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Public sculpture --- Sculpture, English --- Monuments --- Sculpture publique --- Sculpture anglaise --- Catalogs --- Catalogs. --- Catalogues --- English sculpture --- Sculpture, Public --- Public art --- Sculpture --- Historical monuments --- Architecture --- Historic sites --- Memorials --- Statues

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Phyllida Barlow (*1944) tests boundaries with her monumental sculptures in an eccentric yet humorous manner, reflecting on the relationship with our environment through her use of industrial and everyday materials. With impressive installation photos and never-before-seen archival material the publication presents Barlow's unique oeuvre from her early works until the present day. The British artist's career is as unusual as her works, which radically put the contemporary concept of sculpture to the test. Today Barlow is regarded as one of the most prominent artists in Britain, but she achieved her breakthrough only recently. She dismantled many of her works after the end of the exhibition and recycled them again to create new sculptures. The major retrospective shows drawings and pioneering works from all her creative phases, including new works formed from key sculptures which had already been destroyed.

Sculpture --- sculpture [visual works] --- installations [visual works] --- drawing [image-making] --- site-specific works --- monumental sculpture --- Barlow, Phyllida --- Sculpture, English --- Beeldende kunst ; Groot-Brittannië --- Textielkunst ; hergebruik van restanten textiel ; textielafval --- Beeldhouwkunst ; installaties ; 21ste eeuw --- Phyllida Barlow (°1944) --- 73.07 --- English sculpture --- Beeldhouwkunst ; beeldhouwers A - Z --- Barlow, Phyllida,

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This interdisciplinary study interprets the façade of Wells Cathedral as an integral part of thirteenth-century English Church liturgy and politics. Carolyn Malone posits that architectural motifs, as signs, complemented not only the façade's sculptural program of the Church Triumphant but also its use during liturgical processions. Interpreted as an ideological construct, the façade's design is related to theological change, liturgical innovation and political strategy, as well as to the conjuncture of several major historical and cultural events of the 1220s. As part of the Church's empowering ritual, the façade expressed the reforming views of the Fourth Lateran Council, promoted Wells as the seat the diocese and proclaimed the covenant between Church and State in England following Magna Carta.

Sculpture, English --- Sculpture, Gothic --- Facades --- Christian art and symbolism --- Themes, motives --- Wells Cathedral --- Cathédrale Saint André (Wells, Angleterre) --- Cathédrale St. André (Wells, Angleterre) --- Cathédrale de Wells --- Kathedraal van Sint Andrew (Wells, England) --- Kathedraal van St. Andrew (Wells, Engeland) --- Kathedraal van Wells --- Saint Andrew's Cathedral (Wells, England) --- St. Andrew's Cathedral (Wells, England) --- Wells (Angleterre). Cathédrale --- Wells (Engeland). Kathedraal --- Wells (England). Cathedral --- Wells cathedral --- 726 <420 WELLS> --- 726.5 --- 246.6 --- 246.6 Symbolisme in de christelijke kunst --- Symbolisme in de christelijke kunst --- 726.5 Kerkgebouwen. Kerkarchitectuur --- Kerkgebouwen. Kerkarchitectuur --- 726 <420 WELLS> Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--Engeland--WELLS --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--Engeland--WELLS --- Sculpture anglaise --- Sculpture gothique --- Façades --- Art et symbolisme chrétiens --- Themes, motives. --- Thèmes, motifs --- Wells Cathedral. --- Beeldhouwkunst [Engelse ] --- England --- Wells (England) --- Sculpture [Gothic ] --- Façades --- Medieval, 500-1500 --- Middle Ages, 500-1500 --- Sculpture, English - England - Wells - Themes, motives --- Sculpture, Gothic - England - Wells - Themes, motives --- Facades - England - Wells --- Christian art and symbolism - England - Wells - Medieval, 500-1500 --- Gothic sculpture --- Sculpture, Medieval --- English sculpture --- Architectural fronts --- Fronts (Architecture) --- Architecture --- Exterior walls --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Wells --- Details

