The Faerie Queene was not to create a fictional world or to imitate action, but to create and manipulate the reader's response. Individual episodes in the poem are considered by the author as developing psychological experience within the reader rather than as actions to be observed. Part I is an examination of the technical poetic devices Spenser used to develop the reader's response to the action of the poem. Part II concerns interpretation, iconography, and source material. Part III draws on the arguments and conclusions of the first two parts to discuss, in a general way, the nature of Spenser's poetry, including Spenserian allegory.Originally published in 1967.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Spenser, Edmund, --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.

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This book explores the history of literature as a history of changing media and modes of communication, from manuscript to print, from the codex to the computer, and from paper to digital platforms. It argues that literature has evolved, and continues to evolve, in sync with material forms and formats that engage our senses in multiple ways. Because literary experiences are embedded in, and enabled by, media, the book focuses on literature as a changing combination of material and immaterial features. The principal agents of this history are no longer genres, authors, and texts but configurations of media and technologies. In telling the story of these combinations from prehistory to the present, Ingo Berensmeyer distinguishes between three successive dominants of media usage that have shaped literary history: performance, representation, and connection. Using English literature as a test case for a long view of media history, this book combines an unusual bird’s eye view across periods with illuminating readings of key texts. It will prove an invaluable resource for teaching and for independent study in English or comparative literature and media studies.

LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- Media. --- history. --- literature.

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By a judicious use of psychoanalytic concepts, Richard Onorato interprets the Wordsworth revealed in the poem The Prelude and relates the problems of poetic autobiography to those of personality.Originally published in 1971.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

English --- Languages & Literatures --- English Literature --- Wordsworth, William, --- Wordsworth, William --- POETRY / European / English, Irish, Scottish, Welsh.

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James Kelman is one of the most important Scottish writers now living. His fiction is widely acclaimed, and widely caricatured. His art declares war on stereotypes, but is saddled with plenty of its own.This book attempts to disentangle Kelman's writing from his reputation, clarifying his literary influences and illuminating his political commitments. It is the first book to cover the full range and depth of Kelman's work, explaining his position within genres such as the short story and the polemical essay, and tracing his interest in anti-colonial politics and existential thought. Essays by

Kelman, James, --- Kelman, Jim, --- Criticism and interpretation. --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- English literature.

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David Lodge is a much-loved novelist and influential literary critic. Examining his career from his earliest publications in the late 1950s to his more recent works, David Lodge and the Tradition of the Modern Novel identifies Lodge's central place within the canon of twentieth-century British literature. J. Russell Perkin argues that liberalism is the defining feature of Lodge's identity as a novelist, critic, and Roman Catholic intellectual, and demonstrates that Graham Greene, James Joyce, Kingsley Amis, Henry James, and H.G. Wells are the key influences on Lodge's fiction. Perkin also considers Lodge's relationship to contemporary British novelists, including Hilary Mantel, Julian Barnes, and Monica Ali. In a study that is both theoretically informed and accessible to the general reader, Perkin shows that Lodge's work is shaped by the dialectic of modernism and the realist tradition. Through an approach that draws on diverse theories of literary influence and history, David Lodge and the Tradition of the Modern Novel provides the most thorough treatment of the novelist's career to date.

Lodge, David, --- לודג׳, דייוויד, --- Criticism and interpretation. --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.