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English literature --- Drama --- anno 1600-1699 --- English drama (Tragedy) --- English drama --- Soliloquy --- History and criticism --- Technique --- Dramaturgy --- Authorship --- Playwriting --- Monologue --- English drama (Tragedy) - History and criticism --- English drama - 17th century - History and criticism --- Drama - Technique

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English drama (Tragedy) --- English drama --- Theater --- History and criticism --- History --- English drama (Tragedy) - History and criticism --- English drama - 17th century - History and criticism --- English drama - Early modern and Elizabethan, 1500-1600 --- Theater - England - History - 16th century

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This compelling argument for the link between Calvinism in English religious life and the rise of tragedy on the Elizabethan stage draws on a variety of material, including theological tracts, sermons, and dramatic works beginning with sixteenth-century morality plays and continuing through Marlowe's career and the beginning of Shakespeare's.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Election (Theology) -- History of doctrines -- 16th century. --- English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism. --- English drama (Tragedy) -- History and criticism. --- Religion and literature -- Great Britain -- History -- 16th century. --- English drama --- English drama (Tragedy) --- Election (Theology) --- Religion and literature --- History and criticism. --- History of doctrines --- History

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Comparative literature --- Thematology --- Drama --- anno 1600-1699 --- Object (Filosofie) in de literatuur --- Object (Philosophy) in literature --- Objet (Philosophie) dans la littérature --- European drama (Tragedy) --- European drama --- Object (Philosophy) in literature. --- Tragédie européenne --- Théâtre européen --- Themes, motives --- Thèmes, motifs --- English drama (Tragedy) --- English drama --- French drama (Tragedy) --- French drama --- Dutch drama (Tragedy) --- Dutch drama --- History and criticism --- History and criticism. --- Tragédie européenne --- Théâtre européen --- Objet (Philosophie) dans la littérature --- Thèmes, motifs --- Early modern and Elizabethan, 1500-1600 --- 17th century --- 16th century --- Early modern, 1500-1700 --- English drama (Tragedy) - History and criticism --- English drama - Early modern and Elizabethan, 1500-1600 - History and criticism --- English drama - 17th century - History and criticism --- French drama (Tragedy) - History and criticism --- French drama - 16th century - History and criticism --- French drama - 17th century - History and criticism --- Dutch drama (Tragedy) - History and criticism --- Dutch drama - Early modern, 1500-1700 - History and criticism

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We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological considerations, but on the process of mimesis, or imitation, that art has traditionally claimed for itself. In analyzing Shakespeare's major tragedies, Professor Felperin notes that each carries within it a model of its dramatic prototypes, and therefore requires a conservative response from its interpreters. In the interest of being truer to life than its model, however, each play departs from that model and so requires a Romantic or modernist response as well. The author contends that Shakespeare's meaning arises from this ambivalent relation to the forms of the past.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

English literature --- Thematology --- Drama --- Shakespeare, William --- English drama --- Mimesis in literature --- Influence (Literary, artistic, etc.) --- Théâtre anglais --- Mimésis dans la littérature --- Influence littéraire, artistique, etc. --- History and criticism --- Histoire et critique --- Shakespeare, William, --- Tragedies --- English drama (Tragedy) --- -Influence (Literary, artistic, etc.) --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- -Tragedies --- Mimesis in literature. --- History and criticism. --- Tragedies. --- Théâtre anglais --- Mimésis dans la littérature --- Influence littéraire, artistique, etc. --- Šekspir, Vil'jam --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- English drama (Tragedy) - History and criticism --- Shakespeare, William, - 1564-1616 - Tragedies --- Shakespeare, William, - 1564-1616