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Film --- Motion pictures --- Cinéma --- History. --- Histoire --- Hollywood (Los Angeles, Calif.) --- United States --- Etats-Unis au cinéma --- In motion pictures. --- Cinéma --- Etats-Unis au cinéma
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Alfred Hitchcock's American films are not only among the most admired works in world cinema, they also offer some of our most acute responses to the changing shape of American society in the 1940s, 50s, and 60s. The authors of this anthology show how famous films such as Strangers on a Train, Vertigo, North by Northwest, and Rear Window, along with more obscure ones such as Rope, The Wrong Man, and Family Plot, register the ideologies and insurgencies, the normative assumptions and the cultural alternatives, that shaped these tumultuous decades. They argue that, just as these films occupy a vi
National characteristics, American, in motion pictures. --- Caractéristiques nationales américaines dans le cinéma --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- National characteristics [American ] in motion pictures --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- Volkskarakters [Amerikaanse ] in de film --- Hitchcock, Alfred Joseph --- Criticism and interpretation --- National characteristics [American ] in literature
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Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- United States --- History --- In motion pictures. --- #SBIB:043.AANKOOP --- #SBIB:309H1320 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Miscellanea
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Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- Cinéma --- Motion pictures --- Aspect politique --- Thèmes, motifs --- Political aspects --- Lee, Spike, --- Lee, Spike --- Critique et interprétation --- Criticism and interpretation. --- États-Unis --- United States --- Au cinéma --- In motion pictures. --- Criticism and interpretation --- Thèmes, motifs. --- Au cinéma. --- Critique et interprétation. --- Cinéma --- Thèmes, motifs. --- Critique et interprétation. --- États-Unis --- Au cinéma.
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Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- United States --- Anti-Americanism --- In popular culture --- In mass media --- Arab countries --- Foreign public opinion, Arab --- Relations --- Anti-amerikanisme --- In literature --- United States - In popular culture --- United States - In mass media --- Anti-Americanism - Arab countries --- United States - Foreign public opinion, Arab --- United States - Relations - Arab countries --- Arab countries - Relations - United States
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History of North America --- Film --- United States --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- Presidenten in de film --- Presidents in motion pictures --- Présidents au cinéma --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- #SBIB:309H1320 --- #SBIB:033.AANKOOP --- Historical films --- -Presidents --- -Presidency --- Heads of state --- Executive power --- Motion pictures --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History and criticism --- History --- In motion pictures. --- Presidents --- History and criticism. --- History. --- -De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- United States of America
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Motion pictures --- National characteristics, American, in motion pictures. --- History. --- United States --- Hollywood (Los Angeles, Calif.) --- In motion pictures. --- Caractéristiques nationales américaines dans le cinéma --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- National characteristics [American ] in motion pictures --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- Volkskarakters [Amerikaanse ] in de film --- National characteristics, American, in motion pictures --- #SBIB:309H1320 --- History --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- National characteristics [American ] in literature --- Cinéma --- États-Unis (sud) --- États-Unis --- Hollywood (Calif.) --- Histoire et critique --- Au cinéma --- Cinéma --- États-Unis (sud) --- États-Unis --- Au cinéma
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Historical films --- -Motion pictures and history --- #SBIB:309H1326 --- #SBIB:012.AANKOOP --- History and motion pictures --- Moving-pictures and history --- History --- Motion pictures --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- United States --- In motion pictures. --- Cinéma et histoire --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- Film en geschiedenis --- Histoire au cinéma --- Histoire et cinéma --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- --États-Unis --- --Motion pictures and history --- In motion pictures --- Cinéma --- --Histoire --- Motion pictures and history. --- Films historiques --- Cinéma et histoire --- History and criticism. --- Histoire et critique --- Motion pictures and history --- Historical films - United States - History and criticism --- Histoire --- États-Unis --- United States - In motion pictures --- CINEMA AMERICAIN --- FILMS HISTORIQUES --- CINEMA ET HISTOIRE --- ETATS-UNIS --- HISTOIRE ET CRITIQUE --- AU CINEMA
