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American poetry --- Poésie américaine --- Bibliography --- History and criticism --- Bibliographie --- Histoire et critique --- Poésie américaine --- 19th century --- Bryant, William Cullen --- Criticism and interpretation --- Emerson, Ralph Waldo --- Longfellow, Henry Wadsworth --- Whittier, John Greenleaf --- Poe, Edgar Allan --- Holmes, Oliver Wendell --- Very, Jones --- Thoreau, Henry David --- Lowell, James Russell --- Melville, Herman --- Whitman, Walt --- Tuckerman, Frederick Goddard --- Dickinson, Emily Elizabeth --- Lanier, Sidney --- Crane, Stephen --- Dunbar, Paul Laurence
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American literature --- anno 1900-1999 --- African American authors --- History and criticism --- African Americans --- Intellectual life --- Chesnutt, Charles Waddell --- Criticism and interpretation --- Johnson, James Weldon --- Thurman, Wallace --- Larsen, Nella --- Toomer, Jean --- Thoreau, Henry David --- Ellison, Ralph Waldo --- Douglass, Frederick --- Slave narratives --- United States --- Wright, Richard --- Washington, Booker Taliaferro --- Dunbar, Paul Laurence
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A New York Times Notable Book of 2002! Sexism, racism, self-hatred, and romantic love: all figure in prominently in this scholarly-but nicely hard-boiled-discussion of the bond between the famous Paul Laurence Dunbar and his wife Alice. Eleanor Alexander's analysis of turn-of-the-twentieth-century black marriage is required reading for every student of American, especially African-American, heterosexual relationships."-Nell Painter, Edwards Professor of American History, Princeton University, Author of Sojourner Truth, A Life, A Symbol "Rich in documentation and generous in analysis, Lyrics of Sunshine and Shadow advances our understanding of late nineteenth- and early twentieth-century African American social and cultural history in compelling and unexpected ways. By exposing the devastating consequences of unequal power dynamics and gender relations in the union of the celebrated writers, Paul Laurence Dunbar and Alice Ruth Moore, and by examining the hidden underside of the Dunbars' storybook romance where alcohol, sex, and violence prove fatal, Eleanor Alexander produces a provocative, nuanced interpretation of late Victorian courtship and marriage, of post-emancipation racial respectability and class mobility, of pre-modern sexual rituals and color conventions in an emergent elite black society."-Thadious M. Davis, Vanderbilt University "Eleanor Alexander's vivid account of the most famous black writer of his day, Paul Laurence Dunbar, and his wife Alice, illuminates the world of the African American literati at the opening of the twentieth century. The Dunbars' fairy-tale romance ended abruptly, when Alice walked out on her alcoholic, abusive spouse. Alexander's access to scores of intimate letters and her sensitive interpretation of the Dunbars mercurial highs and lows reveal the tragic consequences of mixing alcohol, ambition and amour. The Dunbars were precursors for another doomed duo: Scott and Zelda Fitzgerald. Alexander's poignant story of the Dunbars sheds important light on love and violence among DuBois's "talented tenth." -Catherine Clinton, author of Fanny Kemble's Civil Wars "Lyrics of Sunshine and Shadow debunks Dunbar myths... Lyrics asks us to consider the ways in which racism and sexism operate together."- The CrisisOn February 10, 1906, Alice Ruth Moore, estranged wife of renowned early twentieth-century poet Paul Laurence Dunbar, boarded a streetcar, settled comfortably into her seat, and opened her newspaper to learn of her husband's death the day before. Paul Laurence Dunbar, son of former slaves, whom Frederick Douglass had dubbed "the most promising young colored man in America," was dead from tuberculosis at the age of 33. Lyrics of Sunshine and Shadow traces the tempestuous romance of America's most noted African-American literary couple. Drawing on a variety of love letters, diaries, journals, and autobiographies, Eleanor Alexander vividly recounts Dunbar's and Moore's tumultuous affair, from a courtship conducted almost entirely through letters and an elopement brought on by Dunbar's brutal, drunken rape of Moore, through their passionate marriage and its eventual violent dissolution in 1902. Moore, once having left Dunbar, rejected his every entreaty to return to him, responding to his many letters only once, with a blunt, one-word telegram ("No"). This is a remarkable story of tragic romance among African-American elites struggling to define themselves and their relationships within the context of post-slavery America. As such, it provides a timely examination of the ways in which cultural ideology and politics shape and complicate conceptions of romantic love.
African Americans --- African American authors --- Married people --- Poets, American --- Authors, American --- Authors' spouses --- Dunbar-Nelson, Alice Moore, --- Dunbar, Paul Laurence, --- Nelson, Alice Ruth Moore Dunbar, --- Dunbar, Alice, --- Dunbar, Alice Moore, --- Dunbar-Nelson, Alice, --- Nelson, Alice Moore Dunbar-, --- Moore, Alice Ruth, --- Dunbar, Paul Lawrence, --- Marriage.
