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Arnold, Malcolm --- Arnold, Malcolm. --- English music --- 1921 --- -Biographies --- Arnold, Malcolm,
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Delius, Frederick, --- Delius, Frederick, --- Bibliography. --- English music --- Delius, Frederick - Lists
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Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW.
Music --- History and criticism. --- English music. --- Oxford University. --- fifteenth-century English music. --- historiography. --- medieval carol. --- medieval period. --- performance. --- seventeenth- and eighteenth-century harpsichord music. --- sources. --- style.
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'It's a life of the two of us.'
This volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is theinsight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentieth century, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', artcollecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century.
VICKI P. STROEHER is Professor of Music History at Marshall University where she is also Coordinator of the Music History & Literature area.
NICHOLAS CLARK is the Librarian at the Britten-Pears Foundation at The Red House, Britten and Pears's home in Aldeburgh, Suffolk.
JUDE BRIMMER is an Archivist at the Britten-Pears Foundation.
Britten, Benjamin, --- Pears, Peter, --- Pirz, Piter, --- Пирз, Питер, --- Friends and associates. --- England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra --- Britten, Edward Benjamin --- Britten, Benjamin --- Britten, Benjamin E. --- Composers --- Tenors (Singers) --- BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians. --- Britain. --- English history. --- English music. --- Ireland. --- biography. --- diaries. --- friendship. --- history of English music. --- letters. --- memoir. --- music history. --- musicians. --- musicology. --- primary sources.
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This pathbreaking study reveals Purcell's extensive use of symmetry and reversal in his much-loved trio sonatas, and shows how these hidden structural processes make his music multilayered and appealing.
MUSIC --- Genres & Styles --- Classical. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Sonata. --- Purcell, Henry, --- Sonata --- Sonatas --- Sonatina --- Musical form --- History and criticism --- Trio sonata --- Chamber music --- Music --- Baroque. --- Chiasmus. --- Commutatio. --- Composition. --- Compositional Process. --- Consort. --- Counterpoint. --- Creativity. --- English Music. --- Fugue. --- Ground Bass. --- Music Analysis. --- Palindrome. --- Proportions. --- Purcell. --- Restoration. --- Rhetoric. --- Symmetry. --- Trio Sonatas.
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William Lawes is arguably one of the finest English composers of the early seventeenth century. Born in Salisbury in 1602, he rose to prominence in the early 1630s; in 1635 he gained a prestigious post among the elite private musicians of Charles I (the 'Lutes, Viols and Voices'). With the outbreak of civil war in 1642, Lawes took arms in support of the king; he died during the Siege of Chester in September 1645. This book is divided into three sections. The first is a contextual examination of music at the court of Charles I, with specific reference to the arcane group of musicians known as the 'Lutes, Viols and Voices'; much of Lawes's surviving consort music appears to have been written for performance of this group. The remainder of the book deals with William Lawes the composer. The second section is a detailed study of Lawes's autograph sources: the first of its kind. It includes 62 black and white facsimile images, and complete inventories of all the autographs, and presents ground-breaking new research into Lawes's scribal hand, the sources and their functions, and new evidence for their chronology. The third section comprises six chapters on Lawes's consort music; in these chapters various topics are examined, such as chronology, Lawes's compositional process, and the relationship between Lawes's music and the court context from which it arose. This book will be of interest to scholars working on English music in the Early Modern period, but also to those interested in source studies, compositional process and the function of music in the Early Modern court.
Chamber music --- Music --- History and criticism --- Lawes, William, --- History and criticism. --- Criticism and interpretation. --- Charles I. --- Early Modern court. --- Early Modern period. --- English composer. --- English music. --- JOHN CUNNINGHAM. --- Lutes, Viols and Voices. --- Siege of Chester. --- William Lawes. --- civil war. --- compositional process. --- seventeenth century. --- source studies.
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Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage is Honorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.
Music --- Music theater --- History and criticism. --- Vaughan Williams, Ralph, --- Dramatic music --- Mixed media (Music) --- Uilʹi︠a︡ms, Ralʹf Voan, --- Vaughan-William, R. --- Vaughan Williams, R. --- Vaughn Williams, Ralph, --- Voan Uilʹi︠a︡ms, R. --- Voan Uilʹi︠a︡ms, Ralʹf, --- Vōn-Wiriamuzu, Reifu, --- William, R. Vaughan --- -Williams, Ralph Vaughan, --- Williams, Vaughan, --- Wiriamuzu, Reifu Vōn-, --- Williams, Ralph Vaughan --- Williams, R. Vaughan --- 1900 - 1999 --- England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra --- Edward Gordon Craig. --- English music-theatre. --- Englishness. --- May festival. --- Mummers' play. --- Purcell. --- Serge Diaghilev. --- Vaughan Williams. --- Wagnerism. --- early twentieth-century. --- musical practice. --- musical renaissance. --- pageant play. --- theatre artist.
