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octor Who is a BBC transmedia franchise that has lasted over sixty years. Its fanbase boasts a substantial following of gay men. This book asks why this should be.Through examining four core components – the Doctor, the TARDIS, the companion and the Daleks – this book traces the trajectory of queerness from wider culture to paratextual media and finally into the parent text, resulting in an inclusive brand. In doing so, it argues that fandom provides a space to mediate between personal identities and the wider world. Drawing from interviews with fans, the book demonstrates the complexities and contradictions of queerness, and proposes an alternative theory of gay cultural formation.This is the first book-length study to use queer theory to understand Doctor Who. It will be of interest to students and teachers of media theory and fan studies, psychosocial studies, queer theory and history, as well as Doctor Who fans.
Homosexuality and motion pictures. --- Homosexualité et cinéma. --- Homosexuels masculins --- Séries télévisées. --- Doctor Who (Series) --- Doctor Who
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Premiering the day after the JFK assassination, Doctor Who humbly launched one of the entertainment world's first super-brands. We begin with a look at TV programming of the day and the original pitch documents before delving into the Daleks, which almost didn't make the cut but inspired many monsters to follow. After three years, First Doctor William Hartnell left, prompting the BBC to recast their hit rather than end it, giving us the first "regeneration" and making TV history. We follow the succession of Doctors-including Third Doctor Jon Pertwee, exiled to Earth and targeted by the Master-
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The successful regeneration of Doctor Who in the twenty-first century has sparked unprecedented popular success and renewed interest Otherin the academy. The ten essays assembled in this volume draw on a variety of critical approachesfrom cultural theory to audience studies, to classical reception and musicologyto form a wide-ranging interdisciplinary discussion of Doctor Who, classic and new, and its spin-off series, Torchwood and The Sarah Jane Adventures. Other additional contributions f.
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Science Fiction Audiences examines the astounding popularity of two television ""institutions"" - the series Doctor Who and ^Star Trek. Both of these programmes have survived cancellation and acquired an following that continues to grow. The book is based on over ten years of research including interviews with fans and followers of the series. In that period, though the fans may have changed, and ways of studying them as ""audiences"" may have also changed, the programmes have endured intact, with Star Trek for example now in its fourth television incarnation. Jo
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"The power to influence our concept of style lies in the hands of designers in television. Most people today can recognize 'a look' that a character projects. Steed and Emma Peel [of The Avengers] were the first to convey 'a look,' and their designers should be saluted. At the heart of this book lies the story of how the look came about." --Madeline Ann Kozlowski, Professor of Drama, University of California, Irvine, and Emmy Award-winning costume designer for Pryor's Place From the alien worlds of Star Trek to the realistic operating room of ER, the design of sets and costumes contributes not only to the look and mood of television shows, but even more importantly to the creation of memorable characters. Yet, until now, this crucial aspect of television creativity has received little critical attention, despite the ongoing interest in production design within the closely allied discipline of film studies. In this book, Piers Britton and Simon Barker offer a first analytical study of scenic and costume design for television drama series. They focus on three enduringly popular series of the 1960s--The Avengers, The Prisoner, and Doctor Who--and discuss such topics as the sartorial image of Steed in The Avengers, the juxtaposition of picturesque and fascistic architecture in The Prisoner, and the evolution of the high-tech interior of Doctor Who's TARDIS. Interviews with the series' original designers and reproductions of their original drawings complement the authors' analysis, which sheds new light on a variety of issues, from the discourse of fashion to that of the heritage industry, notions of "Pop" and retro, and the cultural preoccupation with realism and virtual reality.
Costume. --- Television --- Stage-setting and scenery. --- Avengers (Television program). --- Doctor Who (Television program). --- Prisoner (Television program).
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Peter Capaldi's Doctor Who - unpredictable, embattled, mercurial - has raised many fresh issues for followers of the Timelord. In this book, international experts on the show have been brought together to explore the era of Capaldi and Steven Moffat. They evaluate the effect of Capaldi's older age on the series' pace and themes; his Scottishness and representations of Scotland in Doctor Who's history, and the roles of the Doctor's female companions. The politics of war are addressed, as is the development of UNIT in the show, as well as controversial portrayals of the afterlife and of immortality. There's discussion of promotional discourses in the public sphere worldwide, of imagining the Twelfth Doctor in fan fiction and fan art, fan responses to the re-gendering of the Master as female, and Christmas television and the uncanny.
Doctor --- Capaldi, Peter --- Moffat, Steven, --- Criticism and interpretation. --- Doctor Who (Television program : 2005- )
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Peregrinations, Ruminations, and Regenerations: A Critical Approach to Doctor Who examines the famous BBC science fiction show as a cultural artifact in dialogue with other science fiction, with politics and religion, and with the culture at large, both in terms of how it reflects and comments upon that culture and in terms of the audience and the peculiarities of its response. This book enables researchers in film and media to make historical, industrial, aesthetic, and ideological connec...
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