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Installations (Art) --- Emigration and immigration in art --- Installations (Art) --- Emigration et immigration dans l'art --- History --- Exhibitions --- Exhibitions --- Histoire --- Expositions --- Expositions
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Experiences of migration and dwelling-in-displacement impinge upon the lives of an ever increasing number of people worldwide, with business class comfort but more often with unrelenting violence. Since the early 1990's, the political and cultural realities of global migration have led to a growing interest in the different forms of “diasporic” existence and identities. The articles in this book do not focus on the external boundaries of diaspora – what is diasporic and what is not? – but on one of its most important internal boundaries, which is indicated by the second term in the title of this book: memory. It is not by chance that the right to remember, the responsibility to recall, are central issues of the debates in diasporic communities and their relation to their cultural and political surroundings. The relation of diaspora and memory contains important critical and maybe even subversive potentials. Memory can transcend the territorial logic of dispersal and return, and emerge as a competing source of diasporic identity. The articles in this volume explore how, shaped by the responsibilities of testimony as well as by the normalizing forces of amnesia and forgetting and political interests, memory is a performative, figurative process rather than a secure space of identity.
#SBIB:39A5 --- #SBIB:39A6 --- Kunst, habitat, materiële cultuur en ontspanning --- Etniciteit / Migratiebeleid en -problemen --- Emigration and immigration --- Emigration and immigration in literature. --- Emigration and immigration in art. --- Social aspects. --- Emigration et immigration --- Emigration et immigration dans la littérature --- Emigration et immigration dans l'art --- Aspect social
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In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globalization and the ways their works connect viewers to the lived experiences of political and economic crisis. Demos investigates the cinematic approaches Steve McQueen, the Otolith Group, and Hito Steyerl employ to blur the real and imaginary in their films confronting geopolitical conflicts between North and South. He analyzes how Emily Jacir and Ahlam Shibli use blurs, lacuna, and blind spots in their photographs, performances, and conceptual strategies to directly address the dire circumstances of dislocated Palestinian people. He discusses the disparate interventions of Walid Raad in Lebanon, Ursula Biemann in North Africa, and Ayreen Anastas and Rene Gabri in the United States, and traces how their works offer images of conflict as much as a conflict of images. Throughout Demos shows the ways these artists creatively propose new possibilities for a politics of equality, social justice, and historical consciousness from within the aesthetic domain.
Arts and globalization --- Culture and globalization --- Art and society --- Documentary mass media and the arts --- Emigration and immigration in art --- Arts et mondialisation --- Culture et mondialisation --- Art et société --- Médias documentaires et arts --- Emigration et immigration dans l'art --- Art et politique --- Art militant --- Migration --- Film militant --- Photographie documentaire --- Photographie de reportage --- Sociologie de l'art --- Art --- Émigration et immigration --- Arts and globalization. --- Culture and globalization. --- Art and society. --- Documentary mass media and the arts. --- Emigration and immigration in art. --- Aspect social --- Dans l'art --- 77.03 --- 77.01 --- 791.43 --- film --- documentaire --- globalisering --- neoliberalisme --- McQueen Steve --- The Otolith Group --- Steyerl Hito --- Jacir Emily --- Shibli Ahlam --- Raad Walid --- Biemann Ursula --- Anastas Ayreen --- Gabri René --- politiek --- film en politiek --- fotografie --- fotografie en politiek --- migratie --- Documentaire fotografie --- Fotografie--Semiotiek van de fotografie. Theorie --- Filmkunst. Films. Cinema --- 791.43 Filmkunst. Films. Cinema --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- 77.03 Documentaire fotografie --- Art et société --- Médias documentaires et arts --- Globalization and culture --- Globalization --- Arts and documentary mass media --- Arts --- Globalization and the arts --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Culture et mondialisation. --- Dans l'art. --- Aspect social. --- Émigration et immigration
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