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Throughout the nineteenth century a fierce debate about the future of English music was raging in Britain. Just as English music was appearing to advance in quality, the impact of Richard Wagner altered the course of the debate. Alarmed at the Wagnerian influence on English composers, critics expressed relief when that influence appeared to abate, and then presented English music as the antidote to Wagnerian decadence. However, the optimism that England was in a position to lead the musical world was short-lived and a new generation of critics found English composition - with the exception of Elgar - severely lacking. The book identifies themes such as materialism and nationalism that emerged during the debate. It also places the narrative of 'The English Musical Renaissance' within its rightful wider historical context.
Musical criticism --- History --- Hermeneutics (Music) --- Music criticism --- Journalism --- Music --- History and criticism --- 1800-1899 --- Great Britain. --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- Debating English Music. --- English Musical Renaissance. --- Historical Context. --- Long Nineteenth Century. --- Materialism. --- Music Criticism. --- Music History. --- Musical Debate. --- Musical Identity. --- Musical Influence. --- Nationalism. --- Richard Wagner. --- History and criticism.
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Charles Maland focuses on the cultural sources of the on-and-off, love-hate affair between Chaplin and the American public that was perhaps the stormiest in American stardom.
Chaplin, Charlie --- Beroemdheid --- Fame --- Renommée --- Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Biography --- Biographies --- Chaplin, Charlie, --- United States --- Etats-Unis --- Civilization --- Civilisation --- Producteurs et réalisateurs de cinéma --- Chaplin, Charles --- Comedians --- Celebrities --- 20th century --- Actores --- Productores y directores de cine --- Crítica e interpretación. --- Estados Unidos --- Civilización y cultura --- America First Committee. --- American Film Institute. --- Animal Crackers. --- Barnes, Howard. --- Burkan, Nathan. --- Cahiers du cimema. --- Cameron, Kate. --- Dreiser, Helen. --- English music halls. --- European Film Fund. --- Fortune Systems. --- Gandhi, Mohandas. --- George, Lloyd. --- German expressionism. --- Goldwyn, Samuel. --- Hamlet. --- Hartung, Philip. --- His Musical Career. --- Jowett, Garth. --- Kerr, Walter. --- Koch, Howard. --- Korean War. --- Lane, Rose Wilder. --- Lennon, John. --- Liberty Loan Committee. --- Litvinoff, Maxim. --- Macherey, Pierre. --- Mad Dog of Europe. --- Main Street. --- Marceau, Marcel. --- McCarthyism. --- Newhouse, Edward. --- Olson, Culbert. --- Osgood, Robert Endicott. --- Paine, Thomas. --- Pauling, Linus. --- Purviance, Edna. --- Ritchie, Billie. --- Rusk, Dean. --- Sarris, Andrew. --- Shirer, William. --- academic interest in film. --- aesthetic distance. --- anti-Communist. --- biographical legend. --- fascism. --- feminist criticism. --- ideological approach. --- interventionism. --- isolationism. --- mass culture. --- neoformalism. --- pantomime. --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Spojené obce severoamerické --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA (Stati Uniti d'America) --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi︠a︡ Shtaty Ameryki --- Zlucheni Derz︠h︡avy --- ZSA --- Η.Π.Α. --- Ηνωμένες Πολιτείες της Αμερικής --- Америка (Republic) --- Американь Вейтьсэндявкс Штаттнэ --- Америкӑри Пӗрлешӳллӗ Штатсем --- САЩ --- Съединените щати --- Злучаныя Штаты Амерыкі --- ولايات المتحدة --- ولايات المتّحدة الأمريكيّة --- ولايات المتحدة الامريكية --- 미국 --- États-Unis --- É.-U. --- ÉU --- Amerik --- Америк --- Amerikiĭn Nėgdsėn Uls --- Америкийн Нэгдсэн Улс --- ANU --- АНУ --- Северо-Американские Штаты --- Северо-Американские Соединенные Штаты --- Сѣверо-Американскіе Соединенные Штаты --- Соединенные Штаты Америки --- Соединенные Штаты Северной Америки --- Соединенные Штаты Сѣверной Америки --- США --- ЗДА --- Зьєднані Держави Америки
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