Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Gegenwärtig lässt sich in unterschiedlichen gesellschaftlichen Diskursfeldern eine Bezugnahme auf das Motiv der ,Vanitas' (Vergänglichkeit) feststellen.Die Beiträge dieses Band widmen sich der überraschenden Virulenz eines ursprünglich christlichen und in der Frühen Neuzeit wirkmächtigen Konzeptes in Popkultur, Literatur, Musik und bildender Kunst und verdeutlichen ferner seine Relevanz für Soziologie, Theologie, Philosophie, Psychologie und Medizin. Bedeutung erlangt Vanitas sowohl mit traditionell dem Motiv verwandten Themen wie Trauer und Mortalität als auch in Verbindung mit hochaktuellen Diskursen über Beschleunigungs- und Kontingenzerfahrungen, dystopischen Szenarien der Klimakatastrophe oder utopischen Visionen des Transhumanismus. Neben soziologischen und kulturwissenschaftlichen Perspektiven auf Vergänglichkeit, Flüchtigkeit, letale Krankheiten, Alter und Tod widmen sich die Beiträge der popkulturellen und künstlerischen Aneignung des Vanitas-Topos zwischen spielerischer Ironie und tiefsinniger Melancholie.Der interdisziplinäre Band ist ein wichtiger Beitrag zur gesellschaftlichen und kulturellen Reflexion von Gegenwart unter Bezugnahme auf einen tradierten kulturtheoretischen Topos. This interdisciplinary volume delves into the significance of the early modern vanitas motif in the present day. In the arts, pop culture, and social discourses, it is utilized to make cultural-critical diagnoses. Reflections about the mortality of human life, about decadence and conceit, or the futile pursuit of happiness are updated, but they are joined by new topics such as climate change and transhumanism.

LITERARY CRITICISM / General. --- Death. --- contemporary culture. --- cultural criticism. --- ephemerality.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

New Age --- Neo-pagan movements --- sociology --- churches --- sects --- religion --- the human potential movement --- conversion --- occult metaphysics --- spirituality --- healing --- the Church Universal and Triumphant --- Christianity --- Nordic paganism --- Animism --- Covenant of Unitarian Universalist Pagans --- CUUPS --- witchcraft --- the occult census --- Satanism --- materialsim --- ritual --- reincarnation --- ephemerality --- feminism --- shamanism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In the late nineteenth century, Scandinavian urban dwellers developed a passion for a new, utterly modern sort of visual spectacle: objects and effigies brought to life in astonishingly detailed, realistic scenes. The period 1880-1910 was the popular high point of mannequin display in Europe. Living Pictures, Missing Persons explores this phenomenon as it unfolded with the rise of wax museums and folk museums in the largest cities of Denmark, Sweden, and Norway. Mark Sandberg asks: Why did modernity generate a cultural fascination with the idea of effigy? He shows that the idea of effigy is also a portal to understanding other aspects of visual entertainment in that period, including the widespread interest in illusionistic scenes and tableaux, in the "portability" of sights, spaces, and entire milieus. Sandberg investigates this transformation of visual culture outside the usual test cases of the largest European metropolises. He argues that Scandinavian spectators desired an unusual degree of authenticity--a cultural preference for naturalism that made its way beyond theater to popular forms of museum display. The Scandinavian wax museums and folk-ethnographic displays of the era helped pre-cinematic spectators work out the social implications of both voyeuristic and immersive display techniques. This careful study thus anticipates some of the central paradoxes of twentieth-century visual culture--but in a time when the mannequin and the physical relic reigned supreme, and in a place where the contrast between tradition and modernity was a high-stakes game.

Ethnological museums and collections --- Popular culture --- Waxworks --- History --- Scandinavia --- Intellectual life --- A Severed Head. --- Agnosticism. --- Anachronism. --- Anthropomorphism. --- Antique furniture. --- Archive. --- Assassination. --- Autobiography. --- Cataclysm (Dragonlance). --- Cemetery. --- Chamber of Horrors (Madame Tussauds). --- City Museum. --- Complexity. --- Crone. --- Cultural history. --- Curator. --- Deal with the Devil. --- Death mask. --- Death. --- Decapitation. --- Decoy effect. --- Degenerative disease. --- Desecration. --- Diorama. --- Dismemberment. --- Distrust. --- Documenta. --- Double consciousness. --- Dreyfus affair. --- Entrapment. --- Ephemerality. --- Exoticism. --- False evidence. --- First Sorrow. --- Folk museum. --- From Time Immemorial. --- Genre painting. --- Grandparent. --- Grave robbery. --- His Family. --- Historical Association. --- Historical trauma. --- Horror film. --- Hyperreality. --- Illustration. --- Impossibility. --- Infidel. --- Jonathan Crary. --- Karen Blixen. --- Leprosy. --- Linda Williams (film scholar). --- Mail. --- Mannequin. --- Memoir. --- Michael Dummett. --- Michael Fried. --- Mock execution. --- Modernity. --- Morgue. --- Most Secret. --- Museology. --- Museum. --- Mystery of the Wax Museum. --- Neglect. --- Neoromanticism (music). --- New Thought. --- Newspaper. --- Night of the Living Dead. --- Nightmare in Wax. --- Nordic Museum. --- Obsolescence. --- On Cinema. --- Orientalism. --- P. T. Barnum. --- Paul Leni. --- Personal History. --- Portrait photography. --- Random House. --- Religion. --- Romanticism. --- Schocken Books. --- Scientific skepticism. --- Secret photography. --- Semiotics. --- Serial killer. --- Skansen. --- Smithsonian Institution. --- Stockholm City Museum. --- Suicide. --- Superiority (short story). --- Taxidermy. --- The Last Minute. --- The Philosopher. --- Theft. --- Thomas Kuhn. --- Underdevelopment. --- Viewing (funeral). --- Vincent Price. --- Wax museum. --- Wear and tear.