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Drapery in art --- Figure drawing --- Technique

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Ce livre entend donc prolonger la quête de Aby Warburg de Ninfa. Ninfa est le nom que donne Aby Warburg à la figure mouvante et drapée de l'art occidental dans l'Antiquité, sorte de personnification ou de demi-déesse des éternels retours de la forme antique. Georges Didi-Huberman interroge le motif du corps féminin et de la draperie jusque dans ses avatars contemporains.

Religious architecture --- Aesthetics --- Aesthetics. --- Drapery in art. --- Esthétique --- Drapé (Art) --- Drape --- Femme, thème --- Iconographie --- Iconologie --- Esthétique --- Drapé (Art) --- Drapery in art --- Antiquité --- Warburg, Aby

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Art --- Art, Medieval --- Art, Roman --- Drapery in art. --- Themes, motives. --- Themes, motives. --- Themes, motives.

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Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of modern art. Written by pioneering art historian and critic Anne Hollander, this beautifully illustrated book is a must-read for students and anyone with an interest in art and fashion.

Art --- painting [image-making] --- cloth --- drapery [representations] --- clothing --- Clothing and dress in art --- Drapery in art --- Painting, European --- Costume in art --- Themes, motives --- Technique --- Clothing and dress in art. --- Drapery in art. --- Themes, motives. --- History of art / art & design styles

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Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. 

Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of Modern art. 

First published in 2002 to accompany an exhibition of the same name at the National Gallery, London, this beautifully illustrated - and beautifully written - book by pioneering art historian and critic Anne Hollander, is reissued with a new Foreword by Valerie Steele. As penetrating and insightful as when it was first published, it remains a must-read for today's generation of students and anyone with an interest in art and fashion.

kostuumgeschiedenis --- naakt --- mode --- toegepaste kunsten --- draperieën --- kleding --- iconografie --- Draperies in art --- Drapery in art --- Clothing and dress in art --- Painting, European --- Themes, motives --- -Clothing and dress in art --- CDL --- 75.04 --- Costume in art --- European painting --- Art --- Technique --- Exhibitions --- portretschilderkunst --- schilderkunst --- wandtapijten en draperingen --- kleding, klederdracht --- Draperies in art - Exhibitions. --- Drapery in art - Exhibitions. --- Clothing and dress in art - Exhibitions. --- Painting, European - Themes, motives - Exhibitions.