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African American musicians in literature --- Spirituals (Songs) in literature --- African Americans in literature --- Jazz musicians in literature --- Jazz in literature --- Music in literature --- Music and literature --- Blues (Music) in literature --- Thurman, Wallace --- Petry, Ann Lane --- Ellison, Ralph Waldo --- Morrison, Toni --- Murray, Albert Lee --- Wideman, John Edgar --- Hurston, Zora Neale --- Dunbar, Paul Laurence, 1872-1906. The Sport of the Gods
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New York (N.Y.) in literature --- Slums in literature --- Outsiders in literature --- Campbell, Helen Stuart --- McAuley, Jerry --- Poole, Ernest --- Dunbar, Paul Laurence, 1872-1906. The Sport of the Gods --- Hapgood, Charles Hutchins --- Van Vechten, Carl --- Riis, Jacob August --- Cahan, Abraham --- McKay, Claude
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When one nation becomes two, or when two nations become one, what does national affiliation mean or require? Elizabeth Duquette answers this question by demonstrating how loyalty was used during the U.S. Civil War to define proper allegiance to the Union. For Northerners during the war, and individuals throughout the nation after Appomattox, loyalty affected the construction of national identity, moral authority, and racial characteristics. Loyal Subjects considers how the Civil War complicated the cultural value of emotion, especially the ideal of sympathy. Through an analysis of literary works written during and after the conflict-from Nathaniel Hawthorne's "Chiefly About War Matters" through Henry James's The Bostonians and Charles Chestnutt's "The Wife of His Youth," to the Pledge of Allegiance and W.E.B. Du Bois's John Brown, among many others-Duquette reveals that although American literary criticism has tended to dismiss the Civil War's impact, postwar literature was profoundly shaped by loyalty.
Nationalism and literature --- Nationalism in literature. --- Allegiance in literature. --- Loyalty in literature. --- National characteristics, American, in literature. --- American literature --- Literature and nationalism --- Literature --- History --- History and criticism. --- United States --- Literature and the war. --- 19th century --- History and criticism --- National characteristics [American ] in literature --- Allegiance in literature --- Nationalism in literature --- Civil War, 1861-1865 --- Literature and the war --- James, Henry --- Criticism and interpretation --- Chesnutt, Charles Waddell --- Du Bois, William Edward Burghardt --- Dunbar, Paul Laurence --- Phelps, Elizabeth Stuart --- Page, Thomas Nelson --- Royce, Josiah
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Fiction --- American literature --- African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Black Americans in literature --- Negroes in literature --- Noirs américains dans la littérature --- Zwarte Amerikanen in de literatuur --- American fiction --- African American authors --- History and criticism --- -American literature --- -History and criticism --- -African American authors --- -Afro-Americans in literature --- African Americans --- African American intellectuals --- Intellectual life --- African American authors&delete& --- Baldwin, James --- Criticism and interpretation --- Bambara, Toni Cade --- Brown, William Wells --- Chesnutt, Charles Waddell --- Cullen, Countee --- Du Bois, William Edward Burghardt --- Dunbar, Paul Laurence --- Ellison, Ralph Waldo --- Griggs, Sutton Elbert --- Himes, Chester --- Hughes, Langston --- Hurston, Zora Neale --- Kelley, William --- Killens, John Oliver --- McKay, Claude --- Major, Clarence --- Morrison, Toni --- Petry, Ann Lane --- Reed, Ishmael --- Schuyler, George Samuel --- Toomer, Jean --- Walker, Alice --- Wright, Richard --- Music [Black ] --- Walker, Alice, 1944 --- -Criticism and interpretation
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Abolitionisten --- Abolitionists --- Abolitionnistes --- Culture orale --- Etats du Sud (Etats-Unis) dans la littérature --- Harlem Renaissance --- Mondelinge overlevering --- Mondelinge traditie --- Oral tradition --- Orale [Tradition ] --- Orale cultuur --- Oralité (Tradition) --- Southern States -- In literature --- Southern States in literature --- Tradition [Oral ] --- Tradition orale --- Tragic [The ] --- Tragiek --- Tragique [Le ] --- Tragische [Het ] --- Zuidelijke Staten (Verenigde Staten) in de literatuur --- Short stories, American --- American fiction --- Pastoral fiction, American --- Nouvelles américaines --- Roman américain --- History and criticism --- African American authors --- Histoire et critique --- Ecrivains noirs américains --- Nouvelles américaines --- Roman américain --- Ecrivains noirs américains --- Dunbar, Paul Laurence --- Criticism and interpretation --- Chesnutt, Charles Waddell --- Toomer, Jean --- Hughes, Langston --- Southern States --- Intellectual life --- 20th century --- Walrond, Eric --- Bontemps, Arna Wendell, 1902-1973 --- Slavery and slaves in literature --- 19th century --- Short stories [American ] --- Pastoral fiction [American ] --- Harlem (New York, N.Y.) --- SHORT STORIES, AMERICA --- AMERICAN FICTION --- PASTORAL FICTION, AMERICA --- AMERICAN LITERATURE --- HISTORY AND CRITICISM --- NEGRO AUTHORS --- SOUTHERN STATES
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