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Satoru Hashimoto offers a novel way of understanding the origins of modern literature in a transregional context, drawing on Chinese-, Japanese-, and Korean-language texts in both classical and vernacular forms.
East Asian literature --- East Asian literature --- History and criticism. --- History and criticism.
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This title captures the striking similarities between the ways early Japanese writers wrote their own literature through and against the literary precedents of China and the ways Latin writers engaged and contested Greek precedents.
Classical literature --- East Asian literature --- History and criticism.
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"For hundreds of years, into the twentieth century, the culture groups in the areas we now know as China, Japan, Korea, and Vietnam shared a great many political and social values, religious beliefs, and artistic and literary traditions. These common cultural features were recorded and transmitted in the same basic written language-classical or literary Chinese (known as guwen/wenyan in China, Kanbun in Japan, Hanmun in Korea, and Hánvan in Vietnam). The umbrella term for this shared language is 'literary Sinitic'-a term designed to recognize the fact that although guwen/wenyan originally developed in China, it had a vibrant life of its own in other areas of East Asia (i.e., what this study terms the Sinosphere). Rethinking the Sinosphere: Poetics, Aesthetics, and Identity Formation will appeal not only to academic specialists in the histories, philosophies, literary and artistic traditions of East Asia, but also to instructors of college-level courses in East Asian history and culture"--
East Asian literature --- Intercultural communication --- History and criticism --- History
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Comparative literature --- East Asian literature --- History and criticism
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"For hundreds of years, into the twentieth century, the culture groups in the areas we now know as China, Japan, Korea, and Vietnam shared a great many political and social values, religious beliefs, and artistic and literary traditions. These common cultural features were recorded and transmitted in the same basic written language-classical or literary Chinese (known as guwen/wenyan in China, Kanbun in Japan, Hanmun in Korea, and Hánvan in Vietnam). The umbrella term for this shared language is "literary Sinitic"-a term designed to recognize the fact that although guwen/wenyan originally developed in China, it had a vibrant life of its own in other areas of East Asia (i.e., what this study terms the Sinosphere). This huge but understudied body of written documents offers extraordinarily rich resources for examining issues of cultural continuity and change in this important region of the world. Unfortunately, in the aftermath of the political and social turmoil in East Asia during the late nineteenth and early twentieth centuries, all four cultures abandoned their use of literary Sinitic. As a result, a great many documents written in this important script have been ignored, leaving a substantial gap in our understanding of the relationship between the histories and cultures of premodern East Asia. Like its companion volume, Rethinking the Sinosphere: Poetics, Aesthetics and Identity Formation, this book seeks to fill this gap. One of the primary goals of this study is to break down the intellectual and cultural barriers that have made the Sinosphere difficult to see for itself. These barriers are of two sorts. One is the academic tendency toward intense specialization; most scholars of East Asia focus on a single country, a well-defined period, and an equally well-defined discipline (linguistics, philosophy, history, literature, art, etc.). Another is the tendency of scholars to privilege the country and period they study, and to adhere closely to their disciplinary training and outlook. To break down these barriers, a group of highly accomplished scholars committed to cross-cultural comparisons and interdisciplinary perspectives have been selected for this volume, and the result is a careful and critical examination of the complex cultural interactions that took place in premodern East Asia. Among the many contributions of this study are its examination of different literary genres (including "classics," poetic primers, works for and about women, detective stories, and folksongs), its broad chronological scope (from the eleventh to the twentieth centuries), its equally extensive spatial range (including China, the Xi Xia Kingdom, Japan, Vietnam, and Korea), and its attention to "minority" cultures. Another distinctive feature of this volume is its exploration of epistemological and culture change in late-nineteenth- and early twentieth-century East Asia Reexamining the Sinosphere: Transmissions and Transformations in East Asia will appeal not only to academic specialists in the histories, philosophies, literary and artistic traditions of East Asia, but also to instructors of college-level courses in East Asian history and culture"--
East Asian literature --- Intercultural communication --- History and criticism --- History
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East Asian literature --- History and criticism --- East Asia
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East Asian literature --- History and criticism --- East Asia --- Civilization.
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East Asian literature --- History and criticism --- East Asia --- Civilization --- East Asian literature - History and criticism --- East Asia - Civilization
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Did East Asian literatures, ranging from bronze inscriptions to zazen treatises, lack a concept of authorship before their integration into classical modernity? The answer depends on how one defines the term author. Starting out with a critical review of recent theories of authorship, this edited volume distinguishes various author functions, which can be distributed among several individuals and need not be integrated into a single source of textual meaning. Chinese, Japanese, and Korean literary traditions cover the whole spectrum from 'weak' composite to 'strong' individual forms and concepts of authorship. Divisions on this scale can be equated with gradual differences in the range of self-articulation. Contributors are Roland Altenburger, Alexander Beecroft, Marion Eggert, Simone Müller, Christian Schwermann, and Raji Steineck.
East Asian literature --- Authorship --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- History and criticism. --- Social aspects
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