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briefwisseling --- Duchamp, Marcel --- Dreier, Katherine Sophie --- Wiedel, Monique
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Merz-kunst --- Nieuwe Zakelijkheid --- Schwitters, Kurt --- Hausmann, Raoul --- Arp, Hans --- Dreier, Katherine Sophie --- Tzara, Tristan
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Art styles --- anno 1900-1999 --- North America --- Modernism (Art) --- Art --- Exhibitions --- Dreier, Katherine Sophie, --- Art collections --- Societe anonyme --- Yale University. --- Société anonyme --- Dreier, Katherine S. --- modernisme --- avant-garde --- Yale University Art Gallery (New Haven-Connecticut) --- verzameling Société Anonyme (New Haven-Connecticut) --- Duchamp, Marcel --- Stella, Joseph --- Mangold, Sylvia --- Mangold, Robert --- Rusland --- Dreier, Katherine Sophie --- Société anonyme --- Modernism (Art) - Exhibitions --- Art - Connecticut - New Haven - Exhibitions --- Dreier, Katherine Sophie, - 1877-1952 - Art collections - Exhibitions --- Modernisme (art ) --- Société anonyme (firme ) --- Yale university art gallery (new haven, u.s.a. ) --- Collections d'art --- modernisme. --- avant-garde. --- Yale University Art Gallery (New Haven-Connecticut). --- verzameling Société Anonyme (New Haven-Connecticut). --- Dreier, Katherine Sophie. --- Duchamp, Marcel. --- Stella, Joseph. --- Mangold, Sylvia. --- Mangold, Robert. --- Rusland. --- Dreier, Katherine Sophie, - 1877-1952
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Schwitters, Kurt --- Schwitters, Kurt, --- Merz-kunst. --- Nieuwe Zakelijkheid. --- Schwitters, Kurt. --- Hausmann, Raoul. --- Arp, Hans. --- Dreier, Katherine Sophie. --- Tzara, Tristan. --- Art --- collages [visual works] --- concrete poetry
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Art, Modern --- Art --- Dreier, Katherine S. --- Art collections. --- Société anonyme --- Yale University. --- Yale University (New Haven, Conn.). --- Collections d'art
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modernisme --- Der Sturm (1910-1932) --- Société Anonyme (New York, 1920-1950) --- Walden, Herwarth --- Duchamp, Marcel --- Dreier, Katherine Sophie --- 20ste eeuw --- Duitsland --- New York City --- Europa
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Art --- Yale University Art Gallery [New Haven, Conn.] --- anno 1900-1999 --- Yale University Art Gallery (New Haven-Connecticut) --- verzameling Société Anonyme (New Haven-Connecticut) --- verzameling Katherine S. Dreier (New Haven-Connecticut) --- Dreier, Katherine Sophie --- Duchamp, Marcel --- 20ste eeuw --- Art, Modern --- Catalogs. --- Dreier, Katherine Sophie, --- Art collections --- Société anonyme --- Yale University. --- Catalogs --- verzameling Société Anonyme (New Haven-Connecticut). --- verzameling Katherine S Dreier (New Haven-Connecticut). --- 20ste eeuw.
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L’adhésion sans réserve de Solomon R. Guggenheim à l’art moderne vers l’âge de 68 ans n’était pas si différente de sa philosophie pour réussir dans les affaires. Il n’avait jamais hésité à être un pionnier ou à introduire de nouvelles méthodes dans sa carrière prospère d’industriel minier. Ayant collectionné l’art en privé depuis les années 1890, il était mûr pour une nouvelle inspiration lorsqu’il a rencontré fatalement l’artiste d’origine allemande Hilla Rebay et les innovations de l’avant-garde contemporaine. Guggenheim et Rebay étaient étroitement liés à partir de 1929, quand ils ont commencé à assembler une collection d’art fondée sur la non-objectivité – un brin d’abstraction avec des fondements spirituels – jusqu’à la mort de Salomon 20 ans plus tard. Cette orientation déterminante distingue la fondation éponyme Guggenheim établie à New York en juin 1937. Deux ans plus tard, le Museum of Non-Objective Painting, précurseur du Solomon R. Guggenheim Museum, fait ses débuts à New York. La collection formatrice de la Fondation Guggenheim a été façonnée par d’importants dons et achats de contemporains qui ont également défendu l’expérimentation radicale dans l’art. Ces acquisitions comprennent un groupe prisé de chefs-d’œuvre impressionnistes, post-impressionnistes et de l’École de Paris de Justin K. Thannhauser; l’inventaire expressionniste du marchand d’art émigré Karl Nierendorf; des collections inimitables de peintures et de sculptures abstraites et surréalistes de Peggy Guggenheim, la nièce de Salomon, autoproclamée « accro à l’art » ; et des exemples modernistes clés de la succession de l’artiste et conservatrice Katherine S. Dreier, ainsi que de la succession de Rebay.
