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Barbieri, Olivo --- Esser, Elger --- Italië --- Siena

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To mark the occasion of the exhibition, Magical Surfaces: The Uncanny in Contemporary Photography, Parasol unit has published a comprehensive, limited edition publication. 
The works of the seven artists selected for this exhibition, Sonja Braas, David Claerbout, Elger Esser, Julie Monaco, Jörg Sasse, Stephen Shore and Joel Sternfeld, all reveal in varying forms the idea of the uncanny – from the magical to the strange and fearful. Each of the exhibiting artists has chosen their own process, either manipulating photographic imagery or creating such settings, which prompts us to marvel at the many ways the uncanny can occur in surfaces and realise once more that any photograph is indeed authored.

Photography --- artistieke fotografie --- artistieke fotografie --- Shore, Stephen --- Braas, Sonja --- Esser, Elger --- Sasse, Jörg --- Sternfeld, Joel --- Monaco, Julie --- Claerbout, David

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Discoveries in a familiar world : the landscape as a photographic object / Friedrich Tietjen ## On visibility : essay / John Berger ## Vanishing landscapes : a vanishing age? / Hans Joachim Schellnhuber ## Why we must act now / Karsten Smid ## Water. Hiroshi Sugimoto ; Elger Esser ; Peter Bialobrzeski ; An-My Lê ; Josef Hoflehner ## Ice. Axel Hütte ; Olaf Otto Becker ; Mette Tronvoll ; Walter Niedermayr ; Michael Kenna ## Plants. Jitka Hanzlová ; Thomas Struth ; Robert Adams ; Giovanni Castell ; Henrik Saxgren ; Joel Sternfeld ## Land. Jem Southam ; Lidwien van de Ven ; Edward Burtynsky ; Karin Apollonia Müller ; Per Bak Jensen.

77.047 --- Adams Robert --- Becker Olaf Otto --- Bialobrzeski Peter --- Burtynsky Edward --- Castell Giovanni --- Esser Elger --- Hanzlova Jitka --- Hoflehner Josef --- Hütte Axel --- Jensen Per Bak --- Kenna Michael --- Lê An-My --- Müller Karin Apollonia --- Niedermayr Walter --- Saxgren Henrik --- Southam Jem --- Sternfeld Joel --- Struth Thomas --- Sugimoto Hiroshi --- Tronvoll Mette --- documentaire fotografie --- eenentwintigste eeuw --- fotografie --- landschapsfotografie --- van de Ven Lidwien --- 766.4 --- Adams, Robert --- Becker, Olaf Otto --- Bialobrezski, Peter --- Burtynsky, Edward --- Castell, Giovanni --- Esser, Elger --- Hanzlova, Jitka --- Hoflehner, Josef --- Hütte, Axel --- Ijs --- Jensen, Per Bak --- Kenna, Michael --- Le, An-My --- Müller, Karin Apollonia --- Niedermayr, Walter --- Saxgren, Henrik --- Southam, Jem --- Sternfeld, Joel --- Struth, Thomas --- Sugimoto, Hiroshi --- Tronvoll, Mette --- Van de Ven, Lidwien --- natuurfotografie --- zee

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Art --- photographs --- sculpture [visual works] --- outdoor sculpture --- installations [visual works] --- public art --- video art --- seashores --- seas --- human figures [visual works] --- Spoerri, Daniel --- Claus, Hugo --- Lentink, Gerhard --- Mach, David --- Zhang Huan --- Kicco --- Winter/Hörbelt --- Charlier, Jacques --- Angi, Alex --- Baudrexel, Florian --- Esser, Elger --- Bruyckere, De, Berlinde --- Hörbelt, Berthold --- Koch, Matthias --- Köker, Azade --- Visch, Henk --- Lafontaine, Marie-Jo --- Mahieu, Didier --- Delvoye, Wim --- Marcaccio, Fabián --- Braeckman, Dirk --- Meynen, Christian --- Nucara, Renzo --- Rizzetti, Carlo --- Ronda, Omar --- Siltberg, Lars --- Sui Jianguo --- Ullrich, Jens --- Veronese, Marco --- Vitali, Massimo --- Tahon, Johan --- Fabre, Jan --- Vanmechelen, Koen --- Kapoor, Anish --- Muyle, Johan --- Gormley, Antony --- Roosen, Maria --- Ruff, Thomas --- Winter, Wolfgang --- Poirier, Anne --- Raveel, Roger --- Panamarenko --- Cracking Art Group --- Knokke-Heist --- Blankenberge --- Zeebrugge --- Ostend --- De Haan --- Middelkerke --- Westende --- Nieuwpoort --- De Panne --- Koksijde

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During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used to record ephemeral or performative events and to render visible conceptual systems or to question the supposed objectivity of representation itself. This volume focuses primarily on artworks from the last decade and proposes that the extensive use of reproducible mediums in today's art has its roots in an earlier formative period. By the end of the 70s, many artists turned to photography as a vehicle through which to critique photographic representation and to subvert an art system premised on the notion of the original. While this practice came to define much of the 80s postmodern art, its legacy for the 90s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative. Artists working today freely manipulate their representations of the empirical world or invent entirely new cosmologies. They process their subject matter through conceptual systems or use digital processes to alter their images. Some directly intervene in the environment, subtly shifting components of the found world and establishing their quiet presence in it; others fabricate entire architectural environments for the camera lens. This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez-Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli & Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, Andreas.

Lisa Dennison, Nancy Spector and Joan Young --- kunst --- fotografie --- video --- videokunst --- twintigste eeuw --- Abramovic Marina --- Alÿs Francis --- Antoni Janine --- Barney Matthew --- Barth Uta --- Boberg Oliver --- Burton Jeff --- Casebere James --- Chang Patty --- Cooldige Miles --- Crewdson Gregory --- Demand Thomas --- Dijkstra Rineke --- Donnelly Trisha --- Douglas Stan --- Eliasson Olafur --- Esser Elger --- Fischli & Weiss --- Fischli Peter --- Weiss David --- Flechtner Thomas --- Gaskell Anna --- Goldin Nan --- Gordon Douglas --- Grannan Katy --- Gursky Andreas --- Hamilton Ann --- Hernandez Anthony --- Höfer Candida --- Huyghe Pierre --- Kentridge William --- Ligon Glenn --- Manglano-Ovalle Iñigo --- Messager Annette --- Mori Mariko --- Neshat Shirin --- Noguchi Rika --- Opie Catherine --- Orozco Gabriel --- Pilson John --- Rist Pipilotti --- Rovner Michal --- Ruff Thomas --- Sala Anri --- Sasse Jörg --- Starling Simon --- Struth Thomas --- Taylor-Wood Sam --- Thater Diana --- Tillmans Wolfgang --- Walker Kara --- Wilson Jane --- Wilson Louise --- Wilson Jane & Louise --- 7.038 --- 791.45 --- 77.03 --- Photographe --- Performance --- Abramovic, Marina --- Antoni, Janine --- Barney, Matthew --- Crewdson, Gregory --- Demand, Thomas --- Dijkstra, Rineke --- Douglas, Stan --- Eliasson, Olafur --- Fischli, Peter --- Weiss, David --- Goldin, Nan --- Gordon, Douglas --- Gursky, Andreas --- Hofer, Candida --- Huyghe, Pierre --- Kentridge, William --- Messager, Annette --- Mori, Mariko --- Neshat, Shirin --- Noguchi, Rika --- Orozco, Gabriel --- Rist, Pipilotti --- Ruff, Thomas --- Sala, Anri --- Sasse, Jörg --- Starling, Simon --- Struth, Thomas --- Taylor-wood, Sam --- Thater, Diana --- Tillmans, Wolfgang --- Walker, Kara --- Wilson, Jane --- multimedia works --- photography [process] --- multimediakunst --- Photography --- Ruff, Thomas, --- Weiss, David 1946-2012 --- Ruff, Thomas, 1958 --- -Sala, Anri