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An Ethics of Reading considers how writers of contemporary American fiction represent collective identities by producing literature that bears witness to cultural traumas. With chapters focused on important American novelists including Toni Morrison, Alice Walker, Sherman Alexie, Edwidge Danticat and Junot Díaz, the book works to situate novels that explore ethnic identity in conversation with one another. From those intertextual conversations, it draws conclusions about how fiction functions as testimony and the ways that readers might work to ethically respond to the testimonial features of
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American literature --- Minorities --- Immigrants --- Semiotics and literature --- Ethnic groups in literature --- Ethnology --- Ethnicity in literature --- Minority authors --- History and criticism --- Foreign authors --- Intellectual life --- Ethnic groups in literature. --- Ethnicity in literature. --- History and criticism.
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American drama --- American drama --- Ethnic groups in literature. --- Jews in literature. --- History and criticism --- History and criticism
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"Ethnic American Literatures and Critical Race Narratology explores the relationship between narrative, race, and ethnicity in the United States. Situated at the intersection of narrative theory and context-oriented approaches in race, ethnic, and cultural studies, it interrogates the complex and varied ways in which ethnic American authors use narrative form to engage readers in issues related to race and ethnicity. The books international group of contributors covers a wide range of primary texts that belong to the literary traditions of Latinx, African American, Native American, Asian American, Jewish American, and Arab American communities. They demonstrate that paying attention to the formal features of these texts changes our understanding of narrative theory and that narrative theories can help us to think about their representations of time and space, the narration of trauma and other emotional memories, and the importance of literary meta-paratexts, genre structures, and author functions"--
American literature --- Ethnic groups in literature. --- Critical race theory. --- Narration (Rhetoric) --- Ethnicity in literature. --- Minority authors --- History and criticism.
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"Strangers at Home reframes the way we conceive of the modernist literature that appeared in the period between the two world wars. This work shows that a body of texts written by ethnic writers during this period poses a challenge to conventional notions of America and American modernism. By engaging with modernist literary studies from the perspectives of minority discourse, postcolonial studies, and postmodern theory, Rita Keresztesi questions the validity of modernism's claim to the neutrality of culture. She argues that literary modernism grew out of a prejudiced, racially biased, and often xenophobic historical context that necessitated a politically conservative and narrow definition of modernism in America. With the changing racial, ethnic, and cultural makeup of the nation during the interwar era, literary modernism also changed its form and content." "Contesting traditional notions of literary modernism, Keresztesi examines American modernism from an ethnic perspective in the works of Harlem Renaissance, immigrant, and Native American writers. She discusses such authors as Countee Cullen, Nella Larsen, Zora Neale Hurston, Anzia Yezierska, Henry Roth, Josephina Niggli, Mourning Dove, D'Arcy McNickle, and John Joseph Mathews, among others. Strangers at Home makes a persuasive argument for expanding our understanding of the writers themselves as well as the concept of modernism as it is currently defined."--Jacket.
Ethnicity in literature. --- Ethnic groups in literature. --- African Americans --- Politics and literature --- American literature --- Modernism (Literature) --- Intellectual life --- History --- Minority authors --- History and criticism.
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New Strangers in Paradise offers the first in-depth account of the ways in which contemporary American fiction has been shaped by the successive generations of immigrants to reach U.S. shores. Gilbert Muller reveals how the intersections of peoples, regions, and competing cultural histories have remade the American cultural landscape in the aftermath of World War II.Muller focuses on the literature of Holocaust survivors, Chicanos, Latinos, African Caribbeans, and Asian Americans. In the quest for a new identity, each of these groups seeks the American dream and rewrites the story of what it
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The book explores the discursive and theoretical conditions for conceptualizing the postethnic literary. It historicizes US multicultural and postcolonial studies as institutionalized discursive formations, which constitute a paratext that regulates the reception of literary texts according to the paradigm of representativeness. Rather than following that paradigm, the study offers an alternative framework by rereading contemporary literary texts for their investment in literary form. By means of self-reflective intermedial transpositions, the writings of Sherman Alexie, Chang-rae Lee, and Jamaica Kincaid insist upon a differentiation between the representation of cultural sign systems or subject positions and the dramatization of individual gestures of authorship. As such, they form a postethnic literary constellation, further probed in the epilogue of the study focused on Dave Eggers.
American literature --- Ethnic groups in literature. --- Multiculturalism in literature. --- Paratext. --- Authorship. --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Books --- English literature --- Agrarians (Group of writers) --- Criticism, Textual. --- Contemporary Literature. --- Postcolonialism.
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The Cambridge Companion to the American Modernist Novel offers a comprehensive analysis of US modernism as part of a wider, global literature. Both modernist and American literary studies have been reshaped by waves of scholarship that unsettled prior consensuses regarding America's relation to transnational, diasporic, and indigenous identities and aesthetics; the role of visual and musical arts in narrative experimentation; science and technology studies; and allegiances across racial, ethnic, gendered, and sexual social groups. Recent writing on US immigration, imperialism, and territorial expansion has generated fresh and exciting reasons to read or reread modernist novelists, both prominent and forgotten. Written by a host of leading scholars, this Companion provides unique interpretations and approaches to modernist themes, techniques, and texts.
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