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Epic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil& indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems& yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief. 'From Many Gods to One' offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregory' 'describes the narrative and ideological consequences of the epic's turn from pagan to Christian. Drawing on scholarship in several disciplines& religious studies, classics, history, and philosophy, as well as literature& 'From Many Gods to One' sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.
Poetry --- anno 1400-1499 --- anno 1500-1599 --- Epic poetry, European --- European poetry --- God in literature. --- Gods in literature. --- History and criticism. --- Epic poetry, European - History and criticism. --- Epic poetry, European -- History and criticism. --- European poetry - Renaissance, 1450-1600 - History and criticism. --- European poetry -- Renaissance, 1450-1600 -- History and criticism. --- God in literature --- Gods in literature --- Literature - General --- Languages & Literatures --- History and criticism
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Chansons de geste --- Epic poetry, French --- Epic poetry, European --- Epic poetry, Romance --- History and criticism --- Congresses --- Epic literature --- Literature, Medieval --- Littérature épique --- Littérature médiévale --- History and criticism. --- Histoire et critique --- Chansons de geste - History and criticism - Congresses --- Epic poetry, French - To 1500 - History and criticism - Congresses --- Epic poetry, European - History and criticism - Congresses --- Epic poetry, Romance - To 1500 - History and criticism - Congresses
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Burlesque (Literature) --- Chansons de geste --- Irony in literature --- Literature, Medieval --- Epic literature --- Burlesque (Littérature) --- Ironie dans la littérature --- Littérature médiévale --- Littérature épique --- History and criticism --- Histoire et critique --- Epic poetry, European --- Poetry, Medieval --- Epic poetry, French --- French poetry --- Congresses. --- -Epic poetry, European --- -Epic poetry, French --- -French poetry --- -Medieval poetry --- -European poetry --- Medieval poetry --- French literature --- French epic poetry --- European epic poetry --- European poetry --- Comic literature --- Literature, Comic --- Travesty --- Comedy --- Satire --- Parody --- Congresses --- -Congresses --- Conferences - Meetings --- Burlesque (Littérature) --- Ironie dans la littérature --- Littérature médiévale --- Littérature épique --- History and criticism&delete& --- Epic poetry, European - History and criticism - Congresses. --- Poetry, Medieval - History and criticism - Congresses. --- Epic poetry, French - History and criticism - Congresses. --- French poetry - To 1500 - History and criticism - Congresses. --- Burlesque (Literature) - Congresses. --- Burlesque --- Epopee medievale
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