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sculpting --- Sculpture --- beeldhouwkunst --- Caro, Anthony --- Paolozzi, Eduardo --- King, Philip --- Moore, Henry --- Gilbert and George --- Great Britain --- Sculpture, English --- Sculpture anglaise --- Exhibitions. --- Expositions --- Dictionnaire --- Nouvelle sculpture --- Histoire de la sculpture --- 20e siècle --- Royaume-Uni --- public art --- outdoor sculpture --- sculpture [visual work] --- assemblages [sculpture] --- Kneale, Bryan --- Drury, Alfred --- de Monchaux, Cathy --- Latham, John --- Skeaping, John Rattenbury --- Flanagan, Barry --- Chadwick, Helen --- Epstein, Jacob --- Underwood, Leon --- Plackman, Carl --- Long, Richard --- Kapoor, Anish --- Boyle, Mark --- Hill, Anthony --- Allington, Edward --- Mistry, Dhruva --- Gill, Eric --- Head, Tim --- Martin, Kenneth --- McWilliam, Frederick Edward --- Jagger, Sargeant --- McLean, Bruce --- Nicholson, Ben --- Harris, Richard --- Onslow Ford, Edward --- Wilding, Alison --- Frink, Elisabeth --- Lambert, Maurice --- Blacker, Kate --- Pomeroy, Frederick William --- Cox, Stephen --- Dalwood, Hubert --- Whiteread, Rachel --- Barker, Clive --- Nash, David --- Thornycroft, Hamo --- Holden, Charles Henry --- Mach, David --- Kennington, Eric --- Hepworth, Barbara --- Hirst, Damien --- Goldsworthy, Andy --- Finlay, Ian Hamilton --- Gilbert, Alfred --- Gaudier-Brzeska, Henri --- Foulkes, Glyn --- Witkin, Isaac --- Scott, Tim --- Armitage, Kenneth --- Sandle, Michael --- Culbert, Bill --- Butler, Reginald --- Davey, Grenville --- Deacon, Richard --- Opie, Julian --- Cragg, Tony --- Meadows, Bernard --- Rodin, Auguste --- Gormley, Antony --- Bolus, Michael --- Bates, Harry --- Wentworth, Richard --- Davies, John --- Tremlett, David --- Craig-Martin, Michael --- Pye, William --- Smith, Kate --- Woodrow, Bill --- Frampton, George --- Smith, David --- Martin, Mary --- Chadwick, Lynn --- Clarke, Geoffrey --- Brock, Thomas --- Annesley, David --- Tucker, William --- Naylor, Martin --- Hesse, Eva --- Medalla, David --- Mason, Raymond --- Houshiary, Shirazeh --- Adams, Robert --- Turnbull, William --- Wilson, Richard --- Hall, Nigel --- Hilliard, John --- Quinn, Marc --- Dobson, Frank --- Saint Martin's School --- Art & Language --- Royal College of Art [London] --- Slade School of Fine Art --- Royal Academy School --- anno 1900-1999 --- comm. Daniel Abadie ; ass. d'Anthony Spira --- Groot-Brittannië --- naslagwerk --- twintigste eeuw --- kunst --- Epstein Jacob --- Hepworth Barbara --- Nicholson Ben --- Moore Henry --- Paolozzi Eduardo --- Caro Anthony --- King Philip --- Gilbert & George --- Long Richard --- land art --- Kapoor Anish --- Gormley Antony --- Whiteread Rachel --- Hirst Damien --- kunstonderwijs --- Goldsworthy Andy --- Flanagan Barry --- Woodrow Bill --- Cragg Tony --- Deacon Richard --- Craig-Martin Michael --- Mason Raymond --- 73.036 --- sculpture [visual works] --- Monchaux, de, Cathy --- Skeaping, John --- Jagger, Charles Sargeant --- Ford, Edward Onslow --- English sculpture --- King, Phillip --- Sculpture, English - 20th century - Exhibitions