Listing 1 - 10 of 59 | << page >> |
Sort by
|
Choose an application
Discs [Sound ] --- Disks [Sound ] --- Enregistrements --- Geluidsopnamen --- Phonodiscs --- Phonographs records --- Phonorecords --- Recordings [Sound ] --- Records [Phonograph ] --- Records [Sound ] --- Sound discs --- Sound recordings --- Music --- History --- Philosophy and aesthetics --- Music and technology
Choose an application
The use of historical recordings as primary sources is relatively well established in both musicology and performance studies and has demonstrated how early recording technologies transformed the ways in which musicians and audiences engaged with music. This edited volume offers a timely snapshot of a wide range of contemporary research in the area of performance practice and performance histories, inviting readers to consider the wide range of research methods that are used in this ever-expanding area of scholarship. The volume brings together a diverse team of researchers who all use early recordings as their primary source to research performance in its broadest sense in a wide range of repertoires within and on the margins of the classical canon - from the analysis of specific performing practices and parameters in certain repertoires, to broader contextual issues that call attention to the relationship between recorded performance and topics such as analysis, notation and composition. Including a range of accessible music examples, which allow readers to experience the music under discussion, this book is designed to engage with academic and non-academic readers alike, being an ideal research aid for students, scholars and performers, as well as an interesting read for early sound recording enthusiasts.
Sound recordings --- History. --- Sources. --- Music --- Performance --- History --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials
Choose an application
Music --- Operas --- -Sound recordings --- -Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Burlettas --- Comic operas --- Intermezzos (Operas) --- Light operas --- Opera buffas --- Opera serias --- Opéras comiques --- Operettas --- Puppet operas --- Singspiels --- Dramatic music --- Discography --- Reviews --- Sound recordings --- Discography. --- Reviews. --- -Discography
Choose an application
Following the successful volumes of Song on Record, this 1991 book surveys all the recordings of major choral works from the Monteverdi Vespers to Britten's War Requiem. Discussion of the various interpretations on record is preceded, in each chapter, by informed criticism of the work concerned, including - where appropriate - a clarification of editions, revisions, etc. (all the many changes in Messiah are, for instance, described in detail). The coverage of recordings is exhaustive and its value is enhanced by detailed discographies, with numbers of each recording. Each contributor is an authority within his or her specialist area and, collectively, their insights and observations make the book invaluable to record collectors, music lovers and all with an interest in changing tastes and styles of musical performance.
Choral music --- -Sound recordings --- -Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Choruses --- Choruses, Sacred --- Choruses, Secular --- Music, Choral --- Sacred choral music --- Secular choral music --- Church music --- Music --- Vocal music --- Discography --- Reviews --- History and criticism --- -Discography --- Sound recordings --- Choral music - Discography. --- Sound recordings - Reviews.
Choose an application
Discs [Sound ] --- Disks [Sound ] --- Enregistrements --- Geluidsopnamen --- Phonodiscs --- Phonographs records --- Phonorecords --- Recordings [Sound ] --- Records [Phonograph ] --- Records [Sound ] --- Sound discs --- Sound recordings --- Sound --- Audiocassettes --- Picture discs (Sound recordings) --- DVD-Audio discs --- Audiocassettes. --- DVD-Audio discs. --- Picture discs (Sound recordings). --- Sound recordings. --- Recording and reproducing --- History. --- Album covers --- Recording and reproducing. --- Album covers. --- Discography --- History
Choose an application
Discs [Sound ] --- Disks [Sound ] --- Enregistrements --- Geluidsopnamen --- Phonodiscs --- Phonographs records --- Phonorecords --- Recordings [Sound ] --- Records [Phonograph ] --- Records [Sound ] --- Sound discs --- Sound recordings --- Sound --- Enregistrements sonores --- Son --- Conservation and restoration. --- Digitization --- Recording and reproducing --- Digital techniques. --- Conservation et restauration --- Numérisation --- Enregistrement et reproduction --- Techniques numériques --- Numérisation --- Techniques numériques
Choose an application
"'"The last few years have seen not just a revival but a rebirth of the analogue record. Much more than merely a nostalgic craze, vinyl has become a cultural icon. While vinyl never ceased to be the key format for many music lovers and DJs, for two decades the recording industry perceived it as outdated, consigned to dusty domestic spaces and obscure record shops. Yet the seemingly obsolete vinyl has become the fastest growing medium in music sales. Using a cultural sociology framework combined with insights from material and visual culture studies, Dominik Bartmanski and Ian Woodward present vinyl as a multifaceted cultural object and explore the reasons for its persistence within technologically accelerated cultures. The book is informed by media analysis, urban ethnography and interviews with musicians, DJs, record store owners, boutique label chiefs and collectors within a range of urban centres renowned for thriving music scenes, including Melbourne, London, New York, Tokyo and Berlin"--Provided by publisher."--Bloomsbury Publishing.
Sound recordings --- Sound recording industry --- Music --- Social aspects --- Consumer behavior --- Sociology of culture --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Social aspects. --- Sound recordings - Social aspects --- Music - Social aspects --- Sound recording industry.
Choose an application
Sound & Vision is an American magazine covering home theater, audio, video and multimedia consumer products.
Home entertainment systems --- Sound recordings --- Video recordings --- Chaînes audiovisuelles --- Enregistrements sonores --- Vidéos --- Home entertainment systems. --- Sound recordings. --- Video recordings. --- Videorecordings --- Videos --- Audio-visual materials --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Entertainment systems, Home --- Household electronics --- Reviews --- audiovisuele media --- Periodicals --- Engineering --- Electrical Engineering --- Multimedia. --- Technologie.
Choose an application
Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.
Sound recordings --- Musical perception. --- Grabaciones sonoras --- Percepción musical. --- Musikinspelningar. --- Musikinspelning. --- Production and direction --- Philosophy and aesthetics. --- Psychological aspects. --- Producción y dirección --- Aspectos psicológicos. --- Musical perception --- Auditory perception --- Music --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Psychological aspects
Choose an application
"Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization--an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music--what recordings are made of and what happens to them when they are disposed of. Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based resin. Between 1950 and 2000, formats such as LPs, cassettes, and CDs were all made of petroleum-based plastic. Today, recordings exist as data-based audio files. Devine describes the people who harvest and process these materials, from women and children in the Global South to scientists and industrialists in the Global North. He reminds us that vinyl records are oil products, and that the so-called vinyl revival is part of petrocapitalism. The supposed immateriality of music as data is belied by the energy required to power the internet and the devices required to access music online. We tend to think of the recordings we buy as finished products. Devine offers an essential backstory. He reveals how a range of apparently peripheral people and processes are actually central to what music is, how it works, and why it matters."-- $c Provided by publisher.
Music --- Sound recordings --- Environmental aspects. --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
Listing 1 - 10 of 59 | << page >> |
Sort by
|