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This book proposes traveling vicariously with documentary and fiction films directed by Mariano Llinás, Alicia Scherson, Karim Aïnouz, Marcelo Gomes, Cao Guimarães, José Luis Torres Leiva, Tiziana Panizza, Jonathan Perel, Gustavo Fontán, Ignacio Agüero, Raúl Ruiz, Patricio Guzmán and Enrique Ramírez. It attends to the very richness of cinema in its potential not to passively represent real physical spaces, but to reconfigure new ways of thinking and inhabiting open space geographies in the contemporary world from a perspective attentive to the dimension of affects. The landscapes, maps and itineraries configured by this set of films allow us to experience alternative notions of temporality and ways of connecting with others.
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This book proposes traveling vicariously with documentary and fiction films directed by Mariano Llinás, Alicia Scherson, Karim Aïnouz, Marcelo Gomes, Cao Guimarães, José Luis Torres Leiva, Tiziana Panizza, Jonathan Perel, Gustavo Fontán, Ignacio Agüero, Raúl Ruiz, Patricio Guzmán and Enrique Ramírez. It attends to the very richness of cinema in its potential not to passively represent real physical spaces, but to reconfigure new ways of thinking and inhabiting open space geographies in the contemporary world from a perspective attentive to the dimension of affects. The landscapes, maps and itineraries configured by this set of films allow us to experience alternative notions of temporality and ways of connecting with others.
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This book proposes traveling vicariously with documentary and fiction films directed by Mariano Llinás, Alicia Scherson, Karim Aïnouz, Marcelo Gomes, Cao Guimarães, José Luis Torres Leiva, Tiziana Panizza, Jonathan Perel, Gustavo Fontán, Ignacio Agüero, Raúl Ruiz, Patricio Guzmán and Enrique Ramírez. It attends to the very richness of cinema in its potential not to passively represent real physical spaces, but to reconfigure new ways of thinking and inhabiting open space geographies in the contemporary world from a perspective attentive to the dimension of affects. The landscapes, maps and itineraries configured by this set of films allow us to experience alternative notions of temporality and ways of connecting with others.
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This book proposes traveling vicariously with documentary and fiction films directed by Mariano Llinás, Alicia Scherson, Karim Aïnouz, Marcelo Gomes, Cao Guimarães, José Luis Torres Leiva, Tiziana Panizza, Jonathan Perel, Gustavo Fontán, Ignacio Agüero, Raúl Ruiz, Patricio Guzmán and Enrique Ramírez. It attends to the very richness of cinema in its potential not to passively represent real physical spaces, but to reconfigure new ways of thinking and inhabiting open space geographies in the contemporary world from a perspective attentive to the dimension of affects. The landscapes, maps and itineraries configured by this set of films allow us to experience alternative notions of temporality and ways of connecting with others.
Motion pictures. --- Displacement (Psychology) in literature.
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"The trauma of refugee status is particularly corrosive. It does the usual harm of devastating our own self-image and sense of permanence in the world, but it does more. It is a dislocation from our familiar domestic geography and culture, and that must wrench from our grasp all the external markers by which we know ourselves and our worth. The threat of persecution, torture, and death is aimed at a complete destabilization. The result is a complex of anxieties that add up to far more than simple suffering. If therapy is primarily aimed at the gentle exposure of one's worst fears, then what purchase can it have on this most ungentle process of becoming a refugee?"--Provided by publisher.
Refugees --- Displacement (Psychology) --- Psychology. --- Refugee Therapy Centre.
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This book proposes traveling vicariously with documentary and fiction films directed by Mariano Llinás, Alicia Scherson, Karim Aïnouz, Marcelo Gomes, Cao Guimarães, José Luis Torres Leiva, Tiziana Panizza, Jonathan Perel, Gustavo Fontán, Ignacio Agüero, Raúl Ruiz, Patricio Guzmán and Enrique Ramírez. It attends to the very richness of cinema in its potential not to passively represent real physical spaces, but to reconfigure new ways of thinking and inhabiting open space geographies in the contemporary world from a perspective attentive to the dimension of affects. The landscapes, maps and itineraries configured by this set of films allow us to experience alternative notions of temporality and ways of connecting with others.
Motion pictures. --- Displacement (Psychology) in literature.
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As an island—a geographical space with mutable and porous borders—Cuba has never been a fixed cultural, political, or geographical entity. Migration and exile have always informed the Cuban experience, and loss and displacement have figured as central preoccupations among Cuban artists and intellectuals. A major expression of this experience is the unconventional, multi-generational, itinerant, and ongoing art exhibit CAFÉ: The Journeys of Cuban Artists. In Cuban Artists Across the Diaspora, Andrea O'Reilly Herrera focuses on the CAFÉ project to explore Cuba's long and turbulent history of movement and rupture from the perspective of its visual arts and to meditate upon the manner in which one reconstitutes and reinvents the self in the context of diaspora. Approaching the Cafeteros' art from a cultural studies perspective, O'Reilly Herrera examines how the history of Cuba informs their work and establishes their connections to past generations of Cuban artists. In interviews with more than thirty artists, including José Bedia, María Brito, Leandro Soto, Glexis Novoa, Baruj Salinas, and Ana Albertina Delgado, O'Reilly Herrera also raises critical questions regarding the many and sometimes paradoxical ways diasporic subjects self-affiliate or situate themselves in the narratives of scattering and displacement. She demonstrates how the Cafeteros' artmaking involves a process of re-rooting, absorption, translation, and synthesis that simultaneously conserves a series of identifiable Cuban cultural elements while re-inscribing and transforming them in new contexts. An important contribution to both diasporic and transnational studies and discussions of contemporary Cuban art, Cuban Artists Across the Diaspora ultimately testifies to the fact that a long tradition of Cuban art is indeed flourishing outside the island.
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This book proposes traveling vicariously with documentary and fiction films directed by Mariano Llinás, Alicia Scherson, Karim Aïnouz, Marcelo Gomes, Cao Guimarães, José Luis Torres Leiva, Tiziana Panizza, Jonathan Perel, Gustavo Fontán, Ignacio Agüero, Raúl Ruiz, Patricio Guzmán and Enrique Ramírez. It attends to the very richness of cinema in its potential not to passively represent real physical spaces, but to reconfigure new ways of thinking and inhabiting open space geographies in the contemporary world from a perspective attentive to the dimension of affects. The landscapes, maps and itineraries configured by this set of films allow us to experience alternative notions of temporality and ways of connecting with others.
Motion pictures. --- Displacement (Psychology) in literature.
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Women and Migration(s) II draws together contributions from scholars and artists showcasing the breadth of intersectional experiences of migration, from diaspora to internal displacement. Building on conversations initiated in Women and Migration: Responses in Art and History, this edited volume features a range of written styles, from memoir to artists' statements to journalistic and critical essays. The collection shows how women's experiences of migration have been articulated through art, film, poetry and even food.
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