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Düsseldorfer Malerschule --- Art, German --- -Dusseldorfer Malerschule --- Düsseldorf school of painting --- Painting, Modern --- German art --- Fels (Group of artists) --- Gruppe 1950 (Group of artists) --- HobbypopMUSEUM (Group of artists) --- Kooperative Kunst (Group of artists) --- Kugel (Group of artists) --- Lücke (Group of artists) --- CDL --- 75.036 --- Düsseldorfer Malerschule - Exhibitions --- Art, German - Germany - Düsseldorf - 19th century - Exhibitions
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In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«.
Arts in general. --- ART / History / Contemporary (1945-). --- Andreas Gursky. --- Art History of the 21st Century. --- Art. --- Computer. --- Culture. --- Digital. --- Düsseldorf School. --- European Art. --- Fine Arts. --- Germany. --- Jörg Sasse. --- Thomas Ruff. --- Visual Studies. --- Photography; Art; Digital; Culture; Computer; Germany; Düsseldorf School; Thomas Ruff; Andreas Gursky; Jörg Sasse; Art History of the 21st Century; European Art; Visual Studies; Fine Arts
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How have digital technologies affected the truth claim of photography? What has been the artistic response to the technological and societal transformations the digital revolution has brought about? Claus Gunti explores the widespread implications of the digital in the work of renowned photographers of the Düsseldorf School, Thomas Ruff, Andreas Gursky and Jörg Sasse, stretching from ties to conceptual art to the development of a globalized visual culture. The study provides a model for understanding the digital revolution in photography and shows that it ought to be understood beyond a strictly technological perspective.
760.5 --- Düsseldorf School --- 767 --- digitale fotografie --- digitale kunst --- fotogeschiedenis --- Becher, Bernd --- Becher, Hilla --- the Becher protocol --- Ruff, Thomas --- Gursky, Andreas --- Sasse, Jörg --- fotografie, verzamelen - musea - tentoonstellingen --- fotografie, bijzondere technieken in de fotografie --- (Produktform)Paperback / softback --- (Zielgruppe)Fachpublikum/ Wissenschaft --- Art --- Digital --- Culture --- Computer --- Germany --- Düsseldorf School --- Thomas Ruff --- Andreas Gursky --- Jörg Sasse --- Art History of the 21st Century --- European Art --- Visual Studies --- Fine Arts --- (DDC Deutsch 22)700 --- (DDC Deutsch 22)750 --- (VLB-WN)1744: Hardcover, Softcover / Medien, Kommunikation/Medienwissenschaft
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