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Der wütende Text war bislang nie Gegenstand einer systematischen Untersuchung. Hier nun ist deren Grundlage eine interdisziplinäre Bestimmung der Emotion Wut selbst. So gelangen die Textanalysen zu Erkenntnissen, die über die bisherigen Befunde in Poetik, Rhetorik, Linguistik und Psychologie hinausgehen. Die Studie knüpft zwar an die Satire-Theorie an, doch bedeutet sie für die Kategorisierung und Analyse aggressiven Schreibens einen Neuansatz. The furious text has not been an object of systematic analysis until now. In this volume, this analysis is based on an interdisciplinary definition of the emotion of fury itself. Text analyses thus provide insights that go beyond previous findings from the fields of poetics, rhetoric, linguistics, and psychology. Although this study takes up the theory of satire, it develops a new approach to categorize and analyze aggressive writing.
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Der wütende Text war bislang nie Gegenstand einer systematischen Untersuchung. Hier nun ist deren Grundlage eine interdisziplinäre Bestimmung der Emotion Wut selbst. So gelangen die Textanalysen zu Erkenntnissen, die über die bisherigen Befunde in Poetik, Rhetorik, Linguistik und Psychologie hinausgehen. Die Studie knüpft zwar an die Satire-Theorie an, doch bedeutet sie für die Kategorisierung und Analyse aggressiven Schreibens einen Neuansatz. The furious text has not been an object of systematic analysis until now. In this volume, this analysis is based on an interdisciplinary definition of the emotion of fury itself. Text analyses thus provide insights that go beyond previous findings from the fields of poetics, rhetoric, linguistics, and psychology. Although this study takes up the theory of satire, it develops a new approach to categorize and analyze aggressive writing.
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Der wütende Text war bislang nie Gegenstand einer systematischen Untersuchung. Hier nun ist deren Grundlage eine interdisziplinäre Bestimmung der Emotion Wut selbst. So gelangen die Textanalysen zu Erkenntnissen, die über die bisherigen Befunde in Poetik, Rhetorik, Linguistik und Psychologie hinausgehen. Die Studie knüpft zwar an die Satire-Theorie an, doch bedeutet sie für die Kategorisierung und Analyse aggressiven Schreibens einen Neuansatz. The furious text has not been an object of systematic analysis until now. In this volume, this analysis is based on an interdisciplinary definition of the emotion of fury itself. Text analyses thus provide insights that go beyond previous findings from the fields of poetics, rhetoric, linguistics, and psychology. Although this study takes up the theory of satire, it develops a new approach to categorize and analyze aggressive writing.
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"An important aspect of narrative motivation is emotional understanding. The sequence of events completes an emotional cadence in the audience, which makes narratives meaningful for them. In this regard, negative emotions have an outstanding role. Based on general emotion-theories, positive emotions support approaching action tendencies while negative emotions endorse distancing and avoiding. However, this notion is not valid for aesthetic reception, because as research shows, aesthetic objects eliciting negative emotions greatly attract recipients and increase the intensity of the aesthetic experience. In aesthetic experience, it seems, negative emotions interweave with pleasure; moreover, they can be a source of pleasure. The studies of this volume discuss the role of negative emotions in the reception of fictional narratives with special interest to fear and disgust."-- Publisher's description.
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