Listing 1 - 7 of 7 |
Sort by
|
Choose an application
"These 18 essays examine the relationships between narrative fiction films and documentary filmmaking. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality television and documentary forms"--Provided by publisher.
Documentary-style films --- Style documentaire (Cinéma) --- History and criticism --- Histoire et critique --- Documentaries, Fake (Motion pictures) --- Documentary films, Fake --- Documentary films, Fictionalized --- Documentary films, Mock --- Fake documentaries (Motion pictures) --- Fake documentary films --- Fictionalized documentary films --- Mock documentary films --- Mockumentaries (Motion pictures) --- Mockumentary films --- Pseudo-documentary films --- Quasi-documentary films --- Semidocumentary films --- Motion pictures
Choose an application
Fake documentaries mimic documentary genre expectations, unraveling the documentary's authority and dismantling understandings of identity, history, and nation. The interdisciplinary essays in F Is for Phony discuss a broad scope of works and explore issues raised by "fake docs" such as the fiction/documentary divide, the ethics of reality-based manipulation, and whether documentariness derives from form or reception. Defining the borderline between fact and fiction, the contributors reveal what fake documentaries imply and usually make explicit: that many documentaries lie to tell the truth, and that the truth is relative.
Docufictions --- Films documentaires --- Documentary-style films --- Histoire et critique --- History and criticism. --- film --- filmtheorie --- documentaire --- documentaire film --- mockumentary --- 791.41 --- Documentaries, Fake (Motion pictures) --- Documentary films, Fake --- Documentary films, Fictionalized --- Documentary films, Mock --- Fake documentaries (Motion pictures) --- Fake documentary films --- Fictionalized documentary films --- Mock documentary films --- Mockumentaries (Motion pictures) --- Mockumentary films --- Pseudo-documentary films --- Quasi-documentary films --- Semidocumentary films --- Motion pictures --- History and criticism --- Histoire et critique.
Choose an application
Film --- Latin America --- Documentary-style films --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Documentaries, Fake (Motion pictures) --- Documentary films, Fake --- Documentary films, Fictionalized --- Documentary films, Mock --- Fake documentaries (Motion pictures) --- Fake documentary films --- Fictionalized documentary films --- Mock documentary films --- Mockumentaries (Motion pictures) --- Mockumentary films --- Pseudo-documentary films --- Quasi-documentary films --- Semidocumentary films --- History and criticism --- Social aspects
Choose an application
Mass communications --- Docufictions --- Films documentaires --- Télévision --- Documentary-style films --- Histoire et critique --- Émissions --- History and criticism. --- #SBIB:309H1521 --- #SBIB:309H1523 --- #SBIB:022.AANKOOP --- film --- documentaire --- mockumentary --- vervalsingen --- televisie --- 791.41 --- Documentaries, Fake (Motion pictures) --- Documentary films, Fake --- Documentary films, Fictionalized --- Documentary films, Mock --- Fake documentaries (Motion pictures) --- Fake documentary films --- Fictionalized documentary films --- Mock documentary films --- Mockumentaries (Motion pictures) --- Mockumentary films --- Pseudo-documentary films --- Quasi-documentary films --- Semidocumentary films --- Motion pictures --- Radio- en/of televisieprogramma’s met een amusementsfunctie en/of esthetische functie --- Radio- en/of televisieprogramma's met een informatieve functie --- History and criticism --- Histoire et critique. --- Télévision --- Émissions
Choose an application
Television broadcasting of news --- Documentary-style films --- Téléjournaux --- Style documentaire (Cinéma) --- BPB0805 --- 342.24 <493> --- 82-3 --- 321.019.5 --- #SBIB:309H1523 --- #SBIB:323H100 --- Federalisme--België --- Proza. Fictie. Narratologie --- Politieke organisatie: beïnvloeding door media en publieke opinie --- Radio- en/of televisieprogramma's met een informatieve functie --- Belgische politiek: algemene documentatie en bronnen --- 321.019.5 Politieke organisatie: beïnvloeding door media en publieke opinie --- 82-3 Proza. Fictie. Narratologie --- 342.24 <493> Federalisme--België --- Téléjournaux --- Style documentaire (Cinéma) --- Television broadcasting --- Television coverage of news --- Television journalism --- Television news --- Broadcast journalism --- Documentaries, Fake (Motion pictures) --- Documentary films, Fake --- Documentary films, Fictionalized --- Documentary films, Mock --- Fake documentaries (Motion pictures) --- Fake documentary films --- Fictionalized documentary films --- Mock documentary films --- Mockumentaries (Motion pictures) --- Mockumentary films --- Pseudo-documentary films --- Quasi-documentary films --- Semidocumentary films --- Motion pictures --- News --- Radio-Télévision belge de la communauté culturelle française --- Journalism --- Belgium --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Television broadcasting of news - Belgium --- Documentary-style films - Belgium
Choose an application
This book is the first to take comedy seriously as an important aspect of the popular mockumentary form of film and television fiction. It examines the ways in which mockumentary films and television programmes make visible—through comedy—the performances that underpin straight documentaries and many of our public figures. Mockumentary Comedy focuses on the rock star and the politician, two figures that regularly feature as mockumentary subjects. These public figures are explored through detailed textual analyses of a range of film and television comedies, including A Hard Day’s Night, This is Spinal Tap, The Thick of It, Veep and the works of Christopher Guest and Alison Jackson. This book broadens the scope of existing mockumentary scholarship by taking comedy seriously in a sustained way for the first time. It ultimately argues that the comedic performances—by performers and of documentary conventions—are central to the form’s critical significance and popular appeal. .
Culture --- Documentary films. --- Motion picture acting. --- Cultural and Media Studies. --- Documentary. --- Popular Culture. --- Screen Performance. --- Cultural studies --- Film acting --- Moving-picture acting --- Acting --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Study and teaching. --- Documentary-style films --- History and criticism. --- Documentaries, Fake (Motion pictures) --- Documentary films, Fake --- Documentary films, Fictionalized --- Documentary films, Mock --- Fake documentaries (Motion pictures) --- Fake documentary films --- Fictionalized documentary films --- Mock documentary films --- Mockumentaries (Motion pictures) --- Mockumentary films --- Pseudo-documentary films --- Quasi-documentary films --- Semidocumentary films --- Motion pictures --- Comedy. --- Popular Culture . --- Comedy Studies. --- Comic literature --- Literature, Comic --- Drama --- Wit and humor --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Popular culture.
Choose an application
Photography, Artistic --- Documentary-style films --- Germany --- media studies --- photography --- photo film --- analog photographs --- found photography --- found footage --- Documentaries, Fake (Motion pictures) --- Documentary films, Fake --- Documentary films, Fictionalized --- Documentary films, Mock --- Fake documentaries (Motion pictures) --- Fake documentary films --- Fictionalized documentary films --- Mock documentary films --- Mockumentaries (Motion pictures) --- Mockumentary films --- Pseudo-documentary films --- Quasi-documentary films --- Semidocumentary films --- Motion pictures --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- Germany (East) --- Germany (West) --- Europe --- Photography, Artistic. --- Documentary-style films. --- Germany.
Listing 1 - 7 of 7 |
Sort by
|