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Recollecting Lotte Eisner provides the first in-depth examination of the remarkable transnational career of film journalist, archivist, and historian Lotte Eisner (1896-1983). From her early years as a film critic in interwar Berlin to her escape from prison in occupied France and from her role as chief curator at the Cinémathèque française to that as the mythic "collective conscience" of New German Cinema, Eisner was a prolific writer and lecturer and a pivotal voice in early film and media studies. Situated at the juncture of feminist media historiography and disciplinary intellectual history, this groundbreaking book is based on extensive multilingual archival research and the excavation of a rich corpus of previously overlooked materials. Introducing samples of Eisner's writing in translation, this volume makes some of the most important contributions of a foundational scholar in the field of film studies accessible for the first time to an English-language readership.
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Voyage --- Travel --- Herzog, Werner, --- Journeys --- Voyages --- Germany --- France --- Allemagne --- Description and travel --- Descriptions et voyages --- film --- Duitsland --- Herzog Werner --- Eisner Lotte --- wandelen --- kunstenaarsgeschriften --- twintigste eeuw --- 791.471 HERZOG --- Allemagne (République fédérale) --- France (nord-est) --- Journeys. --- Description and travel.
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Sur les ruines de la Première Guerre mondiale surgit en Allemagne un cinéma d'apocalypse, fiévreux et révolté, nourri de théâtre, de peinture et de littérature expressionnistes. Décors convulsifs aux perspectives distordues, intense dramaturgie des ombres et des lumières, personnages inquiétants et romantiques, jeu halluciné des acteurs, la vision expressionniste exprime les angoisses d'un monde qui se sent basculer dans l'horreur. A l'occasion de son 70e anniversaire, la Cinémathèque française présente une exposition inédite sur cette révolution esthétique. Grâce à Lotte H. Eisner et Henri Langlois, la Cinémathèque française possède l'une des plus belles collections de dessins et maquettes signés par des décorateurs de génie œuvrant aux côtés de Robert Wiene, Paul Leni, F. W. Murnau et Fritz Lang. Une iconographie exceptionnelle qu'accompagnent des textes de Lotte H. Eisner, Bernard Eisenschitz, Thomas Elsaesser, Marianne de Fleury, Laurent Mannoni, David Robinson, et un entretien avec Werner Herzog.
Motion pictures --- Expressionism in motion pictures --- History --- Setting and scenery --- [Bernard Eisenschitz, Thomas Elsaesser, Marianne de Fleury et al.] --- film --- filmgeschiedenis --- Duitsland --- expressionisme --- twintigste eeuw --- film en schilderkunst --- scenografie --- tekenkunst --- schilderkunst --- Eisner Lotte H. --- Langlois Henri --- Röhrig Walter --- Hunte Otto --- Kettelhut Erich --- Herlth Robert --- Warm Hermann --- Andrejew Andrei --- Leni Paul --- Gliese Rochus --- Hasler Emil --- Poelzig Hans --- Erdmann Otto --- Stern Ernst --- Wiene Robert --- Murnau Friedrich Wilhelm --- Lang Fritz --- 791.43 --- Eisner Lotte H --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Motion pictures - Germany - History - Exhibitions --- Expressionism in motion pictures - Exhibitions --- Motion pictures - Setting and scenery - Germany - Exhibitions
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Cities and towns in motion pictures --- -film --- film en stad --- stedelijkheid --- film en stedelijkheid --- Sciascia Leonardo --- Sansot Pierre --- Nouvel Jean --- Guégan Gérard --- Allio René --- Berto Juliet --- Guiguet Jean-Claude --- Alekan Henri --- Leacock Richard --- Mekas Jonas --- Arcand Denys --- Perrault Pierre --- Benjamin Walter --- Eisner Lotte H. --- Murnau Friedrich Wilhelm --- Vertov Dziga --- Vidor King --- Vigo Jean --- Carné Marcel --- Bazin André --- Antonioni Michelangelo --- Fellini Federico --- Resnais Alain --- Allen Woody --- Godard Jean-Luc --- Rivette Jacques --- Hitchcock Alfred --- Iosseliani Otar --- Rohmer Eric --- Wenders Wim --- 791.43 --- Motion pictures --- Exhibitions --- Villes au cinéma --- Expositions --- Villes au cinéma --- Eisner Lotte H --- CDL --- Villes --- Cinéma --- Décors de cinéma --- Au cinéma --- Thèmes, motifs --- film --- Décors de cinéma. --- Au cinéma. --- Thèmes, motifs. --- Exhibitions. --- Cinéma --- Décors de cinéma. --- Thèmes, motifs.
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A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitsch's depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitsch's previously neglected German films, this book presents the years until 1922 as the formative period in his career.
Lubitsch, Ernst
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Silent films
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Films muets
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History and criticism
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Histoire et critique
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Lubitsch, Ernst,
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Criticism and interpretation
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History and criticism.
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Criticism and interpretation.
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Film.
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Motion picture producers and directors
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Films.
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Silent films.
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Histoire et critique.
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Lubitsch, Ernst.
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Critique et interpretation.
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Bibel
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Germany.
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Moving pictures, Silent
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Silent motion pictures
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Motion pictures
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Philemonbrief
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