museology --- museums [buildings] --- Museology --- Art --- Art, Modern --- Collectors and collecting --- Guggenheim, Solomon R. --- Rebay, Hilla, --- Dreier, Katherine S. --- Nierendorf, Karl, --- Thannhauser, Justin, --- Guggenheim, Peggy, --- Solomon R. Guggenheim Foundation --- Art, Modern - 19th century - Collectors and collecting - Exhibitions --- Art, Modern - 20th century - Collectors and collecting - Exhibitions --- Art - New York (State) - New York - Exhibitions --- Art - Italy - Venice - Exhibitions --- Guggenheim, Solomon R. - (Solomon Robert), - 1861-1949 - Exhibitions --- Rebay, Hilla, - 1890-1967 - Exhibitions --- Dreier, Katherine S. - (Katherine Sophie), - 1877-1952 - Exhibitions --- Nierendorf, Karl, - 1889-1947 - Exhibitons --- Thannhauser, Justin, - 1892-1976 - Exhibitions --- Guggenheim, Peggy, - 1898-1979 - Exhibitions --- Guggenheim, Solomon R. - (Solomon Robert), - 1861-1949 --- Rebay, Hilla, - 1890-1967 --- Dreier, Katherine S. - (Katherine Sophie), - 1877-1952 --- Nierendorf, Karl, - 1889-1947 --- Thannhauser, Justin, - 1892-1976 --- Guggenheim, Peggy, - 1898-1979
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This volume for the first time examines the women in and around Duchamp's life and work, focusing on contacts and convergences from Duchamp's youth up until his death in 1968. Some of the women gathered here were central figures in early twenty-century modernism, while others were part of fascinating intellectual and artistc networks that were, until now, in need of discovery. "Duchamp and the Women" introduces readers to the cultural circles and artistic movements in which the women presented were active and played a formative role. In addition to chronologically-grouped short biographies, comprehensive essays by Renate Wiehager and Katharina Neuburger—supplemented by a guest contribution from the literary scholar Sandro Zanetti—trace the paths of these protagonists as leading figures of early modernism and spokeswomen of a qualitatively new feminism. These essays deal with: Louise Arensberg (1879–1953), Gabrielle Buffet-Picabia (1881–1985) Katherine S. Dreier (1877–1952), Suzanne Duchamp (1889–1963), Elsa von Freytag-Loringhoven (1874–1927), Peggy Guggenheim (1898–1979), Mina Loy (1882–1966), Maria Martins (1894–1973), Mary Reynolds (1891–1950), Rrose Sélavy (“created” in 1920), Gertrude Stein (1874–1946), Carrie, Ettie, and Florine Stettheimer (1870–1944), and Beatrice Wood (1893–1998). Original texts by and about the women, some of which appear here for the first time in German and English, broaden the scope of the book by incorporating contemporary historical voices. A comprehensive bibliography also provides researchers from various fields with an important basis for further investigations into the lives and works of the people gathered in Duchamp and the Women—including Duchamp himself.
Women in art --- Women artists --- Women authors --- Art, Modern --- Intellectual life --- Biography --- History --- Duchamp, Marcel, --- Friends and associates. --- Art --- art [fine art] --- women [female humans] --- Arensberg, Louise --- Duchamp, Marcel --- Martins, Maria --- Reynolds, Mary --- Freytag-Loringhoven, von, Elsa --- Stein, Gertrude --- Stettheimer, Ettie --- Stettheimer, Carrie --- Guggenheim, Peggy --- Loy, Mina --- Wood, Beatrice --- Duchamp, Suzanne --- Dreier, Katherine Sophie --- Stettheimer, Florine --- Buffet-Picabia, Gabrielle --- kunst --- 7.071 DUCHAMP --- Duchamp Marcel --- conceptuele kunst --- dadaïsme --- futurisme --- kubisme --- concept art --- feminisme --- gender studies --- twintigste eeuw --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Friends and associates --- Relations with women --- Exhibitions --- Frau. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- art [discipline]
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Art styles --- Art --- art [discipline] --- avant-garde --- Abstract [modern European style] --- Constructivist --- Abstract Expressionist --- Merrild, Knud --- Benno, Benjamin --- Bisttram, Emil --- Bolotowsky, Ilya --- Cavanna, Elise --- Cramer, Konrad --- Dawson, Manierre --- Hartley, Marsden --- Diller, Burgoyne --- Drewes, Werner --- Ferren, John --- Fischinger, Oskar --- Garman, Ed --- Grant, Dwinell --- Harris, Lawren Steward --- Jonson, Raymond --- Lewis, Norman --- Lumpkins, William --- Mason, Alice Trumbull --- Pollock, Jackson --- Morris, George Lovett Kingsland --- Pelton, Agnes --- Pierce, Florence --- Pierce, Horace --- Rudhyar, Dane --- Scarlett, Rolph --- Schwartz, William S. --- Seliger, Charles --- Sennhauser, John --- Stern, Lucia --- Stevens, Will Henry --- Walker, Stuart --- Walkowitz, Abraham --- Hofmann, Hans --- Rebay, von, Hilla --- Kandinsky, Wassily --- Gorky, Arshile --- Reinhardt, Ad --- Dove, Arthur Garfield --- Dreier, Katherine Sophie --- O'Keeffe, Georgia --- Wicht, von, John --- Bloch, Albert --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- United States of America
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