Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Eno, Brian

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Composers --- Biography --- Eno, Brian, --- Eno, Brian, --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

On the back of his published diary Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer-user, an interviewee, and a "drifting clarifier." To this list we might add rock star (on the first two Roxy Music albums); the creator of lastingly influential music (Another Green World; Music for Airports); a trusted producer (for Talking Heads, U2, Coldplay and a host of other artists); the maker of large-scale video and installation artworks; a maker of apps and interactive software; and so on. He is one of the most feted and influential musical figures of the past forty years, even though he has described himself on more than one occasion as a non-musician. This volume examines Eno's work as a musician, as a theoretician, as a collaborator, and as a producer. Brian Eno is one of the most influential figures in popular music; an updated examination of his work on this scale is long overdue [Publisher description].

Electronica (Music) --- Ambient music --- Glam rock music --- History and criticism. --- Eno, Brian, --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The twin title — Golden Hours or As you like it — uncovers a theater play in a dance, a meeting between Brian Eno’s album Another Green World and Shakespeares queer comedy As You Like it, a playabout an idyllic golden world of the Forest of Arden into which lovers flee from a corrupt court. 

What happens when the speaking in Shakespeare’s rhythms and poetic imagery becomes dancing, or turns into movements, steps and gestures, as well as intentionality and attention emanating from the thinking bodies? How is listening to a talking-dancing partner, who nonetheless remains mute and wordless, embodied? A plot of gazes, hands and feet sticking out of enamored bodies unfolds an enchanted world of characters and their whimsical manners. For this performance, De Keersmaeker explores a cast of eleven young dancers sparking their idiosyncratic movement expressions in a rich, colorful and energetic dancing palette. Striking a delicate balance between formal abstraction and concrete gesture, they dance their intricate entanglements through and through, their masquerade and games of seduction, attraction, repulsion, misunderstanding and silliness. One is absorbed by the intensity and sensuality of a bright but gently ironic world whose language doesn’t need deciphering to be grasped, yet isn’t pantomime.

De Keersmaeker, Anne Teresa --- dans --- choreografie --- choreografen --- België --- eenentwintigste eeuw --- fotografie --- dansfotografie --- De Keersmaeker Anne Teresa --- Rosas --- Van Aerschot Anne --- 792.071 --- Keersmaeker, Anne Teresa de --- Eno, Brian, --- Keersmaeker, Anne Teresa de. --- Golden hours (As you like it) (Choreographic work : Keersmaeker). --- Theatrical science --- choreography --- Keersmaeker, de, Anne Teresa --- Shakespeare, William --- Eno, Brian --- Rosas [Brussels] --- dance [performing arts genre] --- performance art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Musique expérimentale. --- Musique répétitive. --- Musique électroacoustique. --- Satie, Erik --- Cage, John --- Young, La Monte --- Ikeda, Ryōji --- Zorn, John --- Eno, Brian --- Stockhausen, Karlheinz --- Sound in art --- Sound art --- Sound installations (Art) --- Performance art --- Art appreciation