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Book
Singing the Kyrgyz Manas
Authors: --- --- --- ---
ISBN: 9004218041 9789004218048 9781906876388 190687638X Year: 2011 Publisher: Folkestone, Kent Global Oriental

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Abstract

Today, the Kyrgyz Manas is one of the most celebrated epic heroic poems in the world. At the turn of the new millennium it was appointed a UNESCO ‘Masterpiece in the Oral and Intangible Heritage of Mankind’, signalling its global significance. It sits alongside Homer’s Iliad and Odyssey , or the South Asian Mahābhārata and Rāmāyana , although politics and language have during the twentieth century conspired against allowing it to become as well known. In contrast to previously published material, this book focuses on one septegenarian contemporary performer, Saparbek Kasmambetov who inherited the oral tradition of his culture, adding details and other elements to his storytelling, as he saw fit. Consequently, the volume does not offer a literal translation in poetic form, but is presented as a story – as originally intended; the contextual/historical account situates Soviet/Kyrgyz with Western accounts of Manas and other epic heroic poetry. Part I offers a translation of seven episodes from the Manas , as sung by Saparbek, with accompanying CDs – the translations of all the episodes being based on the recordings. Part II comprises three chapters examining oral epic poetry and the Manas ; the Kyrgyz Manas recorded, performed and studies; finally, a study of Saparbek Kasmambetov – the performer. The accompanying plates are the work of Gouljan Arslan, Saparbek Kasmambetov’s granddaughter.


Book
The Sabdan Baatir codex
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ISBN: 1283855151 9004237275 9789004237278 9789004230408 9004230408 Year: 2012 Publisher: Leiden Boston Brill

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Abstract

In The Šabdan Baatır Codex , Daniel Prior presents the first complete edition, translation, and interpretation of a unique manuscript of early twentieth-century Kirghiz poetry, which includes detailed accounts of nineteenth-century warfare. Dedicated to the chief Šabdan Baatır, the Codex occupies an illuminating position in a network of oral and written genres that encompassed epic poetry and genealogy, panegyric and steppe oral historiography; that echoed oral performance and aspired to print publishing. The Codex’s fresh articulation of concepts of Kirghiz self-identification was incipiently national, yet remained couched in traditional forms. The Codex thus bridges the interval, often glossed over in cultural histories, between a supposedly archaic state of oral epic tradition and the “afterlife” of epics in modern ethno-nationalist projects.

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