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Nautical charts --- Dover, Strait of --- North Sea --- Maps. --- 711 --- 711.2 --- 711.455 --- Noordzee --- Water --- Zee --- Ruimtelijke ordening --- Structuurplannen --- Kust (stedenbouw) --- Maps (1946-)
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Navigation --- Environmental protection --- Environmental law --- Marine pollution --- Straits --- Environnement --- Mer --- Détroits --- Law and legislation --- Droit --- Protection --- Pollution --- Prevention. --- Détroits --- Marine pollution - Law and legislation - Dover, Strait of. --- Marine pollution - Law and legislation - Bonifacio, Strait of. --- Marine pollution - Dover, Strait of - Prevention. --- Marine pollution - Bonifacio, Strait of - Prevention.
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Imagine a world in which each individual has a fundamental right to be reborn. This idle dream haunts Hilde Van Gelder's associative travelogue that takes Allan Sekula's sequence Deep Six / Passer au bleu (1996/1998) as a touchstone for a dialogue with more recent artworks zooming in on the borderscape near the Channel Tunnel, such as those by Sylvain George and Bruno Serralongue. Combining ethnography, visual materials, political philosophy, cultural geography, and critical analysis, Ground Sea proceeds through an innovative methodological approach. Inspired by the meandering writings of W.G. Sebald, Javier Marías, and Roland Barthes, Van Gelder develops a style both interdisciplinary and personal. Resolutely opting for an aquatic perspective, Ground Sea offers a powerful meditation on the indifference of an increasingly divided European Union with regard to considerable numbers of persons on the move, who find themselves stranded close to Calais. The contested Strait of Dover becomes a microcosm where our present global challenges of migration, climate change, human rights, and neoliberal surveillance technology converge.
Human rights --- Photography --- Social aspects --- Political aspects --- Sekula, Allan --- Criticism and interpretation. --- Dover, Strait of --- Europe --- Emigration and immigration. --- Emigration and immigration --- Social aspects. --- Political aspects. --- Migration. Refugees --- documentary photography --- The Channel
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Dover, Strait of --- Douvres, Détroit de --- International status --- Statut international --- 341.225 <261.26> --- 341.224 --- 656.61 <261.26> --- Internationaal zeerecht. Mare liberum. Vrije zee. Zeeengten--Noordzee --- Waterlopen. Internationale meren. Kanalen --- -Calais, Strait of --- Dover Strait --- Fretum Gallicum --- Pas de Calais --- Strait of Calais --- Strait of Dover --- Straits of Dover --- -International status --- 341.224 Waterlopen. Internationale meren. Kanalen --- 341.225 <261.26> Internationaal zeerecht. Mare liberum. Vrije zee. Zeeengten--Noordzee --- Douvres, Détroit de --- Calais, Strait of --- International status. --- Dover, Strait of - International status
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Imagine a world in which each individual has a fundamental right to be reborn. This idle dream haunts Hilde Van Gelder's associative travelogue that takes Allan Sekula's sequence Deep Six / Passer au bleu (1996/1998) as a touchstone for a dialogue with more recent artworks zooming in on the borderscape near the Channel Tunnel, such as those by Sylvain George and Bruno Serralongue. Combining ethnography, visual materials, political philosophy, cultural geography, and critical analysis, Ground Sea proceeds through an innovative methodological approach. Inspired by the meandering writings of W.G. Sebald, Javier Marías, and Roland Barthes, Van Gelder develops a style both interdisciplinary and personal. Resolutely opting for an aquatic perspective, Ground Sea offers a powerful meditation on the indifference of an increasingly divided European Union with regard to considerable numbers of persons on the move, who find themselves stranded close to Calais. The contested Strait of Dover becomes a microcosm where our present global challenges of migration, climate change, human rights, and neoliberal surveillance technology converge.
77 --- 77 Fotografie --- Fotografie --- fotografie --- neoliberalisme --- 77.071 VAN GELDER --- fotografie en ecologie --- fotografie en politiek --- ecologie --- Sekula Allan --- Noordzee --- Europa --- cultuurfilosofie --- postkolonialisme --- migratie --- documentaire fotografie --- 77.044 --- fotografietheorie --- 77.01 --- Human rights --- Photography --- Political aspects --- Social aspects --- Europe --- Dover, Strait of --- Calais, Strait of --- Dover Strait --- Fretum Gallicum --- Pas de Calais --- Strait of Calais --- Strait of Dover --- Straits of Dover --- Emigration and immigration --- Academic collection --- Migration. Refugees --- documentary photography --- The Channel --- Mensenrechten --- Politieke aspecten --- Sociale aspecten --- Sekula, Allan --- Government policy --- Human rights - Europe --- Photography - Political aspects --- Photography - Social aspects --- Europe - Emigration and immigration --- Dover, Strait of - Pictorial works
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English Channel. --- Dover, Strait of. --- Eastbourne (East Sussex, England) --- Hastings (England) --- Dungeness (England) --- Boulogne-sur-Mer (France) --- Somme Bay (France) --- Calais (France) --- Manche (mer ; est) --- Pas de Calais (détroit) --- Eastbourne (Angleterre, GB) --- Hastings (Angleterre, GB) --- Dungeness, Cap (Kent, GB) --- Boulogne-sur-Mer (Pas-de-Calais) --- Somme, Baie de (France) --- Calais (Pas-de-Calais)
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English Channel. --- Dover, Strait of. --- Eastbourne (East Sussex, England) --- Hastings (England) --- Dungeness (England) --- Boulogne-sur-Mer (France) --- Somme Bay (France) --- Calais (France) --- Manche (mer ; est) --- Pas de Calais (détroit) --- Eastbourne (Angleterre, GB) --- Hastings (Angleterre, GB) --- Dungeness, Cap (Kent, GB) --- Boulogne-sur-Mer (Pas-de-Calais) --- Somme, Baie de (France) --- Calais (Pas-de-Calais)
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