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All-American Girl.
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ISBN: 0822979330 0822955806 9780822979333 0822939177 9780822939177 9780822955801 Year: 1996 Publisher: Pittsburgh : University of Pittsburgh Press,

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The machine that sings : modernism, Hart Crane, and the culture of the body
Author:
ISBN: 0415965918 Year: 2006 Publisher: New York (N.Y.) : Routledge,

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The erotic Whitman
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ISBN: 0520221907 9780520924307 0520924304 0585390266 9780585390260 0520221893 9780520221895 9780520221901 1597346039 9781597346030 Year: 2000 Publisher: Berkeley University of California Press

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Abstract

In this provocative analysis of Whitman's exemplary quest for happiness, Vivian Pollak skillfully explores the intimate relationships that contributed to his portrayal of masculinity in crisis. She maintains that in representing himself as a characteristic nineteenth-century American and in proposing to heal national ills, Whitman was trying to temper his own inner conflicts as well.


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Articulate flesh: male homo-eroticism and modern poetry
Author:
ISBN: 0300038720 Year: 1987 Publisher: New Haven, Conn. Yale University Press

Gender, desire, and sexuality in T.S. Eliot
Authors: ---
ISBN: 9780511485091 9780521806886 9780521039468 0511230435 9780511230431 0511231202 9780511231209 0511228805 9780511228803 051122964X 9780511229640 0511485093 0521806887 1280702907 9781280702907 0521806887 0511227108 0511327358 0521039460 Year: 2004 Publisher: Cambridge Cambridge University Press

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Abstract

This collection of essays brings together scholars from a wide range of critical approaches to study T. S. Eliot's engagement with desire, homoeroticism and early twentieth-century feminism in his poetry, prose and drama. Ranging from historical and formalist literary criticism to psychological and psychoanalytic theory and cultural studies, Gender, Desire and Sexuality in T. S. Eliot illuminates such topics as the influence of Eliot's mother - a poet and social reformer - on his art; the aesthetic function of physical desire; the dynamic of homosexuality in his poetry and prose; and his identification with passive or 'feminine' desire in his poetry and drama. The book also charts his reception by female critics from the early twentieth century to the present. This book should be essential reading for students of Eliot and Modernism, as well as queer theory and gender studies.

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