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Le lavater des tempéramens et des constitutions, ou, l'art de les bien distinguer : par des signes infaillibles, auxquels toute personne pourra reconnaître si elle est douée du tempérament sanguin, nerveux, bilieux, mélancolique, musculaire, lymphatique, érotique ou amoureux, etc.; les changements remarquables que chacun de ces états fait naître dans le physique et le moral; les préceptes d'hygiène qu'il est important d'observer pour éviter les maladies auxquelles prédispose la nature de chacun d'eux: ainsi que de l'âge, de la constitution, du sexe, des habitudes et autres dispositions particulières; enfin, le régime de vie le plus propre à les améliorer
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Year: 1829 Publisher: Bruxelles : Aug. Wahlen et H. Tarlier, éditeurs,

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Peculiar attunements
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ISBN: 0823290417 0823288072 9780823288076 0823288064 9780823288069 0823287742 9780823287741 Year: 2020 Publisher: New York

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'Peculiar Attunements' places the recent turn to affect into conversation with an earlier affective turn that took place in European music theory of the eighteenth century. It offers a new way of thinking through affect historically and dialectically, drawing attention to repeating patterns and problems in affect theory's history.


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Peculiar Attunements
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ISBN: 9780823288083 0823288080 Year: 2020 Publisher: New York, NY

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Peculiar Attunements places the recent turn to affect into conversation with a parallel movement in European music theory of the eighteenth century. During that time the affects—or passions, as they were also called—formed a vital component of a mimetic model of the arts. Eighteenth-century critics held that artworks imitated or copied the natural world in order to produce copies of the affects in their beholders. But music caused a problem for such theories, since it wasn’t apparent that musical tones could imitate anything with any dependability, beyond the rare thunderclap or birdcall.Struggling to articulate how it was that music managed to move its auditors without imitation, certain theorists developed a new affect theory crafted especially for music, postulating that music’s physical materiality as sound vibrated the nerves of listeners and attuned them to the affects through sympathetic resonance. This was a theory of affective attunement that bypassed the entire structure of representation, offering a non-discursive, corporeal alternative. It is a pendant to contemporary theories of affect, and one from which they have much to learn. Inflecting our current intellectual moment through eighteenth-century music theory and aesthetics, this book offers a reassessment of affect theory’s common systems and processes. It offers a new way of thinking through affect dialectically, drawing attention to patterns and problems in affect theory that we have been given to repeating. Finally, taking a cue from eighteenth-century theory, it gives renewed attention to the objects that generate affects in subjects.

Musica poetica : musical-rhetorical figures in German Baroque music
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ISBN: 0803212763 9780803212763 Year: 1997 Publisher: Lincoln : University of Nebraska Press,


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De la rhétorique des passions à l'expression du sentiment: actes du colloque des 14, 15 et 16 mai 2002
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ISBN: 2914147228 9782914147224 Year: 2003 Publisher: Paris Cité de la musique

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