Listing 1 - 10 of 45 | << page >> |
Sort by
|
Choose an application
Manuscripts. Epigraphy. Paleography --- anno 1200-1499 --- Great Britain --- Grande-Bretagne --- Groot-Brittannië --- Handschriften --- Manuscrits --- Art, Medieval --- Illumination of books and manuscripts, English --- Illumination of books and manuscripts, Medieval --- Manuscripts, English (Middle) --- manuscripts [documents] --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- English illumination of books and manuscripts --- Medieval art
Choose an application
Illumination of books and manuscripts, English --- 76 BLAKE, WILLIAM --- 820 "17" BLAKE, WILLIAM --- English illumination of books and manuscripts --- 76 BLAKE, WILLIAM Grafische kunsten. Grafiek. Prentkunst--BLAKE, WILLIAM --- Grafische kunsten. Grafiek. Prentkunst--BLAKE, WILLIAM --- 820 "17" BLAKE, WILLIAM Engelse literatuur--18e eeuw. Periode 1700-1799--BLAKE, WILLIAM --- Engelse literatuur--18e eeuw. Periode 1700-1799--BLAKE, WILLIAM --- Blake, William
Choose an application
With reference to features of layout and decoration, Evans interprets Guy of Warwick as a composite work, not separate works as some scholars suggest. Examining Sir Isumbras as a homiletic romance, and Sir Degaré and Sir Orfeo as Middle English lays, he shows how different versions of these romances, in their varied composite manuscript contexts, necessitate different readings of the "same" works and of their subgenres. Evans considers the manuscript structure of groups of works with different authorship and establishes six models of composite literary structure for Middle English literature. Evans argues that manuscript groupings of romances - and of romances with nonromances - enrich our interpretations of individual romances, romance as a genre, and medieval literary structure. This original study will appeal to readers interested in medieval romance and manuscripts, medieval literary structure, and computer applications in the humanities.
Romances, English --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, English. --- Manuscripts, English (Middle) --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- English illumination of books and manuscripts --- English romances --- English literature --- Manuscripts. --- Illustrations. --- History and criticism. --- Decoration and ornament, Medieval --- Rhetoric, Medieval. --- Criticism, Textual.
Choose an application
Enluminure des livres et des manuscrits anglaise --- Illumination of books and manuscripts [English ] --- Verluchting van boeken en handschriften [Engelse ] --- 091.31 <41> --- 091:22 --- 091.31:7.04 --- 091 <41> --- Illumination of books and manuscripts, English --- Illumination of books and manuscripts, Medieval --- -Painting, Medieval --- English illumination of books and manuscripts --- Verluchte handschriften--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Bijbels--(handschriften) --- Verluchte handschriften: iconografie --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Exhibitions --- -Verluchte handschriften--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 091.31:7.04 Verluchte handschriften: iconografie --- 091:22 Bijbels--(handschriften) --- 091.31 <41> Verluchte handschriften--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- -English illumination of books and manuscripts --- Painting, Medieval --- Bible --- Illustrations --- Bible. Manuscrits à peintures anglais. --- Bijbel. Verluchte handschriften (Engelse). --- -091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- -Exhibitions
Choose an application
Book history --- Old English literature --- anno 500-1499 --- 091.31 <41> --- Verluchte handschriften--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 091.31 <41> Verluchte handschriften--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Illumination of books and manuscripts, English --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, Renaissance --- Manuscripts, Medieval --- Renaissance illumination of books and manuscripts --- English illumination of books and manuscripts --- Enluminure médiévale --- Enluminure anglaise --- Histoire --- Jusqu'à 1500
Choose an application
English literature --- Blake, William --- 820 "17" BLAKE, WILLIAM --- 76:655.5 <41> --- Illumination of books and manuscripts, English --- English illumination of books and manuscripts --- Engelse literatuur--18e eeuw. Periode 1700-1799--BLAKE, WILLIAM --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- -Themes, motives --- 76:655.5 <41> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 820 "17" BLAKE, WILLIAM Engelse literatuur--18e eeuw. Periode 1700-1799--BLAKE, WILLIAM --- Blake, William, --- Blake, W. --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Themes, motives. --- Blake, William, 1757-1827
Choose an application
