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Documentary mass media --- Documentary mass media.

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Sur les rapports entre l'art contemporain et le travail documentaire. Depuis quelques années, l'art qui se revendique comme politique a souvent recours à des formes liées au documentaire. L'approche documentaire, avec ses revendications à l'objectivité et à la représentation sans filtre personnel, sert ici de repoussoir à la méthode artistique traditionnelle. L'utilisation de formes discursives et visuelles issues du documentaire dans l'art a deux fonctions contradictoires: garantir l'authenticité d'un rapport au réel (social et politique) et interroger les moyens de ce rapport en rappelant qu'ils sont eux-mêmes une construction (sociale et politique). Ainsi, ce ne serait pas tant la vérité du champ politique et social qui serait problématique, que les politiques de vérité qui en sont issues. Réalisée sur le cours de plusieurs symposiums, l'anthologie interroge ce tournant du documentaire dans l'art et cherche à en cerner les spécificités et les usages.

Documentary mass media and the arts --- Documentary mass media --- document

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"In Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as "documentary" and the way in which they investigate, engage with, and interrogate the world. Collected here for the first time are her celebrated essays and speculations about documentary, experimental, and new media published outside of traditional scholarly venues. These essays envision documentary as a complex ecology composed of different technologies, sets of practices, and specific relationships to communities, engagement, politics, and social struggles. Through the lens of reverse engineering--the concept that ideas just like objects can be disassembled to learn how they work and then rebuilt into something new and better--Zimmermann explores how numerous small-scale documentary works present strategies of intervention into existing power structures. Adaptive to their context, modular, and unfixed, the documentary practices she explores exploit both sophisticated high-end professional and consumer-grade amateur technologies, moving through different political terrains, different platforms, and different exhibition contexts. Together these essays demonstrate documentary's role as a conceptual practice to think through how the world is organized and to imagine ways that it might be reorganized with actions, communities, and ideas"--

Documentary films --- Documentary mass media --- Philosophy. --- Philosophy.

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"Examining journalism, literature, documentary films, visual art, and music from the 1960s to the present, this book explores the artistic response to economic neoliberalism"--

Documentary mass media and the arts --- Neoliberalism in popular culture

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The history of documentary has been one of adaptation and change, as docu-mentarists have harnessed the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and they are increasingly the subject of academic study. This anthology looks at the creative practices, purposes and ethics that lie behind these emergent forms. Expert contributions, case studies and interviews with major figures in the field address the production processes that lie behind interactive documentary, as well as the political, cultural and geographic contexts in which they are emerging and the media ecology that supports them. Taking a broad view of interactive documentary as any work which engages with 'the real' by employing digital interactive technology, this volume addresses a range of platforms and environments, from web-docs and virtual reality to mobile media and live performance. It thus explores the challenges that face interactive documentary practitioners and scholars, and proposes new ways of producing and engaging with interactive factual content.

Documentary mass media --- Interactive multimedia --- Multimédias interactifs --- Hypermedia systems --- Interactive media --- Computer software --- Mass media --- Multimédias interactifs. --- Documentary mass media. --- Interactive multimedia.