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Book
Musique et enregistrement
Authors: --- ---
ISBN: 9782753533295 Year: 2014 Volume: *7 Publisher: Rennes Presses universitaires de Rennes


Book
Early sound recordings : academic research and practice
Authors: ---
ISBN: 9781032047515 1032047518 9781003194521 1003194524 1000845079 1000845109 1003194524 Year: 2023 Publisher: London Routledge

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Abstract

The use of historical recordings as primary sources is relatively well established in both musicology and performance studies and has demonstrated how early recording technologies transformed the ways in which musicians and audiences engaged with music. This edited volume offers a timely snapshot of a wide range of contemporary research in the area of performance practice and performance histories, inviting readers to consider the wide range of research methods that are used in this ever-expanding area of scholarship. The volume brings together a diverse team of researchers who all use early recordings as their primary source to research performance in its broadest sense in a wide range of repertoires within and on the margins of the classical canon - from the analysis of specific performing practices and parameters in certain repertoires, to broader contextual issues that call attention to the relationship between recorded performance and topics such as analysis, notation and composition. Including a range of accessible music examples, which allow readers to experience the music under discussion, this book is designed to engage with academic and non-academic readers alike, being an ideal research aid for students, scholars and performers, as well as an interesting read for early sound recording enthusiasts.

A guide to opera recordings
Author:
ISBN: 0195044258 Year: 1987 Publisher: New York (N.Y.): Oxford university press

Choral music on record
Author:
ISBN: 0521363098 052103583X 0511586116 0511875061 Year: 1991 Publisher: Cambridge Cambridge University press

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Following the successful volumes of Song on Record, this 1991 book surveys all the recordings of major choral works from the Monteverdi Vespers to Britten's War Requiem. Discussion of the various interpretations on record is preceded, in each chapter, by informed criticism of the work concerned, including - where appropriate - a clarification of editions, revisions, etc. (all the many changes in Messiah are, for instance, described in detail). The coverage of recordings is exhaustive and its value is enhanced by detailed discographies, with numbers of each recording. Each contributor is an authority within his or her specialist area and, collectively, their insights and observations make the book invaluable to record collectors, music lovers and all with an interest in changing tastes and styles of musical performance.


Book
L'histoire du disque et de l'enregistrement sonore
Authors: --- ---
ISBN: 2848550813 9782848550817 Year: 2004 Publisher: Chatou ; New York Carnot


Book
Vinyl : the analogue record in the digital age
Authors: ---
ISBN: 9780857856616 9780857856180 9780857857316 9780857856586 0857857312 1336210311 9781336210318 0857856189 0857856618 0857857312 0857856588 1000183068 1003087302 147421407X 9781000183061 9781003087304 9781000189698 1000189694 9781000186307 100018630X Year: 2015 Publisher: London Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc

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"'"The last few years have seen not just a revival but a rebirth of the analogue record. Much more than merely a nostalgic craze, vinyl has become a cultural icon. While vinyl never ceased to be the key format for many music lovers and DJs, for two decades the recording industry perceived it as outdated, consigned to dusty domestic spaces and obscure record shops. Yet the seemingly obsolete vinyl has become the fastest growing medium in music sales. Using a cultural sociology framework combined with insights from material and visual culture studies, Dominik Bartmanski and Ian Woodward present vinyl as a multifaceted cultural object and explore the reasons for its persistence within technologically accelerated cultures. The book is informed by media analysis, urban ethnography and interviews with musicians, DJs, record store owners, boutique label chiefs and collectors within a range of urban centres renowned for thriving music scenes, including Melbourne, London, New York, Tokyo and Berlin"--Provided by publisher."--Bloomsbury Publishing.


Periodical
Sound & Vision : Where Technology Becomes Entertainment
Author:
ISSN: 15375838 Publisher: New York : AVTech Media Americas Inc.,


Book
The Musicology of Record Production.
Author:
ISBN: 9781107075641 1107075645 9781107428348 1107428343 9781139871846 1139986597 113999123X 1316011798 1316014037 1316002799 1139871846 1316007294 1316005038 131600953X 9781316005033 9781316009536 1322176671 9781139986595 9781316011799 9781316014035 9781316002797 9781316007297 Year: 2014 Publisher: Cambridge Cambridge University Press

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Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.


Book
Decomposed : the political ecology of music
Author:
ISBN: 9780262537780 0262537788 9780262355544 026235554X 0262355558 Year: 2019 Publisher: Cambridge : MIT Press,

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"Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization--an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music--what recordings are made of and what happens to them when they are disposed of. Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based resin. Between 1950 and 2000, formats such as LPs, cassettes, and CDs were all made of petroleum-based plastic. Today, recordings exist as data-based audio files. Devine describes the people who harvest and process these materials, from women and children in the Global South to scientists and industrialists in the Global North. He reminds us that vinyl records are oil products, and that the so-called vinyl revival is part of petrocapitalism. The supposed immateriality of music as data is belied by the energy required to power the internet and the devices required to access music online. We tend to think of the recordings we buy as finished products. Devine offers an essential backstory. He reveals how a range of apparently peripheral people and processes are actually central to what music is, how it works, and why it matters."-- $c Provided by publisher.

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