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Motion pictures in propaganda --- Motion pictures --- Documentary films --- Cold War in motion pictures --- Motion pictures, American --- Cinéma dans la propagande --- Cinéma --- Documentaires --- Guerre froide au cinéma --- Cinéma américain --- History --- Political aspects --- Histoire --- Aspect politique --- Exposition universelle et internationale --- United States --- Etats-Unis au cinéma --- In motion pictures. --- Cinéma dans la propagande --- Cinéma --- Guerre froide au cinéma --- Cinéma américain --- Expo (International Exhibitions Bureau) --- Etats-Unis au cinéma
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What key concerns are reflected in documentaries produced in and about the United States? How have documentaries engaged with competing visions of US history, culture, politics, and national identity? This book examines how documentary films have contributed to the American public sphere - creating a kind of public space, serving as sites for community-building, public expression, and social innovation. Geiger focuses on how documentaries have been significant in forming ideas of the nation, both as an imagined space and a real place. Moving from the dawn of cinema to the present day, this is the first full-length study to focus on the extensive range and history of American non-fiction filmmaking. Combining comprehensive overviews with in-depth case studies, Geiger maps American documentary's intricate histories, examining the impact of pre- and early cinema, travelogues, the avant-garde, 1930s social documentary, propaganda, direct cinema, postmodernism, and 'new' documentary. Offering detailed close analyses and fresh insights, this book provides students and scholars with a stimulating guide to American documentary, reminding us of its important place in cinema history. Key Features * Historical overview of major documentary forms and practices in the USA * Case studies, including Nanook of the North, The Plow that Broke the Plains, Grey Gardens, and Fahrenheit 9/11 * Analysis of critical debates relating to filmic representations of reality
Documentary films --- National characteristics, American --- History. --- In motion pictures. --- United States --- Blacksmith Scene (Film) --- Blacksmith Scene (Motion picture) --- Buffalo Dance (Film) --- Buffalo Dance (Motion picture) --- Caractéristiques nationales américaines dans le cinéma --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- Fahrenheit 9/11 (Film) --- Fahrenheit 9/11 (Motion picture) --- Grey Gardens (Film) --- Grey Gardens (Motion picture) --- Grey gardens (Film) --- Manhatta (Film) --- Manhatta (Motion picture) --- Memphis Belle, The (Film) --- Memphis Belle, The (Motion picture) --- Mess Call (Film) --- Mess Call (Motion picture) --- Mess call (Film) --- Nanook of the North (Film) --- Nanook of the North (Motion picture) --- National characteristics [American ] in motion pictures --- Plow that Broke the Plains, The (Film) --- Plow that Broke the Plains, The (Motion picture) --- Tongues Untied (Film) --- Tongues Untied (Motion picture) --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- Volkskarakters [Amerikaanse ] in de film --- film --- filmgeschiedenis --- Verenigde Staten --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- documentaire film --- Flaherty Robert --- Maysles Albert --- Maysles David --- film en propaganda --- experimentele film --- Léger Fernand --- Sheeler Charles --- Strand Paul --- Lorentz Pare --- Ivens Joris --- Capra Frank --- Steiner Ralph --- Van Dyke Willard --- Riefenstahl Leni --- Ford John --- Wyler William --- direct cinema --- Leacock Richard --- Pennebaker D.A. --- Wiseman Frederick --- Davis Peter --- Morris Robert --- Riggs Marlon T. --- McElwee Ross --- Moore Michael --- 791.43 --- National characteristics, American, in motion pictures. --- Documentaires --- Caractéristiques nationales américaines dans le cinéma --- History and criticism --- Histoire et critique --- Etats-Unis au cinéma --- National characteristics [American ] in literature --- Film --- National characteristics, American, in motion pictures --- Pennebaker D.A --- Riggs Marlon T --- Motion pictures --- Nonfiction films --- Nonstory films --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Actualities (Motion pictures) --- History and criticism. --- United States of America --- Films documentaires --- Caractère national américain --- Nationalisme --- États-Unis --- Caractère national américain --- États-Unis
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