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« Mainte belle œuvre faicte » : sous ce titre qui exprime magnifiquement leur admiration et leur gratitude, les meilleurs spécialistes du théâtre médiéval rendent hommage à un maître. Leurs contributions abordent tous les aspects de la scène médiévale : – conditions de la représentation ; – transmission et tradition des œuvres au travers de l’Europe ; – éléments matériels et effets spéciaux dans la mise en scène ; – typologie et spécificité des genres littéraires ; – enjeux politiques et théologiques des mystères ; – réception du jeu dramatique en France et dans toute l’Europe. Ces trente études attestent du rayonnement de Graham Runnalls et de ses travaux sur l’état présent de la recherche. Contributions de : Jean-Pierre Bordier, Marie Bouhaïk-Gironès, Philip Butterworth, Robert Clark, Alain Corbellari, Véronique Dominguez, Estelle Doudet, Pascale Dumont, Élyse Dupras, Gérard Gros, Vicki L. Hamblin, Alan Hindley, Denis Hüe, Alan E. Knight, Jelle Koopmans, Lenke Kovács, Élisabeth Lalou, Xavier Leroux, Mario Longtin, Francesc Massip, Charles Mazouer, Silvère Menegaldo, Peter Meredith, Lynette Muir, Richard Rastall, K. Janet Ritch, Michel Rousse, Bruno Roy, Jean Subrenat, Claude Thiry.
Drama, Medieval --- History and criticism --- Drama, Medieval - History and criticism
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Drama, Medieval --- Theater --- History and criticism --- History --- Drama, Medieval - History and criticism --- Theater - Europe - History - Medieval, 500-1500
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Theatrical science --- anno 500-1499 --- Drama, Medieval --- History and criticism --- -European drama --- Medieval drama --- Plays, Medieval --- Moralities --- Mysteries and miracle-plays --- History and criticism. --- -History and criticism --- theatergeschiedenis --- Drama, Medieval - History and criticism
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Christian religion --- Theatrical science --- anno 500-1499 --- Drama, Medieval --- History and criticism --- -European drama --- Medieval drama --- Plays, Medieval --- Moralities --- Mysteries and miracle-plays --- -History and criticism --- Drama, Medieval - History and criticism
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Interest in the content of this book has developed out of an examination of the prompter who operated in full view of the audience and offered all the lines to the players. In 2001 at Groningen a production of the Towneley Second Shepherds’ Play focused on an examination of this convention. Many of the audience responses then were concerned with the figure of the prompter as he was seen to operate simultaneously both ‘inside’ and ‘outside’ the action of the play. Such a role and its function is fascinating, not only in its own right, but also in relation to how it might inform us about the nature and purpose of presented theatre. The ability of such a figure to move in and out of the action, and thus different realities, characterizes a relationship to the action and the audience. The same fascination exists in relation to roles of the narrator and the expositor. Sometimes these roles are overt ones; sometimes they ‘double up’ with roles of actors, personages or characters. These figures are of pivotal significance in the communication of those plays in which they operate. The purpose of this book is to investigate the nature of these roles in order to identify their influence upon the performance of medieval plays.
Drama --- anno 1500-1799 --- Theater --- Drama, Medieval --- History --- History and criticism. --- Technique. --- Dramaturgy --- Authorship --- Playwriting --- History and criticism --- Technique --- Medieval, 500-1500 --- To 1500 --- Middle Ages, 500-1500 --- Theater - History - Medieval, 500-1500. --- Drama, Medieval - History and criticism. --- Drama - Technique.
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Drama, Medieval --- Liturgical drama --- History and criticism --- 82-2 --- Toneel. Drama --- Liturgical drama. --- History and criticism. --- 82-2 Toneel. Drama --- Drama, Liturgical --- Liturgical dramas --- Bible plays --- Liturgy and drama --- Opera --- Mysteries and miracle-plays --- Drama, Medieval - History and criticism
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English drama --- Drama, Medieval --- History and criticism --- -English drama --- -English literature --- European drama --- Medieval drama --- Plays, Medieval --- Moralities --- Mysteries and miracle-plays --- -History and criticism --- -European drama --- English drama - To 1500 - History and criticism --- Drama, Medieval - History and criticism
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Théâtre (genre littéraire) médiéval. --- Drama, Medieval --- History and criticism --- Theater --- European drama --- History and criticism. --- History. --- Bordier, Jean-Pierre. --- Theatrical science --- anno 900-999 --- anno 1200-1499 --- anno 1000-1099 --- Europe --- Drama, Medieval - History and criticism
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792.033 --- Middeleeuws theater --- 792.033 Middeleeuws theater --- French drama --- Drama, Medieval --- History and criticism. --- Drama [Medieval ] --- Research --- Congresses --- Social aspects --- French drama - To 1500 - History and criticism. --- Drama, Medieval - History and criticism.
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Music --- Drama --- anno 1200-1499 --- anno 800-1199 --- Poetry, Medieval --- Drama, Medieval --- Narration (Rhetoric) --- Music and literature --- History and criticism --- History --- Music - 500-1400 - History and criticism --- Poetry, Medieval - History and criticism --- Drama, Medieval - History and criticism --- Narration (Rhetoric) - History - To 1500 --- Music and literature - History - To 1500
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