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Ditters von Dittersdorf, Carl --- Dittersdorf, Carl Ditters von (1739-1799) --- Brieven --- Documenten --- Akten --- Stukken --- Dittersdorf, Carl Ditters von
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Esthetica --- Essays --- Glinka, Mihail Ivanovich (1804-1857) --- Taneev, Sergej --- Musorgsky, Modest Petrovich (1839-1881) --- Skrjabin, Aleksandr --- Glazunov, Aleksandr Konstantinovich (1865-1936) --- Wagner, Richard (1813-1883) --- Bach, Johann Sebastian (1685-1750) --- Dittersdorf, Carl Ditters von (1739-1799) --- Beethoven, Ludwig van (1770-1827) --- Reger, Max (1873-1916) --- Stephan, Rudolf --- Hindemith, Paul --- Milhaud, Darius --- Szymanowski, Karol --- Jodendom --- Mengelberg, Willem --- Muck, Karl --- Flesch, Carl (1873-1944) --- Röntgen, Julius --- Nederland --- 19e eeuw --- 20e eeuw --- Rusland
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Esthetica --- Essays --- Glinka, Mihail Ivanovich (1804-1857) --- Taneev, Sergej --- Musorgsky, Modest Petrovich (1839-1881) --- Skrjabin, Aleksandr --- Glazunov, Aleksandr Konstantinovich (1865-1936) --- Wagner, Richard (1813-1883) --- Bach, Johann Sebastian (1685-1750) --- Dittersdorf, Carl Ditters von (1739-1799) --- Beethoven, Ludwig van (1770-1827) --- Reger, Max (1873-1916) --- Stephan, Rudolf --- Hindemith, Paul --- Milhaud, Darius --- Szymanowski, Karol --- Jodendom --- Mengelberg, Willem --- Muck, Karl --- Flesch, Carl (1873-1944) --- Röntgen, Julius --- Nederland --- 19e eeuw --- 20e eeuw --- Rusland
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Associated through descriptive texts with literature, politics, religion, and other subjects, 'characteristic' symphonies offer an opportunity to study instrumental music as it engages important social and political debates of the eighteenth and early nineteenth centuries. This first full-length study of the genre illuminates the relationship between symphonies and their aesthetic and social contexts by focussing on the musical representation of feeling, human physical movement, and the passage of time. The works discussed include Beethoven's Pastoral and Eroica Symphonies, Haydn's Seven Last Words of our Savior on the Cross, Carl Ditters von Dittersdorf's symphonies on Ovid's Metamorphoses, and orchestral battle reenactments of the Revolutionary and Napoleonic eras. A separate chapter details the aesthetic context within which characteristic symphonies were conceived, as well as their subsequent reception, and a series of appendixes summarises bibliographic information for over 225 relevant examples.
Music --- Program music. --- Symphony --- Philosophy and aesthetics. --- Musique à programme --- Nature in music --- Program music --- Programmamuziek --- Symphonie --- Musique --- Musique à programme --- Philosophie et esthétique --- Beethoven, Ludwig van, --- Haydn, Joseph, --- Dittersdorf, Carl Ditters von, --- Criticism and interpretation. --- Criticism and interpretation --- 18th century --- 19th century --- Philosophy and aesthetics --- Music - 18th century - Philosophy and aesthetics. --- Sinfonietta --- Symphonies --- Symphonietta --- Musical form --- Programmatic music --- Narrative in music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism
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