Manuscripts. Epigraphy. Paleography --- Painting --- 091 <41> --- Illumination of books and manuscripts, English --- -Illumination of books and manuscripts, English --- -Illumination of books and manuscripts, Anglo-Saxon --- Illumination of books and manuscripts, Medieval --- -Painting, Medieval --- Anglo-Saxon illumination of books and manuscripts --- English illumination of books and manuscripts --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Indexes --- Themes, motives --- Illumination of books and manuscripts, Anglo-Saxon --- Indexes. --- Themes, motives. --- -Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- -Anglo-Saxon illumination of books and manuscripts --- Painting, Medieval
Choose an application
Manuscripts. Epigraphy. Paleography --- 091.31 --- 09 <082 SANDLER, LUCY FREEMAN> --- Verluchte handschriften --- Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--SANDLER, LUCY FREEMAN --- Festschrift - Libri Amicorum --- 09 <082 SANDLER, LUCY FREEMAN> Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--SANDLER, LUCY FREEMAN --- 091.31 Verluchte handschriften --- Illumination of books and manuscripts, English --- Illumination of books and manuscripts, French --- Illumination of books and manuscripts, Gothic --- Illumination of books and manuscripts, Medieval --- Painting, Medieval --- Gothic illumination of books and manuscripts --- French illumination of books and manuscripts --- English illumination of books and manuscripts --- Sandler, Lucy Freeman. --- Sandler, Lucy Freeman
Choose an application
In this study of Art and Diplomacy we see the relationship between renaissance design in decorated borders and the messages conveyed in the texts of royal letters from the English kings to Russia and rulers in the Far East. These are cases of art serving the Crown, with much of the early limning done by Edward Norgate, the English miniaturist. Printed here for the first time from Russian archives, this collection provides a continuum for the study of the limning of royal letters throughout the 17th century. The letters that the decoration enhances reveal the details of privileges and commercial advantages sought by the English, and the cultural interests of the Russians in their requests for English doctors, apothecaries, jewellers, and mineralogists.
Illumination of books and manuscripts, English --- Borders, Ornamental (Decorative arts) --- Diplomatic relations. --- English letters. --- English literature --- Relations --- English illumination of books and manuscripts --- Themes, motives. --- 1600 - 1699 --- Great Britain --- England. --- Great Britain. --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra --- Foreign relations. --- English letters --- History --- History and criticism. --- Ornamental borders (Decorative arts) --- Decoration and ornament
Choose an application
"The Ormesby psalter is perhaps the most magnificent yet enigmatic of the great Gothic psalters produced in East Anglia in the first half of the fourteenth century. Its pages boast a wealth of decoration picked out in rich colours and burnished gold, and its margins are inhabited by a vibrant crew of beasts, birds and insects. Fantastic imagery proliferates: musicians, mermaids, lovers and warriors are juxtaposed with scenes from everyday life, from chivalric legend, and from folk-tales, fables and riddles. The psalter takes its name from Robert of Ormesby, subprior at Norwich Cathedral Priory in the 1330s. He was not the first owner, however, and it has long been acknowledged that the writing, decoration and binding of the book took place in a series of distinct phases from the late thirteenth to the mid-fourteenth century. The final result was the work of four or five scribes and up to seven illuminators and its pages show a panorama of stylistic development. Unravelling its complexities has sometimes been thought to hold the key to understanding the 'East Anglian School', a group of large, luxury manuscripts connected with Norwich Cathedral and Norfolk churches and patrons. This book casts an entirely new light on its history, not only clarifying and dating the successive phases of production, but associating the main work on the manuscript with the patronage of John de Warenne, Earl of Surrey, one of the greatest magnates of the time. It is extensively illustrated with full-page colour reproductions of the manuscript's main decorated folios, as well as many smaller initials and numerous comparative illustrations."--
Enluminure médiévale --- Douce, Francis, --- Bibliothèque --- Bodleian library (Oxford, GB) --- Manuscrits médiévaux. --- 091.31 <41> --- 091:2 --- 091:2 Handschriftenkunde. Handschriftencatalogi-:-Godsdienst. Theologie --- Handschriftenkunde. Handschriftencatalogi-:-Godsdienst. Theologie --- 091.31 <41> Verluchte handschriften--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Verluchte handschriften--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Psalters --- Illumination of books and manuscripts, English --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, Gothic --- Illumination of books and manuscripts --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Liturgies --- Illustrations --- Ormesby psalter. --- Gothic illumination of books and manuscripts --- Painting, Medieval --- English illumination of books and manuscripts
Listing 1 - 10 of 45 | << page >> |
Sort by
|