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In eighteenth-century England, 'variety' became a prized aesthetic in musical culture. Not only was variety - of counterpoint, harmony, melody, and orchestration - expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic.
Music --- Cosmopolitanism --- History and criticism. --- History --- Social aspects --- Eighteenth-century Britain --- Eighteenth-century aesthetics --- British cultural identity --- Musical miscellany
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This book explores the role of animals -- horses, cattle, sheep, pigs and dogs -- in shaping Georgian London. Moving away from the philosophical, fictional and humanitarian sources used by previous animal studies, it focuses on evidence of tangible, dung-bespattered interactions between real people and animals, drawn from legal, parish, commercial, newspaper and private records.This approach opens up new perspectives on unfamiliar or misunderstood metropolitan spaces, activities, social types, relationships and cultural developments. Ultimately, the book challenges traditional assumptions about the industrial, agricultural and consumer revolutions, as well as key aspects of the city's culture, social relations and physical development. It will be stimulating reading for students and professional scholars of urban, social, economic, agricultural, industrial, architectural and environmental history.
Human-animal relationships --- Animals --- Animal kingdom --- Beasts --- Fauna --- Native animals --- Native fauna --- Wild animals --- Wildlife --- Organisms --- Zoology --- Animal-human relationships --- Animal-man relationships --- Animals and humans --- Human beings and animals --- Man-animal relationships --- Relationships, Human-animal --- History --- British Industrial Revolution. --- Eighteenth-century Britain. --- Eighteenth-century consumption. --- English agricultural revolution. --- Horse history. --- Human-animal interactions. --- Livestock history. --- Non-human agents. --- Urban environmental history. --- Urban farming.
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Long before they appeared in the pages of Ivanhoe and nineteenth-century Old English scholarship, the Anglo-Saxons had become commonplace in Georgian Britain. The eighteenth century - closely associated with Neoclassicism and the Gothic and Celtic revivals - also witnessed the emergence of intertwined scholarly and popular Anglo-Saxonisms that helped to define what it meant to be English. This book explores scholarly Anglo-Saxon studies and imaginative Anglo-Saxonism during a century not normally associated with either. Early in the century, scholars and politicians devised a rhetoric of Anglo-Saxon inheritance in response to the Hanoverian succession, and participants in Britain's burgeoning antiquarian culture adopted simultaneously affective and scientific approaches to Anglo-Saxon remains. Patriotism, imagination and scholarship informed the writing of Enlightenment histories that presented England, its counties and its towns as Anglo-Saxon landscapes. Those same histories encouraged English readers to imagine themselves as the descendants of Anglo-Saxon ancestors - as did history paintings, book illustrations, poetry and drama that brought the Anglo-Saxon past to life. Drawing together these strands of scholarly and popular medievalism, this book identifies Anglo-Saxonism as a multifaceted, celebratory and inclusive idea of Englishness at work in eighteenth-century Britain.
National characteristics, English. --- English national characteristics --- England --- Civilization --- Social life and customs --- Affective. --- Anglo-Saxon Past. --- Anglo-Saxonism. --- Book Illustrations. --- Celtic Revival. --- Drama. --- Eighteenth-Century Britain. --- Gothic Revival. --- History Paintings. --- Idea of Englishness. --- Imaginative Anglo-Saxonism. --- Neoclassicism. --- Patriotism. --- Poetry. --- Scholarly Anglo-Saxon Studies. --- Scientific Approaches. --- Nationalism --- Anglo-Saxons --- History. --- Historiography.
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Venanzio Rauzzini (1746-1810), the celebrated Italian castrato, is best known for his performance in Mozart's Lucio Silla in 1772, with which Mozart was so pleased that he composed for the singer the famous motet Exsultate Jubilate. In 1774, Rauzzini moved to London where he performed three seasons of serious operas at the King's Theatre. From 1777 until his death in 1810, he was the director of the concert series in Bath, a series that matched the prestige of any that were given in London. In addition, he composed prolifically, writing music for eleven operas. This book is a study of Rauzzini's remarkable yet often overlooked career in Britain. Paul Rice chronicles Rauzzini's performances at the King's Theatre and examines his leadership of the Bath subscription concerts from 1780-1810, recovering much of the repertory. Rice shows in detail how Rauzzini responded musically to the social and political conditions of his adopted country, and analyzes the castrato's reception, as well as compositional choices, shedding new light on changing musical tastes in late eighteenth-century Britain. Paul F. Rice is professor of musicology at the School of Music, Memorial University of Newfoundland.
Castrati --- Music --- Castrats --- Musique --- Biography --- History and criticism. --- Biographies --- Histoire et critique --- Rauzzini, Venanzio, --- Great Britain --- 18th century --- History and criticism --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Evirati --- Eunuchs --- Singers --- Rauzzini, V. --- Bath subscription concerts. --- Britain. --- King's Theatre. --- Memorial University of Newfoundland. --- Mozart. --- Paul F. Rice. --- Venanzio Rauzzini. --- castrato soprano. --- composer. --- cultural leader. --- eighteenth-century Britain. --- music. --- social and political conditions.
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Industrial Enlightenment explores the transition through which England passed between 1760 and 1820 on the way to becoming the world's first industrialised nation. In drawing attention to the important role played by scientific knowledge, it focuses on a dimension of this transition which is often overlooked by historians. The book argues that in certain favoured regions, England underwent a process whereby useful knowledge was fused with technological 'know how' to produce the condition described here as Industrial Enlightenment. At the forefront of the process were the natural philosophers who entered into a close and productive relationship with technologists and entrepreneurs. Much of the evidence for this study is drawn from the extraordinary archival record of the activities of Matthew Boulton (1728-1809) and his Soho Manufactory. The book will appeal to those keen to explore the dynamics of change in eighteenth-century England, and to those with a broad interest in the cultural history of science and technology.
Science and industry --- Industrial revolution --- Industry and science --- Industries --- Revolution, Industrial --- Economic history --- Social history --- History. --- Birmingham (England) --- Birmingham, Eng. --- Birmingham (West Midlands, England) --- City and Borough of Birmingham (England) --- Borough of Birmingham (England) --- History --- Révolution industrielle --- Sciences et industrie --- Birmingham (Angleterre) --- Histoire --- Birmingham. --- French Revolution. --- Industrial Enlightenment. --- Napoleonic Wars. --- Soho. --- West Midlands. --- eighteenth-century Britain. --- knowledge economy. --- protestant Nonconformity. --- religious complexion. --- science cultures. --- technological process.
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The reign of Queen Anne (1702-1714) was pivotal for both politics and opera in Britain. In this study, Thomas McGeary brings together a wide range of sources to show how the worlds of politics and opera were entwined. The associations that Italian singing and singers acquired by the 1690s were used in partisan Whig-Tory writings. Rather than a foreign invasion, McGeary shows how the introduction of Italian-style opera was a native product that grew out of plans for a new theatre in the Haymarket. A crucial event for opera was Handel's arrival in London in 1710. While the criticism of opera by Whig writers such as Richard Steele and Joseph Addison is well known, McGeary uncovers how the early promotion and sponsorship of opera was, in fact, largely a Whig enterprise and cultural program. Indeed, major political figures (mostly Whigs) participated in the support and patronage of opera.
Opera --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- Political aspects --- History and criticism --- Great Britain --- History --- Politics and government --- History of civilization --- History of the United Kingdom and Ireland --- music [performing arts genre] --- opera [music genre] --- anno 1700-1799 --- 1700-1799 --- Grande-Bretagne --- Histoire --- Politique et gouvernement --- Cultural historians. --- Eighteenth-century Britain. --- Italian opera. --- Italian singing. --- Literature culture. --- Opera institutions. --- Opera scholars. --- Political meanings. --- Politics. --- Queen Anne's Britain.
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In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science.
Plants, Sex in --- Women botanists --- Botany in literature --- Botanical literature --- Biological literature --- Botany --- Botanists --- Women biologists --- Women in botany --- Sex in plants --- Plant physiology --- Sex (Biology) --- Plants --- History --- Women authors --- Reproduction --- Linne, Carl von, --- Influence. --- Linné, Carl von, --- Linnaeus, Carl, --- Linneĭ, Karl, --- Linnaeus, Carolus, --- Von Linné, Carl, --- Linnaeus, C., --- Linneus, --- Linné, Carolus a, --- Linné, Charles, --- Lineu, Carlos, --- Plants, Sex in. --- Literature --- Literary Theory --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh` --- Ireland --- Authorship --- History and criticism. --- British women's engagement. --- Carl Linnaeus. --- Collinsonia. --- Erasmus Darwin. --- Linnaean Sexual System. --- Linnaean classification. --- Mary Wollstonecraft. --- botanical classification. --- botanical literature. --- eighteenth-century Britain. --- female mind. --- female modesty. --- floristry. --- plant sexuality. --- sexual anxiety.
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Colouring the Caribbean offers the first comprehensive study of Agostino Brunias's intriguing pictures of colonial West Indians of colour - so called 'Red' and 'Black' Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race - made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias's paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias's work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time.
Race relations. --- Race in art. --- Imperialism in art. --- Race dans l'art. --- Livres numériques. --- Impérialisme dans l'art. --- Integration, Racial --- Race problems --- Race question --- Relations, Race --- Ethnology --- Social problems --- Sociology --- Ethnic relations --- Minorities --- Racism --- Brunias, Agostino --- Criticism and interpretation. --- Caribbean Area. --- Caribbean Area --- Caribbean Free Trade Association countries --- Caribbean Region --- Caribbean Sea Region --- West Indies Region --- Race relations --- History. --- "idian trade scenes. --- Afro-Creoles. --- Agostino Brunias. --- Black Caribs. --- British colonial Caribbean. --- British colonial art. --- Carib Wars. --- Caribbean life. --- colonial West Indians. --- dark-skinned Africans. --- late-eighteenth century Britain. --- mixed-race people. --- paintings. --- plantocratic elites. --- visual ethnography.
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Provides readers with fresh insights into the country house and the ways it was shaped by domestic and foreign travel. It brings famous and less familiar houses to life through the aspirations and acquisitions of owners; the admiring or caustic comments of visitors, and the constant flows of goods, people and ideas.
Travel --- Country homes. --- Civilization --- Civilization. --- HISTORY / Europe / Great Britain. --- HOUSE & HOME --- ARCHITECTURE --- Country homes --- Traveling --- Travelling --- Tourism --- Voyages and travels --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Barbarism --- Civilisation --- Auxiliary sciences of history --- Culture --- World Decade for Cultural Development, 1988-1997 --- Architecture, Rural --- Rural architecture --- Dwellings --- Park gate lodges --- Social aspects. --- European influences. --- Design & Construction. --- Residential. --- Social aspects --- History --- Design and construction --- Great Britain. --- Great Britain --- Architecture, Primitive --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- Architecture. --- British consciousness. --- British country house. --- Consumption. --- Country house. --- European travellers. --- Frederick Hervey. --- Gardens. --- Grand Tour. --- Guidebooks. --- Hanbury's journals. --- Indian objects. --- Mary Mackenzie. --- Material culture. --- Scattergood's journals. --- Scotland. --- Taste. --- Travel journals. --- Travel. --- ancient Rome. --- eighteenth-century Britain. --- elite travel. --- landscape gardens.
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