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Bronze age --- Excavations (Archaeology) --- Age du bronze --- Fouilles (Archéologie) --- Beilngries (Germany) --- Beilngries (Allemagne) --- Antiquities. --- Antiquités --- Bronzezeit. --- Keramik. --- Funde. --- Bronze age. --- Excavations (Archaeology). --- Eichstätt (Germany : Landkreis) --- Oberbayern (Germany) --- Beilngries --- Germany --- Antiquities --- Beilngries . --- Fouilles (Archéologie) --- Antiquités

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Catholic Church --- History --- Sources --- Eichstätt Region (Germany) --- Church history --- 27 <43 EICHSTATT> --- Kerkgeschiedenis--Duitsland voor 1945 en na 1989--EICHSTATT --- Catholic Church. Diocese of Eichstatt (Germany) --- -History --- Catholic Church. --- Eichstätt (Diocese) --- Eichstätt (Germany : Diocese : Catholic Church) --- Bistum Eichstätt --- Diözese Eichstätt --- Sources. --- Eichstätt Region (Germany) - Church history - Sources --- Eichstatt (allemagne) --- Allemagne --- Histoire religieuse --- Moyen age --- 11e siecle

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Die Benediktinerinnenabtei St. Walburg wurde im Jahre 1035 durch Graf Leodegar von Graisbach-Lechsgemünd am Grab der hl. Walburga in Eichstätt gegründet. Der Walburgakult nahm durch alle Jahrhunderte stets eine zentrale Stellung im Leben der Benediktinerinnen dieses Klosters ein, dessen Bedeutung insbesondere in seiner Eigenschaft als vielbesuchte Wallfahrtstätte begründet ist. In der Mitte des 15. Jahrhunderts wurde die Abtei durch den Eichstätter Bischof Johann von Eych reformiert. Nach der Erholung von den im Dreißigjährigen Krieg erlittenen Schäden folgte im 18. Jahrhundert eine wirtschaftliche und kulturelle Blütezeit. Dem Umstand, dass die Nonnen sich nach der Säkularisierung 1806 nicht vertreiben ließen und 1835 die Wiedererrichtung durch König Ludwig I. von Bayern erlebten, ist zu es verdanken, dass ein Großteil der Archivalien und der Kunstschätze im Kloster erhalten blieb. Dem Schema der Germania Sacra folgend wird ein Großteil der Quellen zur Geschichte des Klosters ausgewertet. Das Werk enthält einen ausführlichen Besitzkatalog sowie umfangreiche Listen der Angehörigen des Klosters.

Christian church history --- Eichstätt --- Bishops --- Evêques --- History --- Histoire --- Catholic Church. --- Eichstätt (Germany) --- Eichstätt (Allemagne) --- Church history --- Histoire religieuse --- Catholic Church --- Eichstätt (Germany) --- 271 <43 EICHSTATT> --- Kloosterwezen. Religieuze orden en congregaties. Monachisme--Duitsland voor 1945 en na 1989--EICHSTATT> --- Sources --- History. --- Evêques --- Eichstätt (Allemagne) --- Archbishops --- Clergy --- Major orders --- Metropolitans --- Orders, Major --- Chaplains, Bishops' --- Episcopacy --- Eichstätt (Diocese) --- Eichstätt (Germany : Diocese : Catholic Church) --- Bistum Eichstätt --- Diözese Eichstätt --- Church history. --- Benedictine monasteries --- Benediktinerinnen-Abtei St. Walburg (Eichstätt, Germany) --- Benedictines --- Benediktinerinnenabtei St. Walburg (Eichstätt, Germany) --- St. Walburg (Benedictine Abbey) --- Benedictine nuns --- Benediktinerinnenabtei St. Walburg (Eichstätt, Germany). --- 271.1 <43 EICHSTATT> --- 271.1 <43 EICHSTATT> Benedictijnen--Duitsland voor 1945 en na 1989--EICHSTATT --- Benedictijnen--Duitsland voor 1945 en na 1989--EICHSTATT --- Christelijke kerkgeschiedenis --- Benediktijnen --- Mainz --- Bishops - Germany - Eichstätt - History --- Eichstätt (Germany) - Church history --- St. Walburg (Eichstätt)

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Die Schutzengelkirche zu Eichstätt ist nach aufwendiger Restaurierung glanzvoll wiederhergestellt worden. 1617 als Kollegienkirche der Jesuiten in Auftrag gegeben, stellt sie ein überregional kultur- und kunsthistorisch bedeutendes Zeugnis des Konfessionellen Zeitalters dar. Erstmals ist ihr und dem Kolleg mit diesem Werk eine umfassende Monographie gewidmet.

Architecture, Baroque --- Catholic church buildings --- Catholic universities and colleges --- Christian art and symbolism --- Church architecture --- Church decoration and ornament --- Jesuit architecture --- #GBIB: jesuitica --- 271.5 <43 EICHSTÄTT> --- Architecture, Jesuit --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Ecclesiastical architecture --- Rood-lofts --- Religious architecture --- Architecture, Gothic --- Church buildings --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Catholic higher education --- Christian universities and colleges --- Churches, Catholic --- Baroque architecture --- History --- Conservation and restoration --- Jezuïeten--Duitsland voor 1945 en na 1989--EICHSTÄTT --- Societas Jesu --- Schutzengelkirche (Eichstätt, Germany) --- Compagnie de Jésus --- Compañia de Jesus --- Gesellschaft Jesu --- Jesuitas --- Jesuiten --- Jesuiti --- Jesuits --- Jezuïten --- Jésuites --- Paters Jezuïten --- Societeit van Jezus --- Society of Jesus --- Education --- Eichstätt (Germany) --- Buildings, structures, etc. --- Schutzengelkirche (Eichstätt, Germany) --- Collegium Willibaldinum. --- Eichstätt (Germany) --- イエズス会 --- カトリック イエズス会 --- Catholic church buildings - Germany - Eichstätt - Congresses. --- Catholic universities and colleges - Germany - Eichstätt - History - Congresses. --- Jesuit architecture - Germany - Eichstätt - Congresses. --- Architecture, Baroque - Germany - Eichstätt - Congresses. --- Church architecture - Conservation and restoration - Germany - Eichstätt - Congresses. --- Church decoration and ornament - Germany - Eichstätt - Congresses. --- Christian art and symbolism - Germany - Eichstätt - Congresses. --- Eichstätt --- Eichstätt (Germany) - Buildings, structures, etc. --- Christian church history

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Jeffrey F. Hamburger's groundbreaking study of the art of female monasticism explores the place of images and image-making in the spirituality of medieval nuns during the later Middle Ages. Working from a previously unknown group of late-fifteenth-century devotional drawings made by a Benedictine nun for her cloistered companions, Hamburger discusses the distinctive visual culture of female communities. The drawings discovered by Hamburger and the genre to which they belong have never been given serious consideration by art historians, yet they serve as icons of the nuns' religious vocation in all its complexity. Setting the drawings and related imagery-manuscript illumination, prints, textiles, and metalwork-within the context of religious life and reform in late medieval Germany, Hamburger reconstructs the artistic, literary, and institutional traditions that shaped the lives of cloistered women.Hamburger convincingly demonstrates the overwhelming importance of "seeing" in devotional practice, challenging traditional assumptions about the primacy of text over image in monastic piety. His presentation of the "visual culture of the convent" makes a fundamental contribution to the history of medieval art and, more generally, of late medieval monasticism and spirituality.

Christian art and symbolism --- Devotional objects --- Nuns as artists --- Visual Arts --- Art, Architecture & Applied Arts --- Decorative Arts --- Women artists --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religious articles --- Sacramentals --- Liturgical objects --- Catholic Church. --- Catholic Church --- Benediktinerinnenabtei St. Walburg (Eichstätt, Germany) --- Benediktinerinnen-Abtei St. Walburg (Eichstätt, Germany) --- Benediktinerinnen-Abtei Sankt Walburg (Eichstätt, Germany) --- Benediktinerinnenkloster zu Eichstätt (Eichstätt, Germany) --- Benediktinerinnenkloster St. Walburg zu Eichstätt (Eichstätt, Germany) --- Benediktinerinnenabtei St. Walburga (Eichstätt, Germany) --- Kloster St. Walburg (Eichstätt, Germany) --- Abtei St. Walburg (Eichstätt, Germany) --- Eichstätt (Germany). --- Nuns as artists.