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When Donald Justice wrote in "On a Picture by Burchfield" that "art keeps long hours," he might have been describing his own life. Although he early on struggled to find a balance between his life and art, the latter became a way of experiencing his life more deeply. He found meaning in human experience by applying traditional religious language to his artistic vocation. Central to his work was the translation of the language of devotion to a learned American vernacular. Art not only provided him with a wealth of intrinsically worthwhile experiences but also granted rich and nua
Justice, Donald, --- Justice, Donald Rodney, --- Aesthetics. --- Criticism and interpretation. --- Poets, American --- American poets
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"A chance meeting in the University of North Carolina campus library in 1944 became the beginning of a decades-long friendship and sixty-year correspondence. Donald Justice (1925-2004) and Richard Stern (1928-2013) would go on to become, respectively, the Pulitzer Prize-winning poet and the acclaimed novelist. A Critical Friendship showcases a selection of their letters and postcards from the first fifteen years of their correspondence, representing the formative period in both writers' careers. It includes some of Justice's unpublished poetry and early drafts of later published poems as well as some early, never-before-published poetry by Stern. A Critical Friendship is the story of two writers inventing themselves, beginning with the earliest extant letters and ending with those just following their first major publications, Justice's poetry collection The Summer Anniversaries and Stern's novel Golk. These letters highlight their willingness to give and take criticism and document the birth of two distinct and important American literary lives. The letters similarly document the influence of teachers, friends, and contemporaries, including Saul Bellow, John Berryman, Edgar Bowers, Robert Lowell, Norman Mailer, Allen Tate, Peter Hillsman Taylor, Robert Penn Warren, Eudora Welty, and Yvor Winters, all of whom feature in the pair's conversations. In a broader context, their correspondence sheds light on the development of the mid-twentieth-century American literary scene. "--
LITERARY COLLECTIONS / Letters. --- Novelists, American --- Poets, American --- Stern, Richard, --- Justice, Donald, --- Justice, Donald Rodney, --- Stern, Richard G.
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Poetry --- English literature --- anno 1900-1999 --- American poetry --- 20th century --- History and criticism --- English poetry --- Ashbery, John Lawrence --- Criticism and interpretation --- Merrill, James Ingram --- Bishop, Elizabeth --- Clampitt, Amy --- Snodgrass, William De Witt --- Hecht, Anthony Evan --- Justice, Donald Rodney --- Hill, Geoffrey --- Auden, Wystan Hugh --- Schnackenberg, Gjertrud
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In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work--from Deana Lawson's disarmingly intimate portraits to Arthur Jafa's videos of the everyday beauty and grit of the Black experience, from Kahlil Joseph's films and Dawoud Bey's photographs to the embodied and multimedia artistic practice of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson--requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.Campt shows that this new way of seeing shifts viewers from the passive optics of looking at to the active struggle of looking with, through, and alongside the suffering--and joy--of Black life in the present. The artists whose work Campt explores challenge the fundamental disparity that defines the dominant viewing practice: the notion that Blackness is the elsewhere (or nowhere) of whiteness. These artists create images that flow, that resuscitate and revalue the historical and contemporary archive of Black life in radical ways. Writing with rigor and passion, Campt describes the creativity, ingenuity, cunning, and courage that is the modus operandi of a Black gaze.En lire moins
Aesthetics, Black --- Arts, Black --- Arts and society --- 7.039 --- Dawoud Bey --- Roy DeCarava --- Oklahoma Grayson --- Kahlil Joseph --- Deana Lawson --- Simone Leigh --- Jenn Nkira --- Donald Rodney --- Luke Willis Thompson --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Black arts --- Negro arts --- Black aesthetics --- History --- Kunstgeschiedenis ; 2000 - 2050 --- Social aspects --- Aesthetics --- gender [sociological concept] --- #breakthecanon --- Art --- sculpture [visual works] --- photography [process] --- video art --- African diaspora --- Bey, Dawoud --- Leigh, Simone --- Thompson, Luke Willis --- Okpokwasili, Okwui --- Jafa, Arthur --- Joseph, Kahlil --- Nkiru, Jenn --- Artistes noirs --- Esthétique --- dekolonisatie --- Artists, Black --- Black people in art. --- Esthétique noire --- Arts noirs --- Arts et société --- Personnes noires dans l'art. --- Arts, Black. --- Arts and society. --- Aesthetics, Black. --- Artists, Black. --- Art and Design. --- Histoire --- 2000-2099. --- United States. --- Aesthetics. --- African American. --- African Americans. --- Art. --- Black or African American. --- Esthetics. --- Esthétique noire. --- Esthétique. --- Noirs américains.
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