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ECOLE DE BARBIZON --- GRAVURE FRANCAISE --- 19E SIECLE --- ECOLE DE BARBIZON --- GRAVURE FRANCAISE --- 19E SIECLE
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Ecole de barbizon --- Peintres impressionnistes --- Cote --- Ecole de barbizon --- Peintres impressionnistes --- Cote
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Barbizon school --- Barbizon school. --- Painting --- Painting. --- Peinture --- École de Barbizon
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Ecole de barbizon --- Peinture de paysages --- France --- 17e-19e siecles
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Barbizon (france) --- Histoire --- Ecole de barbizon --- Peinture moderne --- Histoire --- 19e siecle --- Barbizon (france) --- Histoire --- Ecole de barbizon --- Peinture moderne --- Histoire --- 19e siecle --- Histoire
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Landscape painting, American --- Barbizon school --- Peinture de paysages américaine --- Ecole de Barbizon --- Exhibitions. --- Influence. --- Expositions --- Influence
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In 1863 Claude Monet and Frederic Bazille left Paris for Barbizon, a small village on the edge of the Forest of Fontainebleau, forty miles south-west of Paris. They came to this district to paint from nature in the open air and to make studies for landscape paintings, far from the pressures of city life. Together with Renoir and Sisley, they were following a well-trodden path taken by painters and tourists some thirty years earlier. Jean-Baptiste-Camille Corot had been studying the fleeting effects of nature in the forest as early as 1822, and in the 1840s Charles-Emile Jacque, Gustave Courbet, Charles-Francois Daubigny and Jean-Francois Millet made frequent visits to the area, some later taking up permanent residence. Like many innovators, the Barbizon painters have attracted less attention than their followers. The names of Theodore Rousseau, Narcisse Diaz de la Pena and Georges Michel have virtually been forgotten, and the originality of their painting techniques and impulsive brush work attributed to those who later exploited them. In this first survey of the Barbizon School for twenty years, Steven Adams re-evaluates the generation of landscape painters that preceded the Impressionists and illustrates the direct relationship between the paintings of Corot and Monet, Millet and Van Gogh. He examines the development of landscape painting in nineteenth century France from the restoration of the Bourbon monarchy in 1816 to the outbreak of the Franco Prussian War in 1870, and discusses the cultural and political changes that influenced a more naturalistic painting style fifty years before the term 'Impressioniste' was first heard in Paris.
Art styles --- anno 1800-1899 --- Barbizon --- Barbizon school --- Landscape painting, French --- Painting, French --- Ecole de Barbizon --- Peinture de paysages française --- Peinture française --- -Painting, French --- -French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- French landscape painting --- -Barbizon school --- Peinture de paysages française --- Peinture française --- Painting, Modern --- Landscape painting --- CDL --- 75.035 --- Paintings --- Special subjects --- Landscapes --- France
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Art, French --- Artists --- Barbizon school --- Landscape painting, French --- Collectors and collecting --- Biography --- Constable, John, --- Corot, Jean-Baptiste-Camille, --- Daubigny, Charles-François, --- Isabey, Eugène, --- Israëls, Jozef, --- Jacque, Charles Emile, --- Millet, Jean-François, --- Rousseau, Théodore, --- School van Barbizon --- landschappen --- schilderijen --- prenten --- brieven --- kunstkritiek --- Israëls, Jozef --- Millet, Jean-François --- Constable, John --- 19de eeuw --- Frankrijk --- Barbizon --- % 9611AR --- landscapes [environments] --- Painting --- Romantic [modern European styles] --- Realist [modern European fine arts styles] --- schilderkunst --- realisme --- painting [image-making] --- romantiek --- Corot, Camille --- Harpignies, Henri Joseph --- Barye, Antoine-Louis --- Rousseau, Théodore --- Huet, Paul --- Decamps, Alexandre-Gabriel --- Appian, Adolphe --- Troyon, Constant --- Dupré, Jules --- Michel, Georges --- Jacque, Charles Emile --- Daubigny, Charles-François --- Aligny, d', Claude-Félix-Théodore Caruelle --- Hervier, Louis-Adolphe --- Diaz de la Peña, Narcisse Virgille --- anno 1800-1899 --- Painting, French --- Ecole de Barbizon --- Peinture française --- Peinture de paysages française --- Exhibitions --- Exhibitions. --- Expositions --- Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Landschapsschilderkunst --- Schilderkunst --- Kunstgeschiedenis --- 75.035 --- 76.035 --- Aligny Claude --- Appian Adolphe --- Barye antoine --- Cabat Louis --- cliché-verre --- Corot Jean Baptiste Camille --- Daubigny Charles-François --- Decamps Alexandre-Gabriel --- DEfaux Alexandre --- Diaz de la Pena Narcisse --- Dupré Jules --- ets --- Flers Camille --- frankrijk --- Harpignies Henri-Joseph --- Hervier Adolphe --- Huet Paul --- Jacque Charles --- landschap --- Lapito Auguste --- Lavieille Eugène-Antoine --- litho --- Michel Georges --- Millet Jean-François --- negentiende eeuw --- onder red. van Jan Sillevis en Hans Kraan --- Rousseau Théodore --- school van Barbizon --- Trouillebert Paul Désiré --- Troyon Constant --- (069) --- 75.036 --- Schilderkunst ; Frankrijk ; 19de eeuw ; De School van Barbizon --- Tentoonstellingscatalogi ; Gent ; Museum voor Schone Kunsten --- (Musea. Collecties) --- Schilderkunst ; 19e eeuw --- grafiek --- Cultuur --- Tekenkunst --- Barbizon school - Exhibitions --- Landscape painting, French - 19th century - Exhibitions --- Art, French - Collectors and collecting - Netherlands - Exhibitions --- Artists - France - Biography --- Israëls, Jozef. --- Millet, Jean-François. --- Constable, John. --- 19de eeuw. --- Frankrijk. --- Barbizon. --- Ecole de barbizon --- Peinture francaise --- 19e siecle
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