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Book
New essays on Clint Eastwood
Authors: ---
ISBN: 1607812231 9781607812234 160781207X 9781607812074 Year: 2012 Publisher: Salt Lake City University of Utah Press

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Tough Ain't Enough
Authors: --- --- --- --- --- et al.
ISBN: 0813586038 0813586046 9780813586045 9780813586021 081358602X 9780813586014 0813586011 Year: 2018 Publisher: New Brunswick, NJ

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Throughout his lengthy career as both an actor and a director, Clint Eastwood has appeared in virtually every major film genre and, at this point in his career, has emerged as one of America's most popular, recognizable, and respected filmmakers. He also remains a controversial figure in the political landscape, often characterized as the most prominent conservative voice in mostly liberal Hollywood. At Eastwood's late age, his critical success as actor and director, his combative willingness to confront serious cultural issues in his films, and his undeniable talent behind the camera all call for a new and comprehensive study that considers and contextualizes his multiple roles, both on and off screen. Tough Ain't Enough offers readers a series of original essays by prominent cinema scholars that explore the actor-director's extensive career. The result is a far-reaching and nuanced portrait of one of America's most prolific and thoughtful filmmakers.

Clint Eastwood, actor and director
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ISBN: 1607812991 9781607812999 9780874809008 0874809002 Year: 2007 Publisher: Salt Lake City University of Utah Press


Book
Dirty Harry's America : Clint Eastwood, Harry Callahan, and the conservative blacklash
Author:
ISBN: 0813051193 9780813051192 9780813055732 0813055733 9780813061672 0813061679 Year: 2016 Publisher: Gainesville [etc.] University Press of Florida

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Clint Eastwood's Dirty Harry became the prototype for a new kind of movie cop-an antihero in pursuit of his own vision of justice. The Dirty Harry series helped cement Eastwood and his character, Harry Callahan, as central figures in 1970s and 1980s Hollywood cinema. In this book, Joe Street argues that the series sheds critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time. Street maintains that through referencing real events and political struggles, the films themselves became active participants in the culture wars, paying particular attention to the films' representation of crime, family and community, sexuality, and race.

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