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Aesthetics of art --- Art styles --- Painting --- art criticism --- easel paintings [paintings by form] --- landscapes [representations] --- Impressionist [style] --- Dubourg, Louis-Alexandre --- Honfleur --- Dubourg, Louis-Alexandre.
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Musée Eugène Boudin (Honfleur) --- museumcollecties --- Boudin, Eugène --- Dubourg, Louis-Alexandre --- Honfleur
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Boudin, Eugène --- Dubourg, Louis-Alexandre --- Jongkind, Johan Barthold --- Monet, Claude --- André, Edouard --- Honfleur
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Musée des Beaux-Arts (Le Havre) --- museumcollecties --- schilderkunst --- impressionisme --- Boudin, Eugène --- Dubourg, Louis-Alexandre --- Lamy, François Edouard --- Pissarro, Camille --- Sisley, Alfred --- Monet, Claude --- Moret, Henry --- Marquet, Albert --- Dufy, Raoul --- 19de eeuw
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zee (zeelandschap, zeegezicht, marine) --- haven --- marines --- Salons --- impressionisme --- Boudin, Eugène --- Dubourg, Louis-Alexandre --- Jongkind, Johan Barthold --- Monet, Claude --- Guérard, Henri Charles --- Baudelaire, Charles --- 1820 - 1900 --- 1900 - 1900 --- 19de eeuw --- 20ste eeuw --- Honfleur
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The publication MONDO CANE is being released to coincide with Jos de Gruyter and Harald Thys eponymous exhibition for the Belgian Pavilion of the 58th Venice Biennale. MONDO CANE works as a compilation of articles reporting various facts and events about the world that surrounds us. Each article comprises a descriptive text and one or more illustrations. The book is, from the outset, an international publication. The texts appear, at random, in Dutch, English, French, German and Italian. The tone adopted for the articles and drawings is informative, non-spectacular and monotonous. De Gruyter and Thys have a habit of distilling fictions from a reality that can sometimes be too real. They happily claim to be attracted to the state of psychosis in contemporary society, while at the same time dreading it and disseminating it through their creations. Without ever descending into cynicism or morality, the artist duo manages-with skill, and not without humour-in transforming what looks like fear or a state of latency into an uncanny and critical reality that goes beyond the status quo.
Painting --- Boudin, Louis Eugène --- Boudin, Eugène --- Exhibitions --- Painting [French ] --- 19th century --- Coasts in art --- Jos de Gruyter & Harald Thys --- kunst --- 7.071 DE GRUYTER --- 7.071 THYS --- installaties --- De Gruyter Jos --- tekenkunst --- eenentwintigste eeuw --- België --- Thys Harald --- Art --- Catalogues d'exposition. --- Gruyter, Jos de --- Thys, Harald --- De Gruyter, Jos, --- Thys, Harald, --- 7.07 --- De Gruyter, Jos °1965 (°Geel, België) --- Thys, Harald °1966 (°Wilrijk, België) --- Belgische kunstenaars --- Biënnale van Venetië (58ste ; 2019) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Boudin, Eugène, --- Art, Belgian --- Manifestation artistique --- Gruyter, Jos de, --- Venise --- Belgique --- Contemporary [style of art] --- Disasters in art. --- Social psychology in art. --- human behavior --- Gruyter, de, Jos --- De Gruyter, Jos --- Art, Belgian - 21st century - Exhibitions. --- Gruyter, Jos de, - 1965- - Exhibitions. --- Thys, Harald, - 1966- - Exhibitions. --- Boudin, Eugène. --- Dubourg, Louis-Alexandre. --- Jongkind, Johan Barthold. --- Monet, Claude. --- André, Edouard. --- Honfleur. --- maatschappij --- Gruyter, Jos de, - 1965 --- -Thys, Harald, - 1966 --- -Venise
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