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Graphic arts --- engravings [prints] --- etchings [prints] --- woodcuts [prints] --- art collections --- Long, Kirk Edward --- anno 1500-1599 --- Europe --- Estampe de la Renaissance --- Collections privées. --- Collections d'art.

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Suzanne Karr Schmidt's Interactive and Sculptural Printmaking in the Renaissance tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions—part text, part image, and part sculpture—engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself.

76 "14" --- 76 "15/17" --- 745.54 --- 82.085.43 --- 82.085.43 Literaire receptie --- Literaire receptie --- 745.54 Kunstvoorwerpen van papier. Papierkunst --- Kunstvoorwerpen van papier. Papierkunst --- 76 "15/17" Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- 76 "14" Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Prints, Renaissance --- Interactive prints --- Estampe de la Renaissance --- printmaking --- Graphic arts --- illustrations [layout features] --- prints [visual works] --- anno 1400-1499 --- anno 1500-1599 --- Europe --- Prints, European --- Art and society --- Art --- Themes, motives. --- History --- Aspect social --- Estampe de la Renaissance. --- Art and sociology --- Society and art --- Sociology and art --- Sculptural prints --- Prints --- Toy and movable books --- European prints --- Social aspects

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This richly illustrated publication reproduces and describes effectively every early modern German colour print held at the British Museum. It is one of the world?s most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German colour printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s. 0This richly illustrated publication reproduces and describes effectively every early modern German colour print held at the British Museum. It is one of the world?s most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German colour printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s.

761.1 --- 761 <43> --- 761 <43> Hoogdruktechnieken in de grafische kunst--Duitsland voor 1945 en na 1989 --- Hoogdruktechnieken in de grafische kunst--Duitsland voor 1945 en na 1989 --- 761.1 Hoogdruktechnieken: houtsneden --- Hoogdruktechnieken: houtsneden --- Color prints, German --- Catalogs. --- Graphic arts --- woodcuts [prints] --- color prints [prints] --- British Museum [London] --- anno 1500-1799 --- anno 1400-1499 --- Germany --- Color prints --- Color prints, German. --- Color prints. --- Estampe de la Renaissance --- Estampe en couleurs allemande --- Estampe en couleurs --- Gravure sur bois allemande --- Prints --- Prints, Renaissance --- Prints, Renaissance. --- Prints. --- Wood-engraving --- Wood-engraving, German --- Wood-engraving, German. --- Wood-engraving. --- British Museum --- British Museum. --- England --- Träsnitt. --- Renässansen. --- Tyskland. --- Catalogs

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Drawing --- Graphic arts --- drawing [image-making] --- anno 1500-1599 --- anno 1400-1499 --- Augsburg --- Prints, German --- Drawing, German --- Prints, Renaissance --- Drawing, Renaissance --- Estampe allemande --- Dessin allemand --- Estampe de la Renaissance --- Dessin de la Renaissance --- Exhibitions --- Expositions --- Augsburg (Germany) --- Augsbourg (Allemagne) --- Civilization --- Civilisation --- 76 <43> "14" --- 76 <43> "15" --- Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989--15e eeuw. Periode 1400-1499 --- 76 <43> "14" Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989--15e eeuw. Periode 1400-1499 --- prints [visual works] --- Prints --- German prints --- German drawing --- Drawings, Renaissance --- Renaissance drawing --- Augusta Vindelicorum (Germany) --- Augusta (Germany) --- Augusta Civitas (Germany) --- Augusta Retia (Germany) --- Augusta Swevie Civitas (Germany) --- Augusta Vindelica (Germany) --- Augusta Vindelicensis (Germany) --- Auhsburh (Germany) --- Augustana Civitas (Germany) --- Augustanus (Germany) --- Augustensa (Germany) --- Augustum (Germany) --- Colonia Augusta Raetorum (Germany) --- Licautiorum Damasia (Germany) --- Reciae Civitas (Germany) --- Recie Provincie Metropolis (Germany) --- Swevie Metropolis (Germany) --- Tragopolis (Germany) --- Vindelica (Germany) --- Vindelica Aelia Augusta (Germany) --- Vindelicensis Augusta (Germany) --- Pfersee (Germany) --- Exhibitions.

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"A Renaissance print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of early prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive power, beauty, and meaning.". "Published in conjunction with an exhibition organized by The Baltimore Museum of Art, Painted Prints reproduces and discusses a rich variety of hand-colored prints from Northern Europe of the Renaissance and Baroque periods. Anonymous woodcuts are juxtaposed with masterworks by such famed artists as Durer, Holbein, and Goltzius. These prints, secular as well as religious, muted as well as vibrant in tonality, make it clear that hand coloring was a widespread, enduring practice, developed to satisfy the demands of both elite and popular audiences.". "Painted Prints presents new research into the artists who specialized in hand coloring and offers insights into the social and economic organization of Renaissance and Baroque printmaking. It also draws on scientific analyses of the materials and techniques of hand coloring to address important questions of authenticity, chronology, and condition. With a catalogue and color illustrations of all the hand-colored prints in the exhibition, this book makes a groundbreaking contribution to the study of Renaissance prints and their pivotal place in the visual culture of early modern Europe."--BOOK JACKET.

color [perceived attribute] --- Art --- Graphic arts --- color prints [prints] --- coloring [process] --- anno 1600-1699 --- anno 1500-1599 --- Europe: North --- Prints, European --- Prints, Renaissance --- Prints, Baroque --- Prints --- Estampe européenne --- Estampe de la Renaissance --- Estampe baroque --- Estampe --- Exhibitions. --- Exhibitions --- Coloring --- Expositions --- Coloration --- grafiek --- etsen (prenten) --- gravures --- houtsneden --- renaissance --- barok --- Vlaanderen --- Duitsland --- Nederlanden --- 76 "14" --- 76 "15" --- 76 "16" --- 76.02 --- 76.017.4 --- Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--17e eeuw. Periode 1600-1699 --- Technieken van de grafische kunsten --- Grafische kunsten. Grafiek. Prentkunst--Kleur --- 76.017.4 Grafische kunsten. Grafiek. Prentkunst--Kleur --- 76.02 Technieken van de grafische kunsten --- 76 "16" Grafische kunsten. Grafiek. Prentkunst--17e eeuw. Periode 1600-1699 --- 76 "15" Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- 76 "14" Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Estampe européenne --- prints [visual works] --- Fine prints --- European prints --- Baroque prints --- houtsnede --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- gravure --- Vlaanderen. --- Duitsland. --- Nederlanden.