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Rereading Middle English romance
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ISBN: 1282857193 9786612857195 077356506X 9780773565067 0773512373 9780773512375 9781282857193 6612857196 Year: 1995 Publisher: Montreal, Que. McGill-Queen's University Press

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With reference to features of layout and decoration, Evans interprets Guy of Warwick as a composite work, not separate works as some scholars suggest. Examining Sir Isumbras as a homiletic romance, and Sir Degaré and Sir Orfeo as Middle English lays, he shows how different versions of these romances, in their varied composite manuscript contexts, necessitate different readings of the "same" works and of their subgenres. Evans considers the manuscript structure of groups of works with different authorship and establishes six models of composite literary structure for Middle English literature. Evans argues that manuscript groupings of romances - and of romances with nonromances - enrich our interpretations of individual romances, romance as a genre, and medieval literary structure. This original study will appeal to readers interested in medieval romance and manuscripts, medieval literary structure, and computer applications in the humanities.


Book
Studies in English Bible illustration
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ISBN: 0907132278 0907132286 Year: 1985 Publisher: London Pindar Press

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Book
Art and diplomacy
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ISBN: 9004300457 9789004300453 9789004294493 900429449X Year: 2015 Publisher: Boston

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In this study of Art and Diplomacy we see the relationship between renaissance design in decorated borders and the messages conveyed in the texts of royal letters from the English kings to Russia and rulers in the Far East. These are cases of art serving the Crown, with much of the early limning done by Edward Norgate, the English miniaturist. Printed here for the first time from Russian archives, this collection provides a continuum for the study of the limning of royal letters throughout the 17th century. The letters that the decoration enhances reveal the details of privileges and commercial advantages sought by the English, and the cultural interests of the Russians in their requests for English doctors, apothecaries, jewellers, and mineralogists.


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The Ormesby Psalter : patrons and painting in medieval England
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ISBN: 9781851243105 1851243100 Year: 2017 Publisher: Oxford : Bodleian Library,

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"The Ormesby psalter is perhaps the most magnificent yet enigmatic of the great Gothic psalters produced in East Anglia in the first half of the fourteenth century. Its pages boast a wealth of decoration picked out in rich colours and burnished gold, and its margins are inhabited by a vibrant crew of beasts, birds and insects. Fantastic imagery proliferates: musicians, mermaids, lovers and warriors are juxtaposed with scenes from everyday life, from chivalric legend, and from folk-tales, fables and riddles. The psalter takes its name from Robert of Ormesby, subprior at Norwich Cathedral Priory in the 1330s. He was not the first owner, however, and it has long been acknowledged that the writing, decoration and binding of the book took place in a series of distinct phases from the late thirteenth to the mid-fourteenth century. The final result was the work of four or five scribes and up to seven illuminators and its pages show a panorama of stylistic development. Unravelling its complexities has sometimes been thought to hold the key to understanding the 'East Anglian School', a group of large, luxury manuscripts connected with Norwich Cathedral and Norfolk churches and patrons. This book casts an entirely new light on its history, not only clarifying and dating the successive phases of production, but associating the main work on the manuscript with the patronage of John de Warenne, Earl of Surrey, one of the greatest magnates of the time. It is extensively illustrated with full-page colour reproductions of the manuscript's main decorated folios, as well as many smaller initials and numerous comparative illustrations."--

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