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Comparative literature --- English literature --- English and Greek. --- Greek and English. --- History and criticism --- Plato.

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English fiction --- Comparative literature --- Greek fiction --- History and criticism --- Greek and English --- English and Greek --- Appreciation

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Historical drama, English --- Historical drama, Greek --- Literature, Comparative --- Kings and rulers in literature. --- Literature and history. --- History and criticism. --- Greek and English. --- English and Greek. --- Shakespeare, William, --- Histories.

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Conversing Identities: Encounters Between British, Irish and Greek Poetry, 1922-1952 presents a panorama of cultures brought in dialogue through travel, immigration and translation set against the insularity imposed by war and the hegemony of the national centre in the period 1922-1952. Each chapter tells a story within a specific time and space that connected the challenges and fissures experienced in two cultures with the goal to explore how the post-1922 accentuated mobility across frontiers found an appropriate expression in the work of the poets under consideration. Either influenced by their actual travel to Britain or Greece or divided in their various allegiances and reactions to national or imperial sovereignty, the poets examined explored the possibilities of a metaphorical diasporic sense of belonging within the multicultural metropolis and created personae to indicate the tension at the contact of the old and the new, the hypocritical parody of mixed breeds and the need for modern heroes to avoid national or gendered stereotypes. The main coordinates were the national voices of W.B. Yeats and Kostes Palamas, T.S. Eliot’s multilingual outlook as an Anglo-American métoikos , C.P. Cavafy’s view as a Greek of the diaspora, displaced William Plomer’s portrayal of 1930s Athens, Demetrios Capetanakis’ journey to the British metropolis, John Lehmann’s antithetical journey eastward, as well as Louis MacNeice’s complex loyalties to a national identity and sense of belonging as an Irish classicist, translator and traveller.

English poetry -- Literary collections. --- English poetry. --- Greek poetry. --- Irish poetry. --- Poetry, Modern --- English poetry --- Greek poetry, Modern --- Comparative literature --- Languages & Literatures --- Literature - General --- History and criticism --- Irish authors --- English and Greek --- Greek and English --- Greek poetry, Modern. --- Poetry, Modern. --- Modern poetry --- Poetry --- Modern Greek poetry --- Greek literature, Modern --- Anglo-Irish poetry --- Irish poetry (English) --- English literature --- History and criticism. --- English and Greek. --- Greek and English. --- Irish authors. --- 1900-1999

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Dueling in literature --- Epic poetry, English (Old) --- Epic poetry, Greek --- Heroes in literature --- Narration (Rhetoric) --- Speech in literature --- Civilization, Anglo-Saxon, in literature --- Rhetoric, Ancient --- Rhetoric, Medieval --- Literature, Comparative --- Dialogue --- History and criticism --- English (Old) and Greek --- Greek and English (Old) --- Homer --- Technique --- Comparative literature --- Rhetoric, Ancient. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Dialog --- Drama --- English and Greek --- Greek and English --- History --- Rhetoric --- Homerus --- Homeros --- Homère --- Technique. --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Epic poetry, English (Old) - History and criticism --- Epic poetry, Greek - History and criticism --- Literature, Comparative - English (Old) and Greek --- Literature, Comparative - Greek and English (Old) --- Homer - Technique