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In this illustrated study, Elizabeth Legge describes Wavelength as a film of virtuosically managed tensions, sensuous beauty, subtle light and color, and recession into perspectival depth. At the same time, she points out, it is also austere: the loft space where the action unfolds could be the last clerical outpost of a defunct business. The zoom is punctuated by what Snow laconically called "4 human events": a woman directs two men who carry in a bookcase and place it against the left wall of the room; two women come in and listen to the Beatles' "Strawberry Fields" on the radio; a man briefly appears after protracted crashing and glass-breaking noises, wheels around, and drops dead; a young woman comes into the room and makes a frightened telephone call reporting the dead man ("And he doesn't look drunk, he looks dead.").
film
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experimentele film
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Snow Michael
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twintigste eeuw
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Canada
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New York
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Dreharbeit.
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Snow, Michael,
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Criticism and interpretation.
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Wavelength (Motion picture)
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Wavelength
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Sociology of environment --- Mass communications --- Economic geography --- New Orleans --- Katrina --- Zerstörung --- Wiederaufbau --- Stadtplanung --- Rezeption --- Drehort --- Treme --- New Orleans, La. --- (Produktform)Electronic book text --- Geography --- Media Geography --- Media cities --- Place --- Production studies --- Television studies --- Urban studies --- (VLB-WN)9662 --- Stadt --- Stadtentwicklungsplanung --- Raumordnung --- Stadtentwicklungsplan --- Bauen im Bestand --- Rekonstruktion --- Vernichtung --- Hurrikan --- Planung --- Fernsehserie --- 2009-2013 --- Nouvelle Orleans, La. --- Nouvelle-Orleans, La. --- Greater New Orleans, La. --- 07.05.1718 --- -(Produktform)Electronic book text --- Dreharbeit --- Film --- Ort --- Fortwirken --- Nachwirkung --- Nachleben --- Wirkungsgeschichte --- Aneignung --- Auswirkung --- Fortleben --- Schauplatz --- Filmschauplatz
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