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Das zeitgenössische Hollywood-Kino rangiert in der normativen und ästhetischen Bewertung nach wie vor weit unten. Das Buch widerlegt dieses Urteil auf ganzer Linie: es zeigt sich begeistert von dieser spektakulären Filmform und entwickelt zugleich eine reflexive Perspektive, die den filmästhetischen Strategien Rechnung trägt und Hollywood als ein luzides Beobachtungsmedium von Globalisierungswissen vorstellt. Das Buch geht der Frage nach, wie im Bereich der populärkulturellen Produktion Globalisierungsdynamiken bildästhetisch und narrativ verarbeitet werden. Anhand von drei exemplarischen Beiträgen des zeitgenössischen Spionage-, Kriegs- und Katastrophenfilms werden Leitfragen der kultur- und sozialwissenschaftlichen Globalisierungsforschung untersucht.
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Das zeitgenössische Hollywood-Kino rangiert in der normativen und ästhetischen Bewertung nach wie vor weit unten. Das Buch widerlegt dieses Urteil auf ganzer Linie: es zeigt sich begeistert von dieser spektakulären Filmform und entwickelt zugleich eine reflexive Perspektive, die den filmästhetischen Strategien Rechnung trägt und Hollywood als ein luzides Beobachtungsmedium von Globalisierungswissen vorstellt. Das Buch geht der Frage nach, wie im Bereich der populärkulturellen Produktion Globalisierungsdynamiken bildästhetisch und narrativ verarbeitet werden. Anhand von drei exemplarischen Beiträgen des zeitgenössischen Spionage-, Kriegs- und Katastrophenfilms werden Leitfragen der kultur- und sozialwissenschaftlichen Globalisierungsforschung untersucht.
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The Cold War on Film illustrates how to use film as a teaching tool. It stands on its own as an account of both the war and the major films that have depicted it. Memories of the Cold War have often been shaped by the popular films that depict it-for example, The Manchurian Candidate, The Hunt for Red October, and Charlie Wilson's War, among others. The Cold War on Film examines how the Cold War has been portrayed through a selection of 10 iconic films that represent it through dramatization and storytelling, as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events. Each of the 10 chapters that follow focuses on a specific Cold War film. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A comprehensive annotated bibliography of print and electronic sources aids students and teachers in further research.
History --- Espionage in motion pictures. --- Politics in motion pictures. --- Cold War in motion pictures.
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Spy films --- Motion pictures --- Espionage in motion pictures. --- Motion picture industry --- Spy television programs --- History and criticism. --- Political aspects --- United States. --- In motion pictures. --- Influence.
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Film --- Telecommunication services --- USA --- Los Angeles --- Espionage in motion pictures. --- Motion picture industry --- Motion pictures --- Spy films --- Spy television programs --- Political aspects --- History and criticism. --- United States. --- In motion pictures. --- Influence. --- United States --- History and criticism --- United States. Central Intelligence Agency --- In motion pictures --- Espionage in motion pictures --- Influence --- Los Angeles [California]
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The first narrative analysis of mid-twentieth century British spy thrillers demonstrating their critiques of political responses to the dangers of Fascism, Nazism, and Communism.
Spy stories, English --- Espionage in literature. --- Espionage in motion pictures. --- Spy films --- Cloak and dagger films --- Espionage films --- Secret agent films --- Secret service films --- Motion pictures --- History and criticism.
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"With the opening of the secret police archives in many countries in Eastern Europe comes the unique chance to excavate many forgotten spy stories and narrate them for the first time. 'Cold War Spy Stories from Eastern Europe' brings together a wide range of Cold War spy stories from the Eastern Bloc and explores stories compiled from the East German Stasi, the Romanian Securitate, and the Ukrainian KGB files"--
Cold War (1945-1989) in literature. --- Cold War (1945-1989) in motion pictures. --- Cold War in literature. --- Cold War in motion pictures. --- Cold War. --- Espionage in literature. --- Espionage in literature. --- Espionage in motion pictures. --- Espionage in motion pictures. --- Espionage --- Espionage --- Espionage. --- POLITICAL SCIENCE --- POLITICAL SCIENCE --- POLITICAL SCIENCE --- Spies --- Spies --- Spies. --- History --- History --- Government --- International. --- Intelligence & Espionage. --- International Relations --- General. --- History --- 1900-1999. --- Communist countries. --- Eastern Europe. --- Europe, Eastern --- History
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International relations. Foreign policy --- Polemology --- Film --- Los Angeles --- Politics in motion pictures --- Politiek in de film --- Politique dans le film --- United States. Central Intelligence Agency --- In motion pictures --- Espionage in motion pictures --- Motion pictures --- Political aspects --- United States --- International relations in motion pictures --- Los Angeles [California]
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"With the opening of the secret police archives in many countries in Eastern Europe comes the unique chance to excavate many forgotten spy stories and narrate them for the first time. 'Cold War Spy Stories from Eastern Europe' brings together a wide range of Cold War spy stories from the Eastern Bloc and explores stories compiled from the East German Stasi, the Romanian Securitate, and the Ukrainian KGB files"--
Cold War in motion pictures. --- Cold War in literature. --- Espionage in motion pictures. --- Espionage in literature. --- Cold War. --- Spies --- Espionage --- History --- History. --- Europe, Eastern --- Cold War (1945-1989) in literature. --- Cold War (1945-1989) in motion pictures. --- Espionage. --- POLITICAL SCIENCE --- Spies. --- Government --- International. --- Intelligence & Espionage. --- International Relations --- General. --- 1900-1999. --- Communist countries. --- Eastern Europe.
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Spy films --- Espionage in motion pictures. --- Motion pictures --- Motion picture industry --- Spy television programs --- #SBIB:309H1314 --- #SBIB:309H1320 --- Espionage television programs --- Cloak and dagger films --- Espionage films --- Secret agent films --- Secret service films --- History and criticism. --- Political aspects --- Filmwezen: politieke, juridische, ethische, ideologische aspecten. --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- United States. --- Agjencia Qendrore e Inteligjencës --- Central Intelligence Agency (U.S.) --- CIA (Central Intelligence Agency (U.S.)) --- CIP (United States. Centrālās izlūkošanas pārvalde) --- Mei-kuo chung yang chʻing pao chü --- National Security Council (U.S.). --- Si Aing Ei --- T︠S︡entralʹnoe razvedyvatelʹnoe upravlenie SShA --- T︠S︡RU SShA --- T︠S︡RU (T︠S︡entralʹnoe razvedyvatelʹnoe upravlenie SShA) --- ЦРУ США --- ЦРУ (Центральное разведывательное управление США) --- Центральное разведывательное управление США --- ארצות הברית. --- 美國. --- In motion pictures. --- Influence. --- Television programs --- National Security Council (U.S.) --- CIA (Central Intelligence Agency) --- History and criticism --- Espionage in motion pictures --- Filmwezen: politieke, juridische, ethische, ideologische aspecten
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