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Mousterian culture --- Bone implements, Prehistoric --- Excavations (Archaeology) --- Bone flute. --- Moustérien --- Outils d'os préhistoriques --- Fouilles (Archéologie) --- Flûte en os --- Divje Babe I Cave (Slovenia) --- Slovenia --- Divje Babe I, Grotte de (Slovénie) --- Slovénie --- Antiquities. --- Antiquités --- Bone implements --- Bone flute --- Antiquities --- Moustérien --- Outils d'os préhistoriques --- Fouilles (Archéologie) --- Flûte en os --- Divje Babe I, Grotte de (Slovénie) --- Slovénie --- Antiquités --- Levallois culture --- Levalloisien culture --- Neanderthals --- Paleolithic period --- Implements, utensils, etc. --- Mousterian bone flute --- Neanderthal flute --- Flute --- Mousterian culture - Slovenia --- Bone implements - Slovenia --- Excavations (Archaeology) - Slovenia --- Slovenia - Antiquities --- Mousterien
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The second part of the monograph on Divje babe I deals in detail with archaeological finds from this important Middle and Upper Palaeolithic site. Edited by Ivan Turk, the monograph contains 17 chapters, written by seven authors. Monografija obravnava vse arheološke najdbe tega najdišča (kamnite in koščene izdelke, ognjišča in z njimi povezane obognjiščne dejavnosti in posamične kostne najdbe, ki so bile predmet manipulacij paleolitskih obiskovalcev Divjih bab I), vse s pomočjo raziskovalnih tehnik, ki doslej niso bile uporabljene pri tovrstnih raziskavah v Sloveniji. Avtorji so po njihovi zaslugi prišli od prvotnih predvidevanj do nekaterih nepričakovanih dobro argumentiranih spoznanj na področju slabo poznanega duhovnega sveta neandertalcev – evropskih praprebivalcev.
Mousterian culture --- Divje Babe I Cave (Slovenia) --- Slovenia --- Antiquities --- paleobotanika --- paleozoologija --- fosili --- stratigrafija --- študije --- Excavations (Archaeology) --- Levallois culture --- Levalloisien culture --- Neanderthals --- Paleolithic period --- Antiquities. --- Mousterian culture - Slovenia --- Slovenia - Antiquities --- Prehistoric archaeology --- Music: styles & genres --- archaelogy --- archaeological excavations --- archaeological finds --- archaeological research --- archaeological sites --- Divje babe --- Paleolithic --- arheologija --- arheološka izkopavanja --- arheološka najdišča --- arheološke najdbe --- arheološke raziskave --- paleolitik --- Slovenija --- archaeology
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The study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard.
musical haptics --- piano --- auditory feedback --- tactile feedback --- binaural audio --- keyboard vibrations --- measurement --- recording --- autoclave --- out-of-autoclave --- vacuum-bag-only --- processing --- CFRE --- plates --- modal --- dynamic --- musical instruments --- intensity of acoustic radiation --- modal analysis --- Persian musical instruments --- sound efficiency --- intensity of acoustic radiation (IAR) --- Carabattola --- feature extraction --- timbre modeling --- auditory perception --- timbre space --- Palaeolithic --- Mousterian --- Neanderthals --- musical instrument --- Divje babe I --- microphone array --- wave field synthesis --- acoustic holography --- sampler --- synthesizer --- dynamic range compression --- music production --- semantic audio --- audio mixing --- 1176 compressor --- FET compression --- listening experiment --- n/a
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The study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard.
Music --- musical haptics --- piano --- auditory feedback --- tactile feedback --- binaural audio --- keyboard vibrations --- measurement --- recording --- autoclave --- out-of-autoclave --- vacuum-bag-only --- processing --- CFRE --- plates --- modal --- dynamic --- musical instruments --- intensity of acoustic radiation --- modal analysis --- Persian musical instruments --- sound efficiency --- intensity of acoustic radiation (IAR) --- Carabattola --- feature extraction --- timbre modeling --- auditory perception --- timbre space --- Palaeolithic --- Mousterian --- Neanderthals --- musical instrument --- Divje babe I --- microphone array --- wave field synthesis --- acoustic holography --- sampler --- synthesizer --- dynamic range compression --- music production --- semantic audio --- audio mixing --- 1176 compressor --- FET compression --- listening experiment
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