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Book
Verse or Adverse : How to Read and Enjoy Poetry
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Year: 2024 Publisher: New York PH04

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Abstract

Poetry has been around for nearly five millennia, yet never has it been more puzzling. Technology, social media, and the blinding pace of contemporary life leave many students and readers in the dark. Just in time, this book comes to the rescue not just with a response to the problem of understanding and enjoying poetry, but it offers a solution. A widely published writer and poet, the author takes the mystery and madness out of verse with specific strategies designed to tame the poetic wilderness-not by dumbing down the poems but by raising the ability of readers to absorb this gem of literary form. Readers of all abilities and sensibilities will profit from the book's ability to drill down to the bedrock of meaning. Valenti mines his decades of experience writing, publishing, and teaching poetry to provide innovative hints, tips, guidelines, and directives that will benefit anyone wishing to cultivate their enjoyment of literature's highest form of expression.


Book
Critique in Practice : Renzo Martens' "Episode III : Enjoy Poverty"
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ISBN: 9783956795053 3956795059 Year: 2019 Publisher: Berlin: Sternberg,

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Enjoy Poverty examine la valeur émotionnelle et économique de l'exportation la plus lucrative d'Afrique : la pauvreté filmée. À l'instar d'exportations africaines plus traditionnelles telles que l'or et le cacao, les fournisseurs de cette matière première n'en profitent pas, ou à peine. Dans ce contexte, l'artiste néerlandais Renzo Martens lance un programme émancipateur, au fin fond du Congo, qui vise à conscientiser les citoyens pauvres de leur capital principal : la pauvreté. Martens entreprend seul un périple épique de plusieurs années. Enjoy Poverty, qui conjugue le journalisme d'investigation, la satire et la conscience de soi à travers un regard profondément singulier, est ingénieusement provocateur, souvent ironique et désopilant, alors que le miroir qu'il nous tend est inévitablement attristant. Investigating the economic value of one of the Democratic Republic of the Congo’s most lucrative exports (namely, poverty), Renzo Martens’ provocative film Episode III: Enjoy Poverty (2008) remains a landmark intervention into debates about contemporary art’s relationship to exploitative economies. The contributors to this publication explore the film’s legacy and how it relates to the politics of representation, uses of the documentary form, art criticism, the deployment of humanitarian aid, the impact of extractive forms of globalized capital, and the neoliberal politics of decolonization. The unconventional representation of acute immiseration throughout Enjoy Poverty generated far-from-resolved disputes about how deprivation is portrayed in Western mainstream media and global cultural institutions. Using a range of approaches, this volume reconsiders that portrayal and how the film’s reception led Martens to found a long-term program, the Institute for Human Activities.

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