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Book
La Bible d'Amiens
Authors: --- ---
ISBN: 2264010088 9782264010087 Year: 1986 Volume: 1815 Publisher: Paris Union Générale d'Editions

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Book
Amiens : la cathédrale Notre-Dame
Authors: ---
ISBN: 2858227233 Year: 2003 Publisher: Paris : Monum : Editions du Patrimoine,

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Notre-Dame d'Amiens montre une grande unité stylistique, ayant été reconstruite pour l'essentiel entre 1220 et 1270. "L'église gothique par excellence", selon Eugène Viollet-le-Duc qui a contribué à sa restauration au XIXe siècle, Notre-Dame d'Amiens est la plus vaste des cathédrales françaises par la surface ; son plan à cinq nefs et chapelles rayonnantes déterminera celui des cathédrales d'Orléans, de Tours, de Cologne... La statuaire des portails du XIIIe siècle est d'une grande richesse ; elle se place historiquement entre celles de Chartres et de Reims et a de même connu un large rayonnement dans l'Europe entière. Le grand portail de la façade occidentale, dont la figure du Christ, dite du "Beau Dieu", a retrouvé récemment une partie de sa polychromie d'origine grâce à une campagne de nettoyage à l'aide du procédé de désincrustation par laser. À l'intérieur de Notre-Dame d'Amiens, on peut admirer une importante collection de monuments funéraires du XIIe au XVIIIe siècle, un tour du chœur sculpté polychrome des XVe et XVIe siècles, un exceptionnel ensemble de stalles du XVe siècle et d'impressionnants ouvrages décoratifs du XVIIIe siècle. Notre-Dame d'Amiens reste bien l'un des plus beaux exemples d'art sacré gothique, inscrit par l'Unesco au patrimoine mondial de l'humanité.


Book
Notre-Dame of Amiens
Author:
ISBN: 0231551479 9780231551472 9780231195768 Year: 2021 Publisher: New York, NY

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Notre-Dame of Amiens is one of the great Gothic cathedrals. Its construction began in 1220, and artistic production in the Gothic mode lasted well into the sixteenth century. In this magisterial chronicle, Stephen Murray invites readers to see the cathedral as more than just a thing of the past: it is a living document of medieval Christian society that endures in our own time.Murray tells the cathedral's story from the overlapping perspectives of the social groups connected to it, exploring the ways that the layfolk who visit the cathedral occasionally, the clergy who use it daily, and the artisans who created it have interacted with the building over the centuries. He considers the cycles of human activity around the cathedral and shows how groups of makers and users have been inextricably intertwined in collaboration and, occasionally, conflict. The book travels around and through the spaces of the cathedral, allowing us to re-create similar passages by our medieval predecessors. Murray reveals the many worlds of the cathedral and brings them together in the architectural triumph of its central space. A beautifully illustrated account of a grand and historically and religiously important building from a variety of perspectives and in a variety of time periods, this book offers readers a memorable tour of Notre-Dame of Amiens that celebrates the cathedral's eight hundredth anniversary in 2020.Notre-Dame of Amiens is enhanced by high-resolution images, liturgical music, and animations embedded in an innovative website.

Notre-Dame, cathedral of Amiens : the power of change in gothic
Author:
ISBN: 0521497353 Year: 1996 Publisher: Cambridge Cambridge University press

A Gothic sermon : making a contract with the Mother of God, Saint Mary of Amiens
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ISBN: 052093007X 9780520930070 9780520238473 0520238478 Year: 2004 Publisher: Berkeley, Calif. : University of California Press,

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In this groundbreaking work, Stephen Murray seizes a rare opportunity to explore the relationship between verbal and visual culture by presenting a sermon that may have been preached during the second half of the thirteenth century in or near the cathedral of Notre-Dame of Amiens, whose sculptural program was completed at about the same time. In addition to providing a complete transcription and translation of the text, Murray examines the historical context of the sermon and draws comparisons between its underlying structure and the Gothic portals of the cathedral. In the sermon, as in the cathedral, he finds a powerful motivational mechanism that invites the repentant sinner to enter into a new contract with the Virgin Mary. The correlation between elements of the sermon's text and the sculptural components of the cathedral leads to an exploration of the socioeconomic conditions in Picardy at the time and a vivid sketch of how the cathedral and its images were used by ordinary people. The author finds parallels in the rhetorical tools used in the sermon, on the one hand, and stylistic and compositional tools used in the sculpture, on the other. In addition to providing a fascinating and cogent consideration of medieval beliefs about salvation and redemption, this book also lays the groundwork for a long overdue examination of the performative and textual in relationship to sculpture.

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