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Counterfeit Culture explores the possibility of writing epic in an age of alternative facts. Examining six attempts to forge an American prose epic since 1960, this study goes on to trace a national tradition of inauthenticity, stretching back across four centuries. In works by authors such as Pynchon, Gaddis and Burroughs, the contemporary turn away from truth and authenticity can be seen as a return to an established line of literary tricksters and confidence men, with tropes of fraud and artifice running deep in the American grain. Combining archival work with historically-inflected analysis of literary narrative, this book ranges through questions of identity, technology, history, and music in its engagement. From Marguerite Young's inquiry into psychological disintegration to William T. Vollmann's ongoing cycle of false histories, the study introduces a new reading of the American epic.
Epic literature, American --- American fiction --- Authenticity (Philosophy) in literature. --- Literature and society --- American epic literature --- American literature --- History and criticism. --- History
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Epic literature, American --- Literature and history --- National characteristics, American, in literature. --- History and criticism. --- History --- American epic literature --- History and literature --- History and poetry --- Poetry and history --- American literature --- Epic literature [American ] --- History and criticism --- United States --- 18th century --- 19th century --- National characteristics [American ] in literature --- Cooper, James Fenimore --- Criticism and interpretation --- Longfellow, Henry Wadsworth --- Melville, Herman
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Yoknapatawpha County (Imaginary place) --- Faulkner, William, --- Epic literature, American --- History and criticism. --- Criticism and interpretation. --- Mississippi --- In literature. --- Faulkner, William --- Criticism and interpretation --- Faulkner, William (1897-1962) --- Critique et interprétation --- Critique et interprétation
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John McWilliams's 1990 book was the first thorough account of the many attempts to fashion an epic literature (the anxiously anticipated 'American Epic') from a wide range of potentially heroic New World subjects. At the outset, McWilliams considers the many problems - cultural, political and literary' - of adapting Enlightenment views of republican progress to a genre that had traditionally celebrated the greatness of warriors. After a survey of the many epic poems written during and after the American Revolution, McWilliams shows how and why the epic had to be transformed from imitative narrative poetry into the new, open genres of prose history (Irving, Prescott and Parkman), fictional romance (Cooper and Melville) and free verse (Whitman). Believing that reviews are an important and slighted agent of literary change, McWilliams has written his book in the form of chronological literary history. His book, however, is no march of dates within tired categories. The American Epic suggests that imaginative writers of the Romantic era were in fact far less proscriptive about the boundaries of literary genre than many a twentieth-century writer and scholar.
Poetry --- Fiction --- American literature --- anno 1800-1899 --- anno 1700-1799 --- Epic literature [American ] --- History and criticism --- Revolutionary period, 1775-1783 --- 1783-1850 --- Barlow, Joel --- Criticism and interpretation --- Cooper, James Fenimore --- Dwight, Timothy --- Melville, Herman --- Prescott, William Hickling --- Simms, William Gilmore --- Trumbull, John --- Whitman, Walt --- Irving, Washington --- Parkman, Francis --- Paulding, James Kirke --- Arts and Humanities --- Literature --- Epic literature, American --- American epic literature --- History and criticism. --- United States --- Intellectual life
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American literature --- Thematology --- Race relations in literature --- Rassenverhoudingen in de literatuur --- Relations raciales dans la littérature --- American fiction --- History and criticism --- African Americans in literature --- Epic literature [American ] --- Popular literature --- United States --- Slavery in literature --- Stowe, Harriet Elizabeth Beecher --- Mitchell, Margaret --- Haley, Alex Palmer --- African Americans in literature. --- Epic literature, American --- Race relations in literature. --- Slavery in literature. --- History and criticism. --- Uncle Tom --- Stowe, Harriet Beecher,
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American national characteristics in literature --- Amerikaans volkskarakter in de literatuur --- Caractéristiques nationales américaines dans la littérature --- National characteristics [American ] in literature --- Volkskarakter [Amerikaans ] in de literatuur --- Epic literature, American --- American fiction --- National characteristics, American, in literature. --- Literature and history --- History and criticism. --- History --- Updike, John. --- Roth, Philip. --- DeLillo, Don. --- United States --- In literature. --- National characteristics, American, in literature --- American epic literature --- American literature --- History and criticism --- Roth, Philip --- DeLillo, Don --- Updike, John --- Epic literature [American ] --- 20th century --- In literature --- Littérature américaine --- Caractère national américain --- États-Unis --- 20e siècle --- Histoire et critique --- Dans la littérature
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