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Inscriptions latines --- Épitaphes --- Trèves (allemagne) --- Allemagne --- Allemagne --- Antiquités --- Inscriptions latines --- Épitaphes --- Trèves (allemagne) --- Allemagne --- Trèves (allemagne) --- Allemagne --- Trèves (allemagne) --- Antiquités
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Inscriptions latines --- Inscriptions architecturales --- Épitaphes --- Antiquités romaines --- Italie --- Jusqu'à 476
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Épitaphes --- Épigraphie --- Inscriptions latines --- Poésie latine --- Rome --- Antiquité --- Antiquité --- Histoire et critique --- 30 av. j.-c.-476 (empire) --- Épitaphes --- Épigraphie --- Inscriptions latines --- Poésie latine --- Rome --- Antiquité --- Antiquité --- Histoire et critique --- 30 av. j.-c.-476 (empire)
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When V.S. Naipaul, Kamau Brathwaite and Derek Walcott published their first literary efforts there was no such thing as a Caribbean literary tradition. By the end of the twentieth century their work had begun to set the standard for literary production across the English-speaking world and they knew it would outlive them. The epitaphs for themselves and others written into their later works are meant to pre- empt their judgement by others, to tutor us in the proper ways of reading their achievements and to insert into the literary tradition, against the odds, a record of their subjectivity. This endless tautological conversation of I with I conceals a drift towards aesthetic stagnation but it has allowed all three authors the licence to experiment with new forms and to face up to issues that in their earlier work they were too insecure or too inexperienced to confront.The elegant close readings Rhonda Cobham-Sander offers here from Naipaul's A Way in the World, Brathwaite's Barabajan Poems and Walcott's Omeros demonstrate how the project of writing one's critical epitaph becomes an overriding thematic concern as well as an important source of stylistic innovation in the work of all three writers. From personal testimony, to analytic insight, to theoretical interventions, her essays explore and celebrate the unique relationship the three writers forged with each other and with their Caribbean readers over the course of their careers.
Caribbean literature (English) --- Epitaphs in literature --- Littérature antillaise de langue anglaise --- Épitaphes --- History and criticism --- Histoire et critique. --- Dans la littérature. --- Naipaul, V. S. --- Brathwaite, Kamau, --- Walcott, Derek. --- Naipaul, Vidiadhar Surajprasad --- Brathwaite, Kamau --- Walcott, Derek
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Epitaphs --- Inscriptions, Turkish. --- Islamic funeral rites and ceremonies --- Epitaphes --- Inscriptions turques --- Funérailles --- Rites et cérémonies islamiques --- Turkey --- Turquie --- Empire ottoman --- Civilization --- History --- Civilisation --- Histoire --- Tombs --- Epitaph. --- Islam. --- Antiquities. --- Epitaphs. --- Islamic funeral rites and ceremonies. --- History. --- Balkan Peninsula --- Osmanisches Reich. --- Balkan Peninsula. --- Turkey. --- Funérailles --- Rites et cérémonies islamiques --- Ottoman Empire --- Ottoman Empire, 1288-1918 --- Épitaphes --- Inscriptions islamiques --- Épitaphes
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Tombs --- Epitaphs --- Relief (Sculpture) --- Inscriptions, Latin --- Tombes --- Epitaphes --- Inscriptions latines --- Lazio (Italy) --- Latium (Italie) --- Antiquities. --- Antiquités --- 929.5 --- History Cemetery records (epitaphs) --- Antiquités --- Latin inscriptions --- Latin language --- Latin philology --- Isola Sacra (Italy) --- Isola Sacra, Italy --- Antiquities --- Épitaphes --- Antiquités romaines --- Italie --- Isola Sacra (Italie)
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"Spirits of the Dead examines the importance attached to preserving the memory of the dead in the Roman world, and explores the ways in which funerary inscriptions can be used to reconstruct Roman lives, however fragmentarily and imperfectly. It is the only study to examine epigraphic, historical, and archaeological evidence in order to gain insight into the way Romans used funerary texts to establish a dialogue with their own society. Maureen Carroll brings together a large body of material from many geographical areas, shedding light on provincial and regional variation in funerary commemoration and even on the differences between funerary traditions of neighbouring towns." "Readership: archaeologists, ancient historians, classicists."--BOOK JACKET.
Epitaphs --- Funeral rites and ceremonies --- Sepulchral monuments --- Europe, Western --- Rome --- Antiquities, Roman. --- Social life and customs. --- Social conditions. --- Monuments funéraires --- Épitaphes --- Antiquités romaines --- Rites et cérémonies funéraires romains --- Death --- Monuments funéraires --- Epitaphes --- Funérailles --- Mort --- Social aspects --- Rites et cérémonies --- Aspect social --- Europe de l'Ouest --- Antiquités romaines --- Moeurs et coutumes --- Conditions sociales --- Funeral rites and ceremonies, Roman --- Biography --- Inscriptions --- Tombs --- West Europe --- Western Europe --- Épitaphes --- Rites et cérémonies funéraires romains
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Epitaphs --- Inscriptions, Latin --- Excavations (Archaeology) --- Epitaphes --- Inscriptions latines --- Fouilles (Archéologie) --- Thugga (Extinct city) --- Thugga (Ville ancienne) --- History --- Sources --- Histoire --- Fouilles (Archéologie) --- Romans --- Sepulchral monuments --- Funeral monuments --- Funerary monuments --- Graves --- Gravestones --- Memorial tablets --- Tablets, Memorial --- Tombstones --- Monuments --- Ethnology --- Italic peoples --- Latini (Italic people) --- Latin inscriptions --- Latin language --- Latin philology --- Biography --- Inscriptions --- Tombs --- Dougga (Extinct city) --- Tunisia --- Antiquities --- Épitaphes --- Monuments funéraires --- Tunisie --- Dougga (Tunisie) --- Antiquité
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Wall-mounted memorials (or epitaphs) enjoyed great popularity across the Burgundian Netherlands. Usually installed in churches above graves, they combine images with inscriptions and take the form of sculpted reliefs, brass plaques, or panel paintings. They preserved the memory of the dead and reminded the living to pray for their souls. On occasions, renowned artists like Jan van Eyck and Rogier van der Weyden were closely involved in memorials creation. In Pious Memories Douglas Brine examines the wall-mounted memorial as a distinct category of funerary monument and shows it to be a significant, if overlooked, aspect of fifteenth-century Netherlandish art. The patronage, functions, and meanings of these objects are considered in the context of contemporary commemorative practices and the culture of memoria.
Sculpture --- memorials [structures] --- Religious architecture --- History of the Low Countries --- Bourgondische Nederlanden --- commemorative sculpture --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Art, Netherlandish --- Sepulchral monuments, Gothic --- Memorialization --- Church decoration and ornament --- Art néerlandais --- Monuments funéraires gothiques --- Commémorations --- Eglises --- History --- Histoire --- Décoration et ornement --- Themes, motives. --- memorials [monuments] --- Art néerlandais --- Monuments funéraires gothiques --- Commémorations --- Décoration et ornement --- Art --- Églises --- Épitaphes --- Monuments funéraires gothiques -- Benelux --- Thèmes, motifs --- Décoration --- Thèmes, motifs. --- Églises --- Épitaphes --- Monuments funéraires gothiques -- Benelux --- Thèmes, motifs. --- Décoration
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