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In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society

Documentary films --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Political aspects --- Documentaires --- Aspect politique

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An engaging read on independent documentary filmmaking in India

Documentary films --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- History and criticism.

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"Using her award-winning film Musicwood as a case study, director Maxine Trump guides the reader through the complex lifecycle of the documentary film, focusing on the practical business aspects of the process. Written from the perspective of a successful documentary maker, it covers mistakes made and lessons learned. Perfect for documentary filmmaking students and aspiring filmmakers alike, it takes the reader not only through the production process but financing, marketing and distribution as well, emphasizing the skills needed to succeed in a competitive production market. This concise guide is ideal for the classroom or as a quick reference out in the field, at a budget meeting or in the editing room."--Provided by publisher.

Documentary films --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Production and direction

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In Soul of the Documentary, Ilona Hongisto stirs current thinking about documentary cinema by suggesting that the work of documentary films is not reducible to representing what already exists. By close-reading a diverse body of films - from The Last Bolshevik to Grey Gardens - Hongisto shows how documentary cinema intervenes in the real by framing it and creatively contributes to its perpetual unfolding. The emphasis on framing brings new urgency to the doumentary tradition and its objectives, and provokes significant novel possibilities for thinking about the documentary's ethical and political potentials in the contemporary world. -- Provided by publisher.

Documentary films --- History and criticism. --- Ethics --- Dokumentärfilm. --- Documentary films. --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- ethics --- experimentation --- immanence --- documentary --- aesthetics

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Documentary films --- 791.4 --- documentaire film --- eenentwintigste eeuw --- film --- filmgeschiedenis --- naslagwerk --- negentiende eeuw --- twintigste eeuw --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Films documentaires --- Documentaristes --- Encyclopédies