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"This book takes the globally recognised phenomenon of drag king performances as an opportunity for critical inquiry into the rise and fall of an urban scene for lesbian and queer women in Sydney, Australia (circa 1999-2012). Exploring how a series of weekly events provided the site for intimate encounters, Drysdale reveals the investments made by participants that worked to sustain the sense of a small world and anchor the expansive imaginary of lesbian cultural life. But what happens when scenes fade, as they invariably do? Intimate Investments in Drag King Cultures is unique in capturing the perspective of a scene at the moment of its decline, revealing the process by which a contemporary movement becomes layered with historical significance. Bringing together the theoretical tradition of scene studies with recent work on the affective potentialities of the everyday and the mobile urban spaces they inhabit, this book has appeal to scholars working across gender, sexuality and culture." --
Drag kings. --- Drag performance. --- Lesbians --- Lesbian culture
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"Drag, Interperformance, and the Trouble with Queerness is the first book centered on queer life in this growing midwestern hub and the first to focus simultaneously on kinging and queening. It shows that despite the shared heading of drag, these iconically queer institutions diverge in terms of audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. Horowitz argues that the radical (in)difference between kings and queens provides a window into the perennial rift between lesbians and gay men and challenges the assumption that all identities subsumed under the queer umbrella ought to have anything in common culturally, politically, or otherwise. Drawing on performer interviews about the purpose of drag, contestations over space, and the eventual shuttering of the bar they called home, Horowitz offers a new way of thinking about identity as a product of relations and argues that relationality is our best hope for building queer communities across lines of difference.The book will be key reading for students and faculty in the interdisciplinary fields of feminist, gender, and sexuality studies; performance studies; American studies; cultural studies; ethnography; and rhetoric. It will be useful to graduate students and faculty interested in queer culture, gender performance, and transgender studies. At the same time, the clear and relatable writing style will make it accessible to undergraduates and well suited to upper-level courses in queer theory, LGBTQ identities, performance studies, and qualitative research methods." --
Male impersonators --- Female impersonators --- Queer theory. --- Drag performance. --- Drag kings. --- Drag queens. --- Female impersonators. --- Male impersonators. --- Queer theory.
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From June 1992 to March 1995, in the midst of the AIDS crisis in NYC, an extraordinary theatrical collective emerged from the queer underground. Blacklips Performance Cult, initiated by ANOHNI and joined by a cabal of fellow artists, drag queens, punks, nightlife veterans and students, performed a new play every Monday night at 1:00 a.m. at the Pyramid Club on 101 Avenue A. Blacklips never courted mainstream attention. However, the group left a sustaining impression within New York's late night subculture by melding hysterical drag, surreal horror, and disconcerting tenderness. In Blacklips: Her Life and Her Many, Many Deaths, ANOHNI and coeditor Marti Wilkerson lay bare the collective's archives in photographs, scripts, and the assembled ephemera from more than one hundred and twenty original "plays." Featuring images from newly digitized film and video recordings, texts from participants and audience members, and an introduction by Lia Gangitano, this expansive collection introduces to the twenty-first century the short-lived and ruthlessly creative phenomenon that was Blacklips.
Theatrical companies --- Drag performance --- Gender identity in art --- Gender identity in the theater --- History --- History --- Blacklips Performance Cult.
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Masculinity is no longer a monolithic category, if ever it was. Long Live the King is a solid piece of scholarship that explores in depth the drag king phenomenon as well as key theoretical texts by feminist, postcolonial and cultural thinkers. Maite Escudero-Alías delves into drag king culture and highlights its relevance for the study of the relationship between gender, sex, race and sexuality. Introduced by a well-informed theoretical chapter that traces the roots of queer theory, Long Liv...
Male impersonators. --- Masculinity in popular culture. --- Queer theory. --- Gender identity --- Popular culture --- Cross-dressers (Male impersonators) --- Crossdressers (Male impersonators) --- Drag kings --- Impersonators, Male --- Impersonators of men --- Kings, Drag --- Actresses --- Persons --- Drag kings. --- Drag performance. --- Drag kinging (Performing arts) --- Drag queening (Performing arts) --- Performing arts --- Entertainers
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Examine the cultural and political implications of male-to-female gender performance! The Drag Queen Anthology: The Absolutely Fabulous but Flawlessly Customary World of Female Impersonators examines the phenomena of male-to-female gender performance and the people who live it. This provocative collection of original essays explores the possibilities, limitations, ironies, and controversies surrounding men who perform as women to an audience that knows the truth but celebrates the illusion. The book's contributors call on extensive backgrounds in sociology, anthropology, theater, literature.
Transvestism. --- Transvestites. --- Female impersonators. --- Crossdressers --- Femmiphilliacs --- Transvestites --- Persons --- Cross-dressers (Female impersonators) --- Crossdressers (Female impersonators) --- Drag queens --- Impersonators, Female --- Impersonators of women --- Queens, Drag --- Actors --- Transvestism --- Crossdressing --- Eonism --- Psychosexual disorders --- Paraphilias --- Drag queens. --- Drag performance. --- Cross-dressing --- Cross-dressers --- Drag kinging (Performing arts) --- Drag queening (Performing arts) --- Performing arts --- Entertainers
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The Miss America pageant has been held in Atlantic City for the past hundred years, helping to promote the city as a tourist destination. But just a few streets away, the city hosts a smaller event that, in its own way, is equally vital to the local community: the Miss’d America drag pageant. Drag Queens and Beauty Queens presents a vivid ethnography of the Miss’d America pageant and the gay neighborhood from which it emerged in the early 1990s as a moment of campy celebration in the midst of the AIDS crisis. It examines how the pageant strengthened community bonds and activism, as well as how it has changed now that Rupaul’s Drag Race has brought many of its practices into the cultural mainstream. Comparing the Miss’d America pageant with its glitzy cisgender big sister, anthropologist Laurie Greene discovers how the two pageants have influenced each other in unexpected ways. Drag Queens and Beauty Queens deepens our understanding of how femininity is performed at pageants, exploring the various ways that both the Miss’d America and Miss America pageants have negotiated between embracing and critiquing traditional gender roles. Ultimately, it celebrates the rich tradition of drag performance and the community it engenders.
Beauty contests --- Gay community --- SOCIAL SCIENCE / General. --- Drag Queens, Beauty Queens, Femininity, Pageants, Drag Culture, Movement, AIDS, Community, 1990s, LGBTQ, Gender Studies, Gender Roles, Drag Performance, Miss'd America, Atlantic City, Tourism, Local Community, Miss America, Culture, Society, Activism, Rupaul’s Drag Race, Traditions, Performance, Jersey Shore. --- Gay communities --- Communities --- Beauty pageants --- Pageants, Beauty --- Contests
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This edited volume is an exploration of the social, cultural, political, and commercial implications of the trailblazing reality television series RuPaul's Drag Race. Going beyond mere analysis of the show itself, the contributors interrogate the ways RuPaul's Drag Race has affected queer representation in media, examining its audience, economics, branding, queer politics, and every point in between. Since its groundbreaking and subversive entry into the reality television complex in 2009, the show has had profound effects on drag and the cultures that surround it. Bringing together scholarship across disciplines--including cultural anthropology, media studies, linguistics, sociology, marketing, and theater and performance studies--the collection offers rich academic analysis of Ru Paul's Drag Race and its lasting influence on fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness.
Reality television programs --- Émissions de téléréalité --- Drag queens on television. --- Travestis --- Drag performance --- Sexual minorities on television. --- Minorités sexuelles --- Drag queens --- Travestis --- African American entertainers. --- Artistes noirs américains. --- Social aspects. --- Société --- À la télévision. --- Social aspects. --- À la télévision. --- Occupations. --- Professions. --- RuPaul's drag race (Television program : 2009- )
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Art queer s’intéresse à la façon dont les stratégies de dénormalisation mises en place par les arts visuels peuvent se prolonger par le biais de l’écriture. Dans les trois chapitres de ce livre, les discussions théoriques et artistiques s’associent à la théorie queer, aux études sur la handicap et à la théorie postcoloniale pour définir trois pratiques : le drag radical, le drag transtemporel et le drag abstrait. Une des caractéristiques de l’art queer, tel que le définit Renate Lorenz, est sa possibilité d’agir à travers le temps, désorganisant une chronologie positiviste et se saisissant d’objets historiques par affinité. L’art queer cultive l’anachronisme comme méthode. En s’appuyant sur le travail de onze artistes, le livre est moins une tentative de relecture de l’histoire de l’art, que la manifestation d’une méthode, que l’auteure nomme drag, qui rendrait apparents des modes d’assemblages, « des connections productives entre le naturel et l’artificiel, l’animé et l’inanimé, tout ce qui permet de produire des connections aux autres et aux choses plutôt que de les représenter ». Parmi les artistes étudié∙e∙s figurent notamment Zoe Leonard, Shinique Smith, Jack Smith, Wu Tsang, Ron Vawter, Bob Flanagan, Henrik Olesen, Felix Gonzalez-Torres, Sharon Hayes et Pauline Boudry/Renate Lorenz.
Homosexuality and art --- Queer theory --- Cross-dressing in art --- Performance art --- Art --- Théorie queer --- Déconstruction --- Homosexualité et art --- Théorie queer. --- Orientation sexuelle. --- Critique homosexuelle. --- Art. --- 21e siècle (début) --- Homosexualité et art --- Théorie queer --- Art de performance --- Travestisme dans l'art --- Dans l'art --- Performance art. --- Drag performance. --- Homosexuality and art - Congresses --- Queer theory - Congresses --- Cross-dressing in art - Congresses --- Performance art - Congresses
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