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Cette nouvelle monographie propose une vue d'ensemble des peintures et dessins récents de l'artiste américain, et s'attache à montrer les relations entre les thématiques développées par Carroll Dunham au travers des différents médiums utilisés. Depuis plus de 30 ans, Carroll Dunham (né en 1949 dans le Connecticut) développe un style incisif à travers une grande variété de médiums. Il est connu depuis les années 1990 pour une série de figures qui semblent échappées de dessins animés, engagées dans une guerre des sexes surréaliste, et notamment pour un personnage prédominant affublé d'un nez de phallus, d'un costume et d'un haut-de-forme, accompagné dans les travaux les plus récents de formes inspirées des arbres. http://www.lespressesdureel.com/ouvrage.php?id=1402&menu=
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The world-renowned painters Carroll Dunham and Albert Oehlen are distinguished by their extremely independent and complex oeuvres. Both go to places beyond the academic discourse; both paint trees and are now being featured together in an exhibition for the first time. Dunham and Oehlen, who see each other as "probably the best painter of trees in the world," experiment with the possibilities of painting within self-defined parameters. Nowhere is this more evident than in the common subject that has accompanied both artists for decades. Exhibition: Kunsthalle Düsseldorf, Germany (30.11.2019 - 01.03.2020).
Painting, German --- Trees in art --- Oehlen, Albert, --- Dunham, Carroll,
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Painting --- drawing techniques --- drawing [image-making] --- Contemporary [style of art] --- hedendaagse kunst --- tekenkunst --- Murray, Elisabeth --- Johns, Jasper --- Newman, John Henry --- Rauschenberg, Robert --- Marden, Brice --- Rosenquist, James --- Bochner, Mel --- Dunham, Carroll --- Nauman, Bruce --- Winters, Terry --- Le Va, Barry --- United States of America
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Art styles --- Abstract [modern European style] --- Jenssen, Olav Christopher --- Bianchi, Domenico --- Broto Gimeno, José Manuel --- Ellis, Stephen --- García Sevilla, Ferran --- Grau, Xavier --- Merkel, Klaus --- Pradas, Charo --- Rae, Fiona --- Reed, David --- Richter, Gerhard --- Urzay, Dario --- Uslé, Juan --- Kirkeby, Per --- Bleckner, Ross --- Dunham, Carroll --- Halley, Peter --- Taaffe, Philip --- Winters, Terry --- Steir, Pat --- Davenport, Ian --- Dorner, Helmut --- Förg, Günther --- Frize, Bernard --- Gordillo, Luis --- Lasker, Jonathan --- Heilmann, Mary --- Scully, Sean --- McKeever, Ian --- anno 1900-1999 --- anno 2000-2099
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Unlike most collectors of European modernism, the Ganzes had the breadth of imagination to realize that certain young Americans were the true heirs of Picasso. With an unerring eye (sharpened by exhaustive study), they chose Jasper Johns, Robert Rauschenberg, and Frank Stella at the beginning of their careers, and then moved on to champion Eva Hesse. In this book of essays by John Richardson, Leo Steinberg, David Sylvester, Judith Goldman, Roberta Bernstein, Linda Shearer, and others, we learn about the art and artists in the collection, as well as the risks and commitments the Ganzes made in establishing these artists we now hail as among the masters of contemporary art.
Art --- Picasso, Pablo --- Johns, Jasper --- Hesse, Eva --- Stella, Frank --- Ganz, Victor --- Rauschenberg, Robert --- anno 1900-1999 --- Art, Modern --- Private collections --- Collections privées --- Ganz, Sally --- Art collections. --- Collections privées --- art [fine art] --- private collections --- Tweddle, John --- LeWitt, Sol --- Caro, Anthony --- Oldenburg, Claes --- Pascin, Jules --- Barrette, Bill --- Morris, Robert --- Smithson, Robert --- Miss, Mary --- Newman, John --- Rockburne, Dorothea --- Rodgers, Susan --- Tuttle, Richard --- Lichtenstein, Roy --- Twombly, Cy --- Marden, Brice --- Bochner, Mel --- Dunham, Carroll --- Eilshemius, Louis M. --- Steir, Pat --- Le Va, Barry --- Battery Park City --- art [discipline] --- private collections [object